The Culturology Ideas最新文献_第8页

Genesis of criteria and principles for safeguarding of the intangible cultural heritage by analyzing international documents 从国际文献分析非物质文化遗产保护标准与原则的起源

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-21-2022-1.138-147

Demian Valentyna

{"title":"Genesis of criteria and principles for safeguarding of the intangible cultural heritage by analyzing international documents","authors":"Demian Valentyna","doi":"10.37627/2311-9489-21-2022-1.138-147","DOIUrl":"https://doi.org/10.37627/2311-9489-21-2022-1.138-147","url":null,"abstract":"The paper analyzes the steps anticipating the adoption and international approval of the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage. It deals, particularly, with a wide body of expert discussion reports and studies laying the base for adopted political documents and legislative acts, summarizing resolutions and proposals, which we had to consider. Retrospective and analytical review presented in the paper allows not only to recognize and appreciate the long-term way anticipating the development of the final draft of the UNESCO Convention, but also to examine most of conceptions, terms and principles applied in 2003 Convention which are further improving under challenges of time and international community. Analyzing the genesis of criteria and principles, that is, the essence of today concept on safeguarding of the intangible cultural heritage underlying the 2003 Convention, the author stresses upon such important its integral parts as comprehensive and interdisciplinary studies, broad field for dialogue directed at reaching consensus, definition of the role of communities and individual bearers of the intangible cultural heritage.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126374160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

"Episode — series — series products" as structural components of modern culture “集-系列-系列产品”作为现代文化的结构性组成部分

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-22-2022-2.38-45

T. Kokhan

{"title":"\"Episode — series — series products\" as structural components of modern culture","authors":"T. Kokhan","doi":"10.37627/2311-9489-22-2022-2.38-45","DOIUrl":"https://doi.org/10.37627/2311-9489-22-2022-2.38-45","url":null,"abstract":"It is argued that from decade to decade Ukrainian humanities are actively expanding the research space, discovering new, theoretically important \"problem areas\", the understanding of which may have prospects by using the potential of cultural analysis, including factors such as \"interdisciplinarity\", \"personalization\" and \"dialogue\". These include a range of issues related to the specifics of the \"series\".\u0000It is noted that due to the involvement of the concept of \"paradigm\" in the analysis of the situation in the field of art, the facts of partial or complete change, especially patterns of thinking in motion from film to TV series and from cinema to television.\u0000It is stated that the interest in television in general and the \"television series\" in particular intensified during the '70s and '90s. This was due to a number of reasons, including the rapid entry into the space of humanitarian knowledge of cultural studies. As a unity of history and theory of culture, it prompted a revision of the research orientation of the traditional humanities.\u0000It is noted that the ability to record the transformation of \"film — series\" encourages the use of art history dimension of culturology — a science that represents a combination of three components: theory, history and art criticism. At the same time, the history of art is seen as a procedural phenomenon, as it accumulated gradually: art forms were formed not simultaneously but over the centuries, entrenched in the dynamic movement of artistic development of reality.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"240 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121432882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Protection of immovable objects of cultural heritage under aggressive war conditions: theoretical and practical aspects 侵略战争条件下不可移动文化遗产的保护:理论与实践方面

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-23-2023-1.168-177

M. Mishchenko

{"title":"Protection of immovable objects of cultural heritage under aggressive war conditions: theoretical and practical aspects","authors":"M. Mishchenko","doi":"10.37627/2311-9489-23-2023-1.168-177","DOIUrl":"https://doi.org/10.37627/2311-9489-23-2023-1.168-177","url":null,"abstract":"The aim of this paper is to analyze the theoretical foundations and practical components of the protection of immovable objects of cultural heritage in the conditions of an aggressive war unleashed by russia on the territory of Ukraine.\u0000Methodology. The author uses as a methodological basis of this study the principles and methods of the cultural approach to the analysis of numerous publications, practical experience and norms of national legislation on the protection of cultural heritage.\u0000Results. Circumstances that significantly complicate the protection of immovable monuments in the conditions of martial law include the lack of direct legislative regulation of monument protection activities in this period, the practical possibility of predicting the degree of risk for them within different regions of our country, sufficient funding for the protection of monuments depending on their type and actual location.\u0000Novelty. It was determined that despite the state of war, the activities of the state registration of immovable objects of cultural heritage under the category of national or local importance continue. It was also argued that in the context of ensuring the protection of immovable objects of cultural heritage, the methods of “physical protection” cannot be applied to all their types.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"46 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132025882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The dialogue of cultures: theoretical and practical features of cultural production 文化对话:文化生产的理论与实践特征

