Refract: An Open Access Visual Studies Journal最新文献_第7页

Daisy Bell 菊花贝尔

Refract: An Open Access Visual Studies Journal Pub Date : 2019-11-11 DOI: 10.5070/r72145850

Ryan Page

引用次数: 0

Untitled (Speech Poem #2) 无题(演讲诗#2)

Refract: An Open Access Visual Studies Journal Pub Date : 2019-11-11 DOI: 10.5070/r72145861

Marrok Sedgwick

引用次数: 0

BLAST RADIUS: No. 4 in a Series of Data Humanization Performances BLAST RADIUS:在一系列数据人性化表现中排名第四

Refract: An Open Access Visual Studies Journal Pub Date : 2019-11-11 DOI: 10.5070/r72145855

Adriene Jenik

引用次数: 0

Languages of Violence 暴力语言

Refract: An Open Access Visual Studies Journal Pub Date : 2019-11-11 DOI: 10.5070/r72145849

Ansel Arnold

引用次数: 0

Letter from the Editor 编辑来信

Refract: An Open Access Visual Studies Journal Pub Date : 2019-11-11 DOI: 10.5070/r72145848

Kate Korroch

引用次数: 0

The Heat is On 热火朝天

Refract: An Open Access Visual Studies Journal Pub Date : 2019-11-11 DOI: 10.5070/r72145854

A. Raengo

引用次数: 0

Lag and Impact in Visual Studies 视觉研究中的滞后和影响

Refract: An Open Access Visual Studies Journal Pub Date : 2019-11-11 DOI: 10.5070/r72145853

Sara Blaylock

{"title":"Lag and Impact in Visual Studies","authors":"Sara Blaylock","doi":"10.5070/r72145853","DOIUrl":"https://doi.org/10.5070/r72145853","url":null,"abstract":"Author(s): Blaylock, Sara | Abstract: A few weeks ago, I found myself sitting on my porch with a friend and my partner, trying to explain just what visual studies is. My friend, a historian, and my partner, who teaches in an English department, both listened patiently as I muddled through my usual preambles:It’s like art history, but with a more politicized vision… Some people approach visual studies as a means to think about perception and technologies that have literally changed vision… Others use it as a means to explain how what is made (or allowed to be) visible is a tool of consolidating and maintaining hegemonic power… Some people see it as a development of art history; others define it as a radical rupture.…I listed examples of potential objects of study. I began with the obvious: art, posters, film, advertisements, maps. I then listed more totalizing, which is to say less concrete, examples: systems of representation, discourse, the use of space, the commons. I inventoried the range of theoretical tools at my disposal: Marxism, feminism, critical race studies, indigeneity, postcolonialism, and queer theory… My historian friend nodded generously. “Yes,” she said, “people in my discipline work on these issues, as well.” My partner, more than a bit familiar with this intrigue of mine, acknowledged that his classroom and writing practice also welcome a variety of methodologies and source materials. So, what then, I proceeded to ask, is it that makes visual studies a discipline when its approach—that is to say, its methodology of interdisciplinarity—is being practiced (and seemingly welcomed) across the humanities?","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123997810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Lupine Sensibilities: Dynamically Embodied Intersubjectivity between Humans and Refugee Wolves 羽扇豆的情感：人类与狼难民之间动态体现的主体间性

Refract: An Open Access Visual Studies Journal Pub Date : 2019-11-11 DOI: 10.5070/r72145860

A. Hoffman

{"title":"Lupine Sensibilities: Dynamically Embodied Intersubjectivity between Humans and Refugee Wolves","authors":"A. Hoffman","doi":"10.5070/r72145860","DOIUrl":"https://doi.org/10.5070/r72145860","url":null,"abstract":"Author(s): Hoffman, Austin D. | Abstract: There is a growing body of literature in the field of environmental education that draws from the phenomenological tradition in theorizing about human-animal interactions. I am inspired by the eco-phenomenology of Phillip G. Payne and aim here to further an educational pedagogy of intercorporeal relations and to conceptualize M:W as “an active experiential and existential site of and for inquiry in and with various natures and environments.” From the animal welfarist perspective, some work has also been done about how these interactions occur in the contexts of zoos and wildlife sanctuaries, and how they can be mutually enriching for non/humans; Lindsey Mehrkam, Nicolle Verdi, and Clive Wynne have specifically studied captive wolves and wolf-dogs in this regard. Holding all these schools of thought in mind, this essay lies at the four-way intersection of human-animal studies (HAS), anthropological methodology, environmental education, and phenomenology. More specifically, I endeavor to bring the anthropological framework of dynamic embodiment—which draws heavily from phenomenology but has been largely humancentric—firmly into conversation with these other intellectual genealogies.","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130918997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

