{"title":"Happy Bullish 2011!!!: Olek’s Project B","authors":"Ingrid Asplund","doi":"10.5070/R71141460","DOIUrl":null,"url":null,"abstract":"Author(s): Asplund, Ingrid | Abstract: Arturo Di Modica’s Charging Bull is imposing in scale. It is a model of muscular machismo and a popular tourist spot. It stands taller than most people in the middle of a very busy part of Manhattan, usually gleaming in the sun like a trophy of capitalist masculinity. Its scale is met with detail, as the Charging Bull features expressive eyes and eyebrows, a stance that exudes motion and energy, and a detailed musculature, from ribs to thighs. Very early Christmas morning (about three o’clock) in 2010, the artist Olek escaped from any potential sugar-plum fantasies and stole down to Wall Street to leave a Christmas gift for New York City. Olek had crocheted, by hand and without assistance, a covering for the Charging Bull, perhaps a sweater or a sort of “bull cozy” and installed it in the dead of night so as to avoid the authorities. She would later entitle this piece Project B (Wall Street Bull).","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"54 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Refract: An Open Access Visual Studies Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5070/R71141460","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Author(s): Asplund, Ingrid | Abstract: Arturo Di Modica’s Charging Bull is imposing in scale. It is a model of muscular machismo and a popular tourist spot. It stands taller than most people in the middle of a very busy part of Manhattan, usually gleaming in the sun like a trophy of capitalist masculinity. Its scale is met with detail, as the Charging Bull features expressive eyes and eyebrows, a stance that exudes motion and energy, and a detailed musculature, from ribs to thighs. Very early Christmas morning (about three o’clock) in 2010, the artist Olek escaped from any potential sugar-plum fantasies and stole down to Wall Street to leave a Christmas gift for New York City. Olek had crocheted, by hand and without assistance, a covering for the Charging Bull, perhaps a sweater or a sort of “bull cozy” and installed it in the dead of night so as to avoid the authorities. She would later entitle this piece Project B (Wall Street Bull).