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-21-2022-1.24-33

O. Oliinyk

{"title":"The dialogue of cultures: theoretical and practical features of cultural production","authors":"O. Oliinyk","doi":"10.37627/2311-9489-21-2022-1.24-33","DOIUrl":"https://doi.org/10.37627/2311-9489-21-2022-1.24-33","url":null,"abstract":"In this article the cultural product is understood in two contexts. According to the first one it is perceived as a result of cultural production, which depends on the characteristics of cultural work and communication between the producer and the audience, ie the peculiarities of the consumption of cultural products. According to the second approach it is a tool for cultural dialogue and cultural diplomacy. Thus, the logic of presenting the theses is intended to analyze three main aspects: cultural work (its specific features, the level of understanding and perception), cultural consumption (dialogue of the artist with the audience, ethics of art production), features of the ecosystem of cultural production of Ukraine. The necessity to legitimize the cultural economics (an inherent component of cultural space) as a subject of research focuses on three main tasks: first, to create an appropriate ecosystem for cultural development (from training to clear financial terms, the status of cultural production in society and economy); secondly, to reproduce the laws of social relations in cultural production (from working conditions and the status of artists to dialogue with the audience or the consumption of cultural products) and thirdly, to implement the strategies for the development of culture and cultural industries. This justifies the relevance of the given topic for research, aimed to analyze the importance of the economic component of cultural production for the concept of cultural dialogue.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134557377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Transculturality as a Modern Theoretic Concept in an Interdisciplinary Academic Space 跨文化:一个跨学科学术空间中的现代理论概念

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-16-2019-2.91-97

Nataliia Otreshko

{"title":"Transculturality as a Modern Theoretic Concept in an Interdisciplinary Academic Space","authors":"Nataliia Otreshko","doi":"10.37627/2311-9489-16-2019-2.91-97","DOIUrl":"https://doi.org/10.37627/2311-9489-16-2019-2.91-97","url":null,"abstract":"The purpose of the article is to analyze the trends in the use of the concept of transculturality existing in the global scientific discourse and to identify the main directions of development of this concept.\u0000Methodology. An evolutionary analysis of the formation of the three main approaches in the analysis of transculturality provides a practical test of the intermediate results in specific historical examples. System analysis will show the regularity and necessity of studying the evolution of transcultural systems, taking into account their dynamics from the perspective of the future.\u0000Results. Drawing on a comparative approach, the author identifies three main areas of development of the concept of transculturality in contemporary scientific discourse. The first one continues the tradition of classical German philosophy of culture. The second area of transculturality studies is related to the ideological disputes of neoliberals and postcolonialists. The third area of research is purely practical, helping to solve the problems of transcultural communications in the field of business.\u0000Originality. For the first time, three different approaches to the study of transcultural phenomena are identified and analyzed, and their methodological and ideological differences are proposed.\u0000Practical meaning. The information contained in this work can be used to further research and development of methodological material for new courses of lectures and seminars on cultural philosophy and methodology for studying contemporary transcultural processes.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130070169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Mythology and Heuristics in the Theory of Interpretation 阐释理论中的神话与启发式