(Un)veiling Sappho: Renée Vivien and Natalie Clifford Barney’s Radical Translation Projects 《蒙面萨福:rensame Vivien和Natalie Clifford Barney的激进翻译项目

Refract: An Open Access Visual Studies Journal Pub Date : 2019-11-11 DOI: 10.5070/r72145856

R. Dilts

{"title":"(Un)veiling Sappho: Renée Vivien and Natalie Clifford Barney’s Radical Translation Projects","authors":"R. Dilts","doi":"10.5070/r72145856","DOIUrl":"https://doi.org/10.5070/r72145856","url":null,"abstract":"Author(s): Dilts, Rebekkah | Abstract: In 1894 a strange book titled Les chansons des Bilitis (The Songs of Bilitis) was published by the popular French writer Pierre Louys. A collection of erotic poetry, it began with an introduction that claimed the poems were found on the walls of a tomb in Cyprus and were written by an ancient Greek woman named Bilitis, a courtesan and contemporary of the ancient Greek poet Sappho. In fact, Louys fabricated Bilitis and the majority of the poems in the collection. He cites some of Sappho’s real verses, but credits them to his invented Bilitis. To lend authenticity to the forgery, he listed some of the poems as “untranslated” in the book’s index, and included a bibliography with earlier translations of collections of Bilitis’s poetry, which were, of course, also false. Yet upon publication, the fraud eluded even the most expert of scholars. Perhaps most surprisingly, even when the literary hoax was eventually exposed, it did little to diminish the book’s popularity. Louys’s endeavor both challenges the ethics of “faithful” translation and raises the question: why didn’t readers care that Bilitis wasn’t a real poet?","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121795148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Interpreting the Legal Archive of Visual Transformations: Textual Articulations of Visibility in Evidentiary Procedures and Documentary Formats of Colonial Law 解读视觉转换的法律档案:殖民法证据程序和文件格式中可见性的文本表达

Refract: An Open Access Visual Studies Journal Pub Date : 2019-11-11 DOI: 10.5070/r72145859

A. Akhtar

{"title":"Interpreting the Legal Archive of Visual Transformations: Textual Articulations of Visibility in Evidentiary Procedures and Documentary Formats of Colonial Law","authors":"A. Akhtar","doi":"10.5070/r72145859","DOIUrl":"https://doi.org/10.5070/r72145859","url":null,"abstract":"Author(s): Akhtar, Asif Ali | Abstract: This article is concerned with tracing an onto-epistemological break through the archeology of colonial penal law, whereby a historical restructuring of the “visible” and the “articulable” produces modern ways of “seeing” and “knowing.” This epistemic break will be investigated through eighteenth and nineteenth century “Regulation” of Islamic sharīʿa penal law by British administrators of the East India Company in colonial Bengal. The juridico-discursive body, which came to be known as Anglo-Muhammadan law, will be analyzed through court records compiled by Company jurists and their Regulations modifying sharīʿa jurisprudence. Islamic penal law is based on hermeneutical practices of juridical reasoning formed through particular ways of seeing, knowing, and verifying the truth through eye-witness and testimony. In this article I will show that when the British commandeered this system of justice towards their own ends, the regulatory changes they instituted inadvertently brought about visual transformations of the ways in which legal life-worlds of the colony come to be recorded, articulated, and expressed. Under the British administration of colonial Bengal, this dual-process of appropriation and subversion of the law took shape through translation and transliteration of fiqh treatises, to legal amendments and sweeping legislations in substantive law. This process not only provided colonial power access to the bodies of colonial subjects, but also conditioned the relations between criminality, visuality, and juridical veridiction through penal legislation. As this article will show, the East India Company’s regulation of Islamic penal law began incorporating modern forms of evidentiary proofs, indexicality, and documentary formats that restructured the lifeworld of colonial law in 19th century Bengal.","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128339063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0