Studia Rossica Posnaniensia最新文献

Юзовка – Сталино – Донецк: политизация национального вопроса в прозе о Донбассе советских писателей 1930–1980-х гг. 尤佐夫卡-斯大林诺-顿涅茨克：20 世纪 30 年代至 80 年代苏联作家关于顿巴斯散文中民族问题的政治化。

Studia Rossica Posnaniensia Pub Date : 2024-06-11 DOI: 10.14746/strp.2024.49.1.3

Eleonora Shestakova

{"title":"Юзовка – Сталино – Донецк: политизация национального вопроса в прозе о Донбассе советских писателей 1930–1980-х гг.","authors":"Eleonora Shestakova","doi":"10.14746/strp.2024.49.1.3","DOIUrl":"https://doi.org/10.14746/strp.2024.49.1.3","url":null,"abstract":"Donetsk is a young industrial city. This is captured in the history of its naming, reflective of the transformations of the politics of the two empires: Yuzovka – Stalino – Donetsk. There are few fictional works devoted to Donetsk in Soviet literature. It is local, regional literature, created by natives of the region from the 1930s to the 1980s. Donetsk’s art-journalistic metatext was formed along with the city transforming itself from a worker’s settlement into the capital of industrial Donbass. After October 1917 the city and metatext of Donetsk consistently “did not remember”, “did not see” its origins – Yuzovka – but was concentrated on the Soviet present of the region. The historically conditioned multinational of Yuzovka, under the pressure of Soviet policy and ideology, was transformed into an internationality based on the dominance of the Soviet (essentially Russian) man and his local kind: the Donbasovets. The aspirations to level out the national diversity of the region, to obscure the role of people with Ukrainian roots, and to replace it with the politicised internationalization in the fabric of the works have found their semantic and ideological limit. This limit intensified when the depersonalisation of national-cultural features of the city, region was artificially imposed and it manifested in speech, everyday realities, and the memorial culture of the common people.","PeriodicalId":34286,"journal":{"name":"Studia Rossica Posnaniensia","volume":"49 16","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141358722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ландшафт меняющихся идентичностей на фоне военного вторжения: роман Тамары Дуды Доця сквозь призму перевода 军事入侵背景下的身份转变景观：通过翻译棱镜看塔玛拉-杜达的小说《多茨亚

Studia Rossica Posnaniensia Pub Date : 2024-06-11 DOI: 10.14746/strp.2024.49.1.2

A. Antonova

{"title":"Ландшафт меняющихся идентичностей на фоне военного вторжения: роман Тамары Дуды Доця сквозь призму перевода","authors":"A. Antonova","doi":"10.14746/strp.2024.49.1.2","DOIUrl":"https://doi.org/10.14746/strp.2024.49.1.2","url":null,"abstract":"In the environment of Russia’s ongoing war against Ukraine, literary translation acquires critical significance as a way to get Ukraine’s narratives of destruction and urbicide across cultural and political borders. This article will focus on Daisy Gibbons’s 2021 translation of Tamara Duda’s 2019 novel Daughter, set in the Eastern Ukrainian city of Donetsk, to examine the translator’s project of reconstructing the complex interplay of Eastern and Western Ukrainian identities embroiled in the narrative of crawling occupation. Daughter tells the story of Russia’s 2014 invasion of Donetsk, dissecting the city’s fragmented identity along cultural and linguistic divides and exploring internal tensions and propaganda-fueled conflicts leading to its eventual downfall. The storyline adopts the female protagonist’s insider/outsider perspective, tracing her gradual evolution from an invisible observer to a fearless insurgent fighting for the survival of her unravelling home. The analysis will centre on the translator’s approach, which combines textual and paratextual techniques to highlight the processes of division and destruction – with their transformative impact on the urban space – and to enter into a visible dialogue with the narrator/protagonist’s voice to amplify and reinforce its distinctly pro-Ukrainian perspective.","PeriodicalId":34286,"journal":{"name":"Studia Rossica Posnaniensia","volume":"57 25","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141358437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Diabelskie koło historii. Poetyki miejskie w powieści Aleksieja Iwanowa Cienie Teutonów 魔鬼的历史之轮。阿列克谢-伊万诺夫小说《条顿人的阴影》中的城市诗学

Studia Rossica Posnaniensia Pub Date : 2024-06-11 DOI: 10.14746/strp.2024.49.1.6

Svetlana Pavlenko

引用次数: 0

Last Addresses: Commemorative plaques as lieux de mémoire and a form of communication 最后的地址：作为纪念场所和交流形式的纪念牌匾