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-15-2019-1.29-40

Ihor Yudkin

{"title":"Mythology and Heuristics in the Theory of Interpretation","authors":"Ihor Yudkin","doi":"10.37627/2311-9489-15-2019-1.29-40","DOIUrl":"https://doi.org/10.37627/2311-9489-15-2019-1.29-40","url":null,"abstract":"Mythology is the necessary stage in the development of abstract thinking based upon the interpretation of syncretic verbal polysemy. In opposite to the ritualistic approach, it has been stressed upon the incoherence of myth with practical activity as the construction of an imaginary virtual world where the motivation of events is represented as the consequence of intentions. It gives rise to the development of negation and entails the priority of antitheses and dualistic worldview inherited in the baroque casuistic devices of confutation. Syncretic polysemy is then reconceived as the indefiniteness, whereas the metonymic prevalence in mythological text entails its complementary construction.\u0000The principles of indefiniteness and complementarity are inherited in heuristics as the solution of search tasks under the circumstances of the lack of data. The mythological concept of absurd gives rise to preponderant experimental errors. The mythological opposition of visible and invisible worlds correlates with the concept of the latent information of the second plane in theatre as well as the codification in myth with that of situations and characters in theatre. The metonymic row of myth is reconsidered as the gradual disclosure of circumstances on stage. The priority in the heuristic approach belongs to the exploration of characters’ faculties and intentions for the construction of a dramatic subjective perspective with the searches for the prototypes of dramatis persona.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"119 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133073315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Psychedelic Reinterpretation of Corpus Christi by Philip K. Dick 菲利普·k·迪克对科珀斯克里斯蒂的迷幻重新诠释

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-17-2020-1.82-88

Bogdan Trocha

{"title":"The Psychedelic Reinterpretation of Corpus Christi by Philip K. Dick","authors":"Bogdan Trocha","doi":"10.37627/2311-9489-17-2020-1.82-88","DOIUrl":"https://doi.org/10.37627/2311-9489-17-2020-1.82-88","url":null,"abstract":"The article discusses the literary search for God as given in the novel The Transmigration of Timothy Archer by Philip K. Dick. Religious, theological and fantastic contexts of the novel are analyzed here. The author also presents some cultural aspects of the novel. Set in late 1960s and 1970s, it is one of the novels in his Valis triptych where the search for God and His hidden essence is fulfilled through traditional theological and philosophical texts of Judeo-Christian culture and gnosis. Its main protagonist, bishop Timothy Archer, is on a quest for uniting man with the infinite divine, coping with the juxtaposition of the official interpretation of religious texts and the newly discovered fragments of Zadokite texts. Studying these texts, Archer gains knowledge of the anokhi fungus, abandons the idea of contacting with God, and focuses on the practice of hallucinogenic communion that gives him the knowledge leading to the most suitable way to avoid the final experience of death. Tracing the shift in the main protagonist’s worldview, the author shows us the dilemmas that a homo religiosus faces in his search of the divine caused by mistranslated texts. This article thus deals with the opposing phenomena of spiritual passivity and practical attitude towards the world, the religious ecstasy the protagonist seeks and the experience of narcotic trance he turns to in the end, and the manipulation of terms ‘body of Christ’ and the Fungus. Still, further research into the ecstatic experience and its role in culture is needed.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114799559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Peculiarities of acting education in the domestic artistic and educational process 表演教育在国内艺术教育过程中的特殊性

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-23-2023-1.129-142

Oleksii Bezghin, Olga Uspenska

{"title":"Peculiarities of acting education in the domestic artistic and educational process","authors":"Oleksii Bezghin, Olga Uspenska","doi":"10.37627/2311-9489-23-2023-1.129-142","DOIUrl":"https://doi.org/10.37627/2311-9489-23-2023-1.129-142","url":null,"abstract":"The article discusses the specifics of actors training in Ukraine in the context of the competency-based approach to education codified in the Bologna process and the new Ukrainian educational law. To answer their research questions, the authors analyze competencies for stage actors at the bachelor’s and master’s levels defined by three different Ukrainian institutions of higher education. The authors acknowledge the many benefits of the competency-based approach to education, including improved transparency and comparability of degrees, and increased student and teacher mobility, but also suggest it has its pitfalls. For actors training, the competency-based approach creates a problem of defining core competencies reflective of the specifics of actors training focused on memory, voice, movement, and speech, as well as differentiating between competencies at the bachelor’s and master’s levels. The authors find little difference between bachelor and master level competencies in the programs they analyze and ask if actors not pursuing a teaching career should be required to obtain a master’s degree to attain “complete higher education.” The authors bring up an important issue of preserving unique national actor schools formed by renowned stage masters as the core element of actor’s education. They also suggest festivals of actor schools as a way of learning approaches to actors training.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124781226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ostap Vyshnia in Ukrainian Culture of Remembrance: ‘King of Sales’, ‘People’s Satirist’, a Public Institution, a Propaganda Tool, a National Martyr 乌克兰纪念文化中的奥斯塔普·维什尼亚:“销售之王”、“人民讽刺家”、公共机构、宣传工具、国家烈士

