Anglica Wratislaviensia最新文献_第6页

Intra-Individual Variability in the Emergence of Complexity, Accuracy and Fluency in Speaking English at Secondary School: A Case Study of a Good, Average and Poor Language Learner 中学英语口语复杂性、准确性和流利性出现的个体内部变异:一个优秀、一般和差的语言学习者的案例研究

Anglica Wratislaviensia Pub Date : 2019-10-04 DOI: 10.19195/0301-7966.57.14

K. Rokoszewska

{"title":"Intra-Individual Variability in the Emergence of Complexity, Accuracy and Fluency in Speaking English at Secondary School: A Case Study of a Good, Average and Poor Language Learner","authors":"K. Rokoszewska","doi":"10.19195/0301-7966.57.14","DOIUrl":"https://doi.org/10.19195/0301-7966.57.14","url":null,"abstract":"According to Complex Dynamic Systems Theory CDST, language is a complex dynamic system consisting of subsystems which show a lot of variability, especially during intensive development. Second language development is generally connected with an increase in complexity, accuracy and fluency but there are trade-offs within and between these language subcomponents. What is more, intra-individual variability, defined as differences in the level of developmental variables within individuals and between repeated measurements, is said to be an important developmental phenomenon. The aim of this article is to analyze the relationships between different measures of syntactic complexity, lexical complexity, accuracy and fluency, and to examine intra-individual variability with respect to the rate of development in longitudinal oral data provided by a good, average and poor language learner at the level of secondary school. Generally, the results of the study show some statistically significant differences between the learners in the development of these language subsystems but no such differences in intra-individual variability. Nevertheless, the study indicates a strong, positive correlation between the learners’ level of intra-individual variability and the rate of development of the language subsystems in speech at this level.","PeriodicalId":323447,"journal":{"name":"Anglica Wratislaviensia","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126184634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 5

Review of "Beyond the Universe of Languages for Specific Purposes: The 21st Century Perspective", Mary Frances Litzler, Jesús García Laborda and Cristina Tejedor Martínez eds., Madrid: Servicio de publicaciones de la Universidad de Alcalá, 2016 Mary Frances Litzler、jesus garcia Laborda和Cristina Tejedor martinez编，《超越语言的宇宙:21世纪的视角》。，马德里:alcala大学出版服务，2016

Anglica Wratislaviensia Pub Date : 2019-10-04 DOI: 10.19195/0301-7966.57.16

Francisco J. Álvarez-Gil

引用次数: 1

The Contemporary British-Jewish Family and the Significance of Its Confines in "The Innocents", Francesca Segal’s Retelling of Edith Wharton 弗朗西斯卡·西格尔重述伊迪丝·沃顿的《无辜者》:当代英国犹太家庭及其界限的意义

Anglica Wratislaviensia Pub Date : 2019-10-04 DOI: 10.19195/0301-7966.57.1

A. Chmielewska

引用次数: 0

Cowboy and Samurai Values and Their Exponents in the Western "A Fistful of Dollars" (1964) and Its Predecessor the Samurai Movie "Yojimbo" (1961): Proposal of a Methodological Framework for Axiological Analyses of Multimodal Filmic Texts 西部片《一大笔钱》(1964)及其前身武士片《吉金保》(1961)中的牛仔与武士价值观及其表现——多模态电影文本价值论分析的方法论框架建议

Anglica Wratislaviensia Pub Date : 2019-10-04 DOI: 10.19195/0301-7966.57.12

Paweł Stańko

{"title":"Cowboy and Samurai Values and Their Exponents in the Western \"A Fistful of Dollars\" (1964) and Its Predecessor the Samurai Movie \"Yojimbo\" (1961): Proposal of a Methodological Framework for Axiological Analyses of Multimodal Filmic Texts","authors":"Paweł Stańko","doi":"10.19195/0301-7966.57.12","DOIUrl":"https://doi.org/10.19195/0301-7966.57.12","url":null,"abstract":"This paper focuses on the issue of valuations and values in the chosen movies linked by the relationship of remaking. Its goal is to show that the complexity of multimodal texts, to which filmic texts and therefore remakes belong, makes it necessary to examine the axiological level of film texts too. In this way we hope to prove that the amply justified and evidenced axiological aspects of language cf. Krzeszowski, Angels, Aspekty, Equivalence; Puzynina, “Językoznawstwo”, Język are also a property of primarily visual film texts. Consequently, the very aspects of the relationship of remaking itself that the two films share, i.e. the fact that the film A Fistful of Dollars 1964 is a remake of Yojimbo 1961, is not examined in this paper. Instead, we restricted our attempt to showing how axiological charges and values are expressed in the process of remaking. The basis of the analysis is the compositional level and the compositional-narrative structure of filmic texts, a choice which correlates with the approach to multimodality of filmic texts described in Post Film. The sample axiological analysis presented in the fourth section of this paper relies on the approaches of Krzeszowski Angels, Meaning, Puzynina “Językoznawstwo”, Język and Post Film. With the instruments selected from these works we underline the differences and similarities between values and axiological charges present in both films as well as their importance and impact on the overall meaning of filmic segments.","PeriodicalId":323447,"journal":{"name":"Anglica Wratislaviensia","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116940151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Housed Memories: Spatial and Temporal Portrayals in Virginia Woolf’s The Voyage Out 封存的记忆:弗吉尼亚·伍尔夫的《远航》中的时空刻画

