ANAMORPHOSIS - Revista Internacional de Direito e Literatura最新文献_第2页

“Eu, o Supremo”: entre a perpetuidade e a interpretação, ou a diferença entre ditadura e gramatocracia “我，至尊”:在永恒与解释之间，或独裁与语法统治的区别

ANAMORPHOSIS - Revista Internacional de Direito e Literatura Pub Date : 2021-12-30 DOI: 10.21119/anamps.72.405-426

Diego Antonio Gil Maturana

引用次数: 0

"An ordinary task to any constitutional court"?: overinterpretation and the time of occupation criterion (marco temporal) in the Raposa Serra do Sol indigenous land "宪法法院的普通任务"Raposa Serra do Sol土著土地的过度解释和占领时间标准(marco temporal)

ANAMORPHOSIS - Revista Internacional de Direito e Literatura Pub Date : 2021-12-30 DOI: 10.21119/anamps.72.309-331

Lara Santos Zangerolame Taroco

{"title":"\"An ordinary task to any constitutional court\"?: overinterpretation and the time of occupation criterion (marco temporal) in the Raposa Serra do Sol indigenous land","authors":"Lara Santos Zangerolame Taroco","doi":"10.21119/anamps.72.309-331","DOIUrl":"https://doi.org/10.21119/anamps.72.309-331","url":null,"abstract":"This paper investigates the connections between the phenomenon of overinterpretation in Law and the time of occupation criterion, called marco temporal thesis, using the Law and Literature methodology. The category of overinterpretation hereby considered comes from the literary theory by Italian semioticist Umberto Eco. In this paper, overinterpretation theory is applied to Law, from its interlocution with Literature. This very category was mentioned in the Report n.001/2017, by the Brazilian Federal Attorney General’s Office, on the marco temporal thesis, which gave rise to the judgement analysis of Petition 3388/RR, by the Brazilian Federal Supreme Court, also known as the case of Raposa Serra do Sol Indigenous Land, when the abovementioned thesis was established. Then follows the analysis on the approximations between overinterpretation and the institutional safeguards provided for in the sentence, which go beyond the original case; as well as the hyperfictional aspect of the marco temporal thesis, which, by adopting a restrictive interpretation of indigenous territorial rights, denies the colonial process and the State’s own efforts to carry out forced removals of indigenous peoples. It also ignores the historicity and traditional occupation of the Brazilian territory by the indigenous peoples, which crosses textual limits and contradicts the Constitution itself.","PeriodicalId":336488,"journal":{"name":"ANAMORPHOSIS - Revista Internacional de Direito e Literatura","volume":"103 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133870952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Dissent in court and in literature: the brazilian technique of adding collegiate members to court and the «Minority report» 法庭和文学上的异议:巴西在法庭上增加合议庭成员的技巧和“少数人报告”

ANAMORPHOSIS - Revista Internacional de Direito e Literatura Pub Date : 2021-12-30 DOI: 10.21119/anamps.72.427-444

Victor Sampaio Godim

引用次数: 0

Law and art in the female resistance to patriarcal authoritarianism during the brazilian civil military dictatorship 巴西文官军事独裁时期女性反抗父权主义的法律与艺术

ANAMORPHOSIS - Revista Internacional de Direito e Literatura Pub Date : 2021-12-30 DOI: 10.21119/anamps.72.529-561

Arnaldo Sampaio de Moraes Godoy, Raquel Xavier Vieira Braga

{"title":"Law and art in the female resistance to patriarcal authoritarianism during the brazilian civil military dictatorship","authors":"Arnaldo Sampaio de Moraes Godoy, Raquel Xavier Vieira Braga","doi":"10.21119/anamps.72.529-561","DOIUrl":"https://doi.org/10.21119/anamps.72.529-561","url":null,"abstract":"The relationship between law and art – apparently subtle – is intense. Law is a cultural product resulting from human conventions, while art, in its progressive bias, is a cultural product that questions these conventions to deliver life from the prisons that human beings create. The avant-garde artistic field contributes to breaking paradigms, as well as the female gender, which is constantly emancipated to deconstruct paradigmatic meanings. The woman increasingly comes out of silence and reports her experiences. From the perspective of law, there are very important historical events that can become institutionalized. The alteration of constitutional norms, depending on the context, can represent the gateway to authoritarian models filled with arbitrariness, such as, for example, the civil military dictatorship of 64 and, in particular, the AI-5, in Brazil. In the arrangement between law, art and gender issues, a powerful context for reflection appears. The hypothesis presented is that art is capable of converting tragedies into powers and, exposing the experience suffered by women during the Brazilian military regime in literature and cinema, it acts on the possibility of society overcoming traumatic experiences, while mobilizing the right to adapt to new models of human interaction, enabling – or at least not hindering – the nascent positions of female subjects in the social field. The research starts from primary and secondary legal sources, such as the analysis of historical documents, news published by the major newspapers of the time, examination of normative texts and reading of classic works.","PeriodicalId":336488,"journal":{"name":"ANAMORPHOSIS - Revista Internacional de Direito e Literatura","volume":"26 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121042892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Direito, natureza e ficção científica: a questão ecológica em "Criador de estrelas" de Olaf Stapledon 法律、自然和科幻小说:奥拉夫·斯台普顿的《星际创造者》中的生态问题

