{"title":"热火朝天","authors":"A. Raengo","doi":"10.5070/r72145854","DOIUrl":null,"url":null,"abstract":"Author(s): Raengo, Alessandra | Abstract: At one point in Kahlil Joseph’s two-screen installation BLKNWS (2018 – ongoing), African American poet June Jordan recites her “Song of the Law Abiding Citizen.” Strategicallyunderstated and delivered with deadpan irony, the poem begins by quickly accumulating momentum.","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"13 11","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Heat is On\",\"authors\":\"A. Raengo\",\"doi\":\"10.5070/r72145854\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Author(s): Raengo, Alessandra | Abstract: At one point in Kahlil Joseph’s two-screen installation BLKNWS (2018 – ongoing), African American poet June Jordan recites her “Song of the Law Abiding Citizen.” Strategicallyunderstated and delivered with deadpan irony, the poem begins by quickly accumulating momentum.\",\"PeriodicalId\":343897,\"journal\":{\"name\":\"Refract: An Open Access Visual Studies Journal\",\"volume\":\"13 11\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Refract: An Open Access Visual Studies Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5070/r72145854\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Refract: An Open Access Visual Studies Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5070/r72145854","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
摘要:在Kahlil Joseph的双屏装置作品《BLKNWS》(2018年至今)中,非裔美国诗人June Jordan朗诵了她的《守法公民之歌》(Song of the Law守法公民)。这首诗巧妙地低调,以一种冷漠的讽刺方式表达,诗的开头迅速积聚了动力。
Author(s): Raengo, Alessandra | Abstract: At one point in Kahlil Joseph’s two-screen installation BLKNWS (2018 – ongoing), African American poet June Jordan recites her “Song of the Law Abiding Citizen.” Strategicallyunderstated and delivered with deadpan irony, the poem begins by quickly accumulating momentum.