{"title":"The Heat is On","authors":"A. Raengo","doi":"10.5070/r72145854","DOIUrl":null,"url":null,"abstract":"Author(s): Raengo, Alessandra | Abstract: At one point in Kahlil Joseph’s two-screen installation BLKNWS (2018 – ongoing), African American poet June Jordan recites her “Song of the Law Abiding Citizen.” Strategicallyunderstated and delivered with deadpan irony, the poem begins by quickly accumulating momentum.","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"13 11","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Refract: An Open Access Visual Studies Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5070/r72145854","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Author(s): Raengo, Alessandra | Abstract: At one point in Kahlil Joseph’s two-screen installation BLKNWS (2018 – ongoing), African American poet June Jordan recites her “Song of the Law Abiding Citizen.” Strategicallyunderstated and delivered with deadpan irony, the poem begins by quickly accumulating momentum.