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-16-2019-2.136-163

O. Grytsenko

{"title":"Ostap Vyshnia in Ukrainian Culture of Remembrance: ‘King of Sales’, ‘People’s Satirist’, a Public Institution, a Propaganda Tool, a National Martyr","authors":"O. Grytsenko","doi":"10.37627/2311-9489-16-2019-2.136-163","DOIUrl":"https://doi.org/10.37627/2311-9489-16-2019-2.136-163","url":null,"abstract":"The article offers a study of the evolution of cultural representations, ways of reception and critical interpretations of the work and personality of the prominent Ukrainian satirist Ostap Vyshnia (1889‒1956) in Ukraine’s culture of remembrance and in Ukrainian society in general. Despite the existence of dozens of books and hundreds of articles about Vyshnia, both academic and popular, published in Ukraine and elsewhere since the late 1920s, the subject is still waiting for a comprehensive, unbiased, systemic and interdisciplinary scholarly study. The article is an attempt at such a study, focused on cultural representations of the personality of Ostap Vyshnia and on the reception of some of his important works. Also, it deals with social and political uses and abuses of Vyshnia’s enormous popularity and of the symbolic capital of his public persona as ‘the people’s satirist’.\u0000The article argues that, apart from the mentioned one, there has been a variety of public personae of the popular satirist. They have been shaping and functioning in Ukrainian culture and society since the 1920s, and include, among others, the personae of Ostap Vyshnia as a ‘king of Ukrainian book sales’, as peasants’ trickster hero, as ‘enemy of the people’, as ‘nation’s master of laughter’, and, since the 1990s, as a national martyr and a key figure of Ukrainian ‘Executed Renaissance’ of the 1920s.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131560273","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Modern Holidays — Mechanisms and Conditions for Rooting of “New-Old” Holidays: Commercialization of the Holiday 现代假日——“新-旧”假日产生的机制与条件:假日的商业化

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-15-2019-1.97-104

T. Haievska

{"title":"Modern Holidays — Mechanisms and Conditions for Rooting of “New-Old” Holidays: Commercialization of the Holiday","authors":"T. Haievska","doi":"10.37627/2311-9489-15-2019-1.97-104","DOIUrl":"https://doi.org/10.37627/2311-9489-15-2019-1.97-104","url":null,"abstract":"Recently, most researchers of modern festive culture point to the loss of the true nature of the holiday in the current global world. Today, holidays have become more «casual», «routine». Festive intonations remain in everyday life.\u0000The gradual disintegration of a single celebratory culture manifested in the natural coexistence of religious and state holidays, old and new, one’s own and others’, characterizes the 21st century primarily and certainly relates to the processes of globalization and the dominance of multicultural trends.\u0000Modern culture places the holiday in a completely different context. The traditional holiday was “built-in” in the production life cycle, and the place of today's holiday is the process of consumption.\u0000Firstly, the modern life of society is based on fundamentally different foundations with the semantic dominative shifts from the producing material goods to consuming, the essence of which consists not in satisfying the material needs of a person, but in the manipulation of signs.\u0000Secondly, the opposition of work and rest is significantly transformed, shifting towards free time as the main value of human life.\u0000Thirdly, the mythological principle underlies the modeling of the world of a consumer society. The \"miraculous status of consumption\" and the mythology of the \"golden age,\" understood as abundance, expresses this.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127449460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0