{"title":"“勒维特换位”与观念换位:观念艺术与参数化绘画的语法思考","authors":"M. Miller","doi":"10.5070/r72145864","DOIUrl":null,"url":null,"abstract":"Author(s): Miller, Marc | Abstract: In the 1970s, artists and designers were trying to formalize their respective processes using rules. In the fine arts, there was a long period of reflection that had gained traction within the modern art movement. For designers, it presented an opportunity to formalize design practices and procedures, thus providing a rationale for repetitive processes. In both cases, grammar and syntax were used to frame the process of translating the rules into operations.","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"98 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"\\\"LeWitt Transpositions\\\" and Conceptual Transpositions: Considering the Grammars of Conceptual Art and Parametric Drawing\",\"authors\":\"M. Miller\",\"doi\":\"10.5070/r72145864\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Author(s): Miller, Marc | Abstract: In the 1970s, artists and designers were trying to formalize their respective processes using rules. In the fine arts, there was a long period of reflection that had gained traction within the modern art movement. For designers, it presented an opportunity to formalize design practices and procedures, thus providing a rationale for repetitive processes. In both cases, grammar and syntax were used to frame the process of translating the rules into operations.\",\"PeriodicalId\":343897,\"journal\":{\"name\":\"Refract: An Open Access Visual Studies Journal\",\"volume\":\"98 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Refract: An Open Access Visual Studies Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5070/r72145864\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Refract: An Open Access Visual Studies Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5070/r72145864","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
"LeWitt Transpositions" and Conceptual Transpositions: Considering the Grammars of Conceptual Art and Parametric Drawing
Author(s): Miller, Marc | Abstract: In the 1970s, artists and designers were trying to formalize their respective processes using rules. In the fine arts, there was a long period of reflection that had gained traction within the modern art movement. For designers, it presented an opportunity to formalize design practices and procedures, thus providing a rationale for repetitive processes. In both cases, grammar and syntax were used to frame the process of translating the rules into operations.