声称拥有隔离墙:纪念牌匾如何重塑俄罗斯的城市景观

Kiun Hwang
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引用次数: 0

摘要

本文探讨了俄罗斯城市中的纪念牌匾作为历史、记忆和美学场所的意义,这些牌匾创造了城市领域的新感觉。这些贴在历史建筑上的牌匾是纪念过去重大事件和人物的有形标志。文章以圣彼得堡的历史中心为例,探讨了这些牌匾如何创造历史感,以及如何促进在城市范围内形成共同的文化背景。这些牌匾从简单的碑文发展到更为精致、更具视觉吸引力的设计。研究还强调了在选择被物化和铭记的个人方面存在的争议,以及一些居民提出的美学问题。与此同时,两个当代项目对传统的纪念做法及其美学提出了挑战:通过个性化牌匾纪念政治压迫受害者的 "最后地址",以及甘地艺术家团体的街头艺术干预。这些项目提供了另一种纪念方式,并与现有的纪念碑和牌匾进行了对话。这些微观干预显示了基层对纪念活动和美学的抵制。文章强调了公共空间的争议性以及纪念牌匾在塑造俄罗斯城市集体记忆和历史叙事中的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Claiming the wall: How memorial plaques reshape urban landscapes in Russia
This article explores the significance of memorial plaques in Russian cities as sites of history, memory and aesthetics that create a new sensorium of the urban sphere. The plaques, affixed to historic buildings, serve as tangible markers that commemorate significant events and figures from the past. Taking the case of the historic center of St. Petersburg, the article examines how these plaques create a sense of historicity and contribute to the formation of a shared cultural background within the urban sphere. The plaques evolve from simple inscriptions to more elaborate and visually appealing designs. It also highlights the controversies surrounding the selection of individuals to be materialized and remembered and the aesthetic concerns raised by some residents. Meanwhile, the two contemporary projects challenge traditional commemorative practices and their aesthetics: Last Address, which commemorates victims of political repression through individualized plaques, and the Gandhi artist group’s street art interventions. These projects offer alternative approaches to memorialization and engage in dialogue with existing monuments and plaques. These micro-interventions show grassroot resistance within memorializing practices and aesthetics. The article emphasizes the contested nature of public space and the role of memorial plaques in shaping collective memory and historical narratives in Russian cities.
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