ANAMORPHOSIS - Revista Internacional de Direito e Literatura Pub Date : 2021-12-30 DOI: 10.21119/anamps.72.445-470

Dabel Leandro Franco

引用次数: 0

Law, literature, and citizenship: a Literary Culture of the Law at school 法律、文学与公民权:学校法律的文学文化

ANAMORPHOSIS - Revista Internacional de Direito e Literatura Pub Date : 2021-12-30 DOI: 10.21119/anamps.72.333-354

A. Trindade, H. Karam

引用次数: 0

The absurd of brazilian legal theory in pandemic times: thoughts from the novel "The plague", by Albert Camus 大流行时期巴西法律理论的荒谬:来自阿尔贝·加缪小说《瘟疫》的思考

ANAMORPHOSIS - Revista Internacional de Direito e Literatura Pub Date : 2021-12-30 DOI: 10.21119/anamps.72.471-501

Elda Coelho de Azevedo Bussinguer, Alberto Dias de Souza

{"title":"The absurd of brazilian legal theory in pandemic times: thoughts from the novel \"The plague\", by Albert Camus","authors":"Elda Coelho de Azevedo Bussinguer, Alberto Dias de Souza","doi":"10.21119/anamps.72.471-501","DOIUrl":"https://doi.org/10.21119/anamps.72.471-501","url":null,"abstract":"This paper is an analysis of the Legal Theory in Brazil during the COVID-19 pandemics, in 2020, highlighting the normative science, based on the philosophical perspective of the absurd, as developed in the novel The Plague, by Albert Camus (1936-1960). Since the beginning of 2020, the Brazilian state has been dealing with the global challenge of facing the erratic and fast contagion of the virus SARS-COV-2. A vast number of texts has been issued, in every sphere of the federation, to justify the public state actions, in order to maintain the legal social control. The constant quarrels of power, together with the economic decrease caused by social isolation, brought elements of distrust and denial regarding state actions, even when supported by the Law. A comparable situation is seen in Camus’ novel, in which, in the face of an epidemic, the worst of individuals is exposed, as the social cohesion of solidarity is abandoned. The methodology used focuses on bibliographic research. The conclusion identifies the presence of the same denial present in the absurd, already proclaimed by the Algerian thinker in the mid-twentieth century, which represents, in the public sphere, a threat to the continuity of democratic health.","PeriodicalId":336488,"journal":{"name":"ANAMORPHOSIS - Revista Internacional de Direito e Literatura","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127225754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Justiça: notas à margem da obra de Friedrich Dürrenmatt (com especial referência à novela "A pane") 正义:弗里德里希durrenmatt作品的旁注(特别参考小说《A pane》)

ANAMORPHOSIS - Revista Internacional de Direito e Literatura Pub Date : 2021-12-30 DOI: 10.21119/anamps.72.375-403

Maria Pina Fersini

引用次数: 0

"God is a woman and her name is Petunia" and a dialogue on art and human rights "上帝是一个女人，她的名字叫佩妮"以及关于艺术和人权的对话

ANAMORPHOSIS - Revista Internacional de Direito e Literatura Pub Date : 2021-12-30 DOI: 10.21119/anamps.72.563-570

Flavia Hardt Schreiner

引用次数: 0

A Constituição: “resto diurno” do sonho da modernidade 宪法:现代性梦想的“白天休息”

ANAMORPHOSIS - Revista Internacional de Direito e Literatura Pub Date : 2021-12-30 DOI: 10.21119/anamps.72.293-307

Alícia Ruiz

引用次数: 0