Studia Rossica Posnaniensia Pub Date : 2024-06-11 DOI: 10.14746/strp.2024.49.1.8

Daria Khrushcheva

{"title":"Last Addresses: Commemorative plaques as lieux de mémoire and a form of communication","authors":"Daria Khrushcheva","doi":"10.14746/strp.2024.49.1.8","DOIUrl":"https://doi.org/10.14746/strp.2024.49.1.8","url":null,"abstract":"Memorial plaques are one of the most common forms of commemorative practices. Organically fitting into the geographical and socio-cultural landscape and having several functions, memorial plaques not only become a kind of marker of a “site of memory” (lieu de mémoire), play an important role in preserving names, transmitting historical memory, but also contribute to the construction and consolidation in the mass consciousness of ideologically verified representations of historical political events. Various “initiatives from below” and projects of independent activists (for example, the “Last Address” (“Poslednij adres”) project with memorial tablets to victims of state terror or the anonymous “questions about repressions” action discussed in this article) become vivid examples of how today’s Russian civil society reacts to a unilateral submission historical facts by power structures. The organizers of such actions become new actors in the politics of memory. They seek not only to expand the space of specific “places of memory” – memorial plaques and their contents – but also to change the perception of certain historical events and attitudes towards them. On the example of memorial plaques as a form of commemoration, the article examines the communicative strategies of different groups of memory subjects in modern Russia. ","PeriodicalId":34286,"journal":{"name":"Studia Rossica Posnaniensia","volume":"80 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141359721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Soviet savage, stinking cod and Muse – Vladislav Khodasevich’s vision of Saint Petersburg 苏联野蛮人、臭鳕鱼和缪斯女神--弗拉迪斯拉夫-霍达谢维奇眼中的圣彼得堡

Studia Rossica Posnaniensia Pub Date : 2024-06-11 DOI: 10.14746/strp.2024.49.1.11

Jolanta Brzykcy

引用次数: 0

Claiming the wall: How memorial plaques reshape urban landscapes in Russia 声称拥有隔离墙：纪念牌匾如何重塑俄罗斯的城市景观

Studia Rossica Posnaniensia Pub Date : 2024-06-11 DOI: 10.14746/strp.2024.49.1.7

Kiun Hwang

{"title":"Claiming the wall: How memorial plaques reshape urban landscapes in Russia","authors":"Kiun Hwang","doi":"10.14746/strp.2024.49.1.7","DOIUrl":"https://doi.org/10.14746/strp.2024.49.1.7","url":null,"abstract":"This article explores the significance of memorial plaques in Russian cities as sites of history, memory and aesthetics that create a new sensorium of the urban sphere. The plaques, affixed to historic buildings, serve as tangible markers that commemorate significant events and figures from the past. Taking the case of the historic center of St. Petersburg, the article examines how these plaques create a sense of historicity and contribute to the formation of a shared cultural background within the urban sphere. The plaques evolve from simple inscriptions to more elaborate and visually appealing designs. It also highlights the controversies surrounding the selection of individuals to be materialized and remembered and the aesthetic concerns raised by some residents. Meanwhile, the two contemporary projects challenge traditional commemorative practices and their aesthetics: Last Address, which commemorates victims of political repression through individualized plaques, and the Gandhi artist group’s street art interventions. These projects offer alternative approaches to memorialization and engage in dialogue with existing monuments and plaques. These micro-interventions show grassroot resistance within memorializing practices and aesthetics. The article emphasizes the contested nature of public space and the role of memorial plaques in shaping collective memory and historical narratives in Russian cities.","PeriodicalId":34286,"journal":{"name":"Studia Rossica Posnaniensia","volume":"18 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141356793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Попавшие в „мышеловку”: анализ отношения местного населения к Чернобыльской Зоне Отчуждения в кино- и телепродукции (1990–2021 гг.) 捕鼠器中的陷阱：对影视作品中当地人对切尔诺贝利禁区的态度的分析（1990-2021 年）》（Caught in a Mousetrap: An Analysis of Local Attitudes to the Chernobyl Exclusion Zone in Film and TV Production (1990-2021).

Studia Rossica Posnaniensia Pub Date : 2024-06-11 DOI: 10.14746/strp.2024.49.1.17

Claudia Fiorito

{"title":"Попавшие в „мышеловку”: анализ отношения местного населения к Чернобыльской Зоне Отчуждения в кино- и телепродукции (1990–2021 гг.)","authors":"Claudia Fiorito","doi":"10.14746/strp.2024.49.1.17","DOIUrl":"https://doi.org/10.14746/strp.2024.49.1.17","url":null,"abstract":"The release of the television series Chernobyl (HBO, Sky Atlantic 2019) drew renewed attention to the tragedy, its locations, and the affected population, generating new productions in Russia, such as the film Chernobyl: Abyss (Danila Kozlovskij, 2021), explicitly made in response to the Western series, signalling a desire to re-appropriate the narrative of the disaster and its territories. Indeed, a recurrent characteristic of the film and television productions of the countries most affected by the 1986 nuclear disaster (Ukraine, Belarus, and Russia) has been the representation of the land and the inhabitants’ relationship with it (Lindbladh 2019). This is also a central theme in Svetlana Alexievich’s renowned 1997 work Voices from Chernobyl: Chronicle of the future, whose stories inspired some episodes of the Anglo-American series. This article analyzes the representation of the relationship between the inhabitants of the Chornobyl/Chernobyl Exclusion Zone and their homeland in film and television productions dedicated to the nuclear disaster, beginning with Eastern European films made in the early 1990s, moving on to the representation in the Western series, and culminating with an analysis of Kozlovskij’s Chernobyl: Abyss. Features considered include the development of romantic narratives within the contaminated zone, the visual representation of radiation, and the depiction of the local institutions’ response to the disaster.","PeriodicalId":34286,"journal":{"name":"Studia Rossica Posnaniensia","volume":"74 23","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141358009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

„Miasto nigdy się nie kończy…”. Mroczne oblicze miasta w prozie Herty Müller 城市永无止境......"。赫塔-穆勒散文中的城市黑暗面

Studia Rossica Posnaniensia Pub Date : 2024-06-11 DOI: 10.14746/strp.2024.49.1.16

Estera Głuszko-Boczoń

{"title":"„Miasto nigdy się nie kończy…”. Mroczne oblicze miasta w prozie Herty Müller","authors":"Estera Głuszko-Boczoń","doi":"10.14746/strp.2024.49.1.16","DOIUrl":"https://doi.org/10.14746/strp.2024.49.1.16","url":null,"abstract":"One of the recurring motifs in Herta Müllerʼs work is the experience of the city, which often becomes a space of threat, violence, uncertainty, and finally repression and death. The German Nobel Prize laureate describes urban spaces, where the fate of the city is intertwined with the fate of the protagonists, depicting a world of people who are downtrodden, lost, defeated, and yet not without hope. This article discusses selected works by Herta Müller, in which the multidimensional image of the city opens up new fields for reflection and allows us to gain insight into how a totalitarian state functions. The cities the author describes are reflective of all Romanian cities under the dictatorship of Nicolae Ceaușescu; they are places of depravity and terror. This article also explores the aesthetics of ugliness which affects the understanding of the role of cities in Herta Müllerʼs prose, and analyzes important urban symbols such as asphalt, apartment blocks, parks and the flora and fauna characteristic of communist cities. In many of Müllerʼs texts, cities form a dramatic backdrop for acts of violence and repression against ‘the Stranger’ – for instance, the German minority,the Roma community, and women. Thus, the experience of an individual becomes the experience of the whole community, which makes Herta Müllerʼs work enduringly relevant.","PeriodicalId":34286,"journal":{"name":"Studia Rossica Posnaniensia","volume":"35 16","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141355688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Польские города как пространство истории в Семейном архиве Бориса Херсонского 鲍里斯-赫尔松斯基家庭档案中作为历史空间的波兰城市

Studia Rossica Posnaniensia Pub Date : 2024-06-11 DOI: 10.14746/strp.2024.49.1.4

Kristina Vorontsova

{"title":"Польские города как пространство истории в Семейном архиве Бориса Херсонского","authors":"Kristina Vorontsova","doi":"10.14746/strp.2024.49.1.4","DOIUrl":"https://doi.org/10.14746/strp.2024.49.1.4","url":null,"abstract":"This article is focused on the so-called urban texts related to Poland with a special emphasis on the historical and geographical region of Galicia, which covers the territories of Red Ruthenia in Ukraine and Lesser Poland, and on their historical connotations as presented in Boris Khersonsky’s book of poetry Family archive (2006). Khersonsky is a Russian-speaking Ukrainian poet from Odesa, who has been awarded prestigious prizes for his literary work both in Ukraine and abroad. Family archive can be described as a sort of novel in verse about the tragic history of the 20th century told through the family history of the author himself. The main goal of this article is to analyze the specific spatial structure of the book in the context of geopoetics and places of memory with a special accent on Polish cities and towns. This territory is the quintessential locus of historical events connected to Eastern European Jewish heritage and the tragedy of the Holocaust. This paper seeks to reconstruct the image of Poland with all the connotations and cultural myths associated with its multicultural experience.","PeriodicalId":34286,"journal":{"name":"Studia Rossica Posnaniensia","volume":"53 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141358260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Wilno mityczne we współczesnej prozie litewskiej 当代立陶宛散文中神话般的维尔纽斯

Studia Rossica Posnaniensia Pub Date : 2024-06-11 DOI: 10.14746/strp.2024.49.1.13

Audinga Peluritytė-Tikuišienė

引用次数: 0