Anglica Wratislaviensia Pub Date : 2018-11-22 DOI: 10.19195/0301-7966.56.8

P. Pająk

{"title":"Housed Memories: Spatial and Temporal Portrayals in Virginia Woolf’s The Voyage Out","authors":"P. Pająk","doi":"10.19195/0301-7966.56.8","DOIUrl":"https://doi.org/10.19195/0301-7966.56.8","url":null,"abstract":"Neurocognitive research has confirmed that people perceive and remember the “rooms of their own” similarly to their own bodies. These psychological discoveries yield important new insights into the oeuvre of Virginia Woolf, an avid diarist, flâneuse and experimenter, preoccupied with gendered memory and space available to women in the early 20th century. While there exists an important and growing body of work on Woolf’s interest into women’s emancipation and politics of space, the gendered connection between spatial and temporal aspects of her works remains a little researched area, particularly in the context of neurocognitive theory of memory. This paper argues that in The Voyage Out the representations of the protagonist, Rachel Vinrace, are structured around the processes of autobiographical remembering and spatial perception, as her private rooms serve as loci of her memory and identity. It is then possible to interpret Rachel’s rooms as her spatial portraits, which perceived by other characters tell their inhabitant’s life story. A similar role could be attributed to the autobiographical memory, which preserves their owner’s temporal portrayals in particular moments of her life.","PeriodicalId":323447,"journal":{"name":"Anglica Wratislaviensia","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134121449","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Is a Step through the Door a Way to Take a Doorstep? A Psycholinguistic Study on Polish Compound Words “一步进门”是“台阶”的一种方式吗?波兰语复合词的心理语言学研究

Anglica Wratislaviensia Pub Date : 2018-11-22 DOI: 10.19195/0301-7966.56.14

Krzysztof Hwaszcz

{"title":"Is a Step through the Door a Way to Take a Doorstep? A Psycholinguistic Study on Polish Compound Words","authors":"Krzysztof Hwaszcz","doi":"10.19195/0301-7966.56.14","DOIUrl":"https://doi.org/10.19195/0301-7966.56.14","url":null,"abstract":"The present study concentrates on the organization of the mental lexicon with regard to semantic transparency in the representation of Polish compounds. Its aim was to test current approaches to the processing of morphologically complex words in a lexical decision experiment with the use of visually presented Polish compound and simple words. The existing psycholinguistic approaches centre around the same question: are complex words parsed into their constituent parts or are they stored as full-word representations in the human mental lexicon? I referred to five widely acknowledged models of morphological processing to account for the outcomes of the present study. The data reveal that: i transparent compounds primed by words semantically related to the heads of these transparent compounds elicited faster response times than opaque compounds within the same condition; and ii priming speeds up the processing for both transparent and opaque compounds. The results indicate that the processing of Polish compound words is influenced by semantic transparency and that both transparent and opaque compounds are decomposed into their constituents prior to lexical access.","PeriodicalId":323447,"journal":{"name":"Anglica Wratislaviensia","volume":"115 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132272916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

An on Screen Philosophical Debate — Bishop Berkeley’s esse est percipi and Samuel Beckett’s Film 一场银幕上的哲学辩论——伯克利主教的最重要的感知和塞缪尔·贝克特的电影

Anglica Wratislaviensia Pub Date : 2018-11-22 DOI: 10.19195/0301-7966.56.11

Jadwiga Uchman

引用次数: 0

“Fantastic Dance of Images, Shapes, Forms”: Visuality and Fragmentation in Ann Quin’s Passages “图像、形状、形式的梦幻之舞”:安·奎因段落中的视觉性和碎片性

Anglica Wratislaviensia Pub Date : 2018-11-22 DOI: 10.19195/0301-7966.56.13

H. White

{"title":"“Fantastic Dance of Images, Shapes, Forms”: Visuality and Fragmentation in Ann Quin’s Passages","authors":"H. White","doi":"10.19195/0301-7966.56.13","DOIUrl":"https://doi.org/10.19195/0301-7966.56.13","url":null,"abstract":"This paper brings together aspects of visuality and fragmentation in Quin’s work, concentrating on her 1969 novel, Passages, in order to tease out the effects and implications of Quin’s formal fragmentariness. The visuality manifests itself in Passages through Quin’s borrowing of compositional techniques from the visual arts — layering effects from painting, shaping and cutting techniques from sculpture, the whole method of the textual cut-up. Quin splits her narrative in two sections seemingly narrated by each of the main characters, one female and one male. Applying painterly techniques to the former and sculptural to the latter, Quin’s narrative implicitly explores the habitual feminisation or masculinisation of certain aesthetic categories and modes of epistemological enquiry, as well as the unequal power relations of gender politics within a social context. Quin’s textual fragments do on some level cohere into a whole, but it is one riven with uncertainties, provoked specifically by the elliptical nature of the narrative, and complicated by Quin’s blurring of boundaries of all kinds — between characters, between binary categories, between narrative moments and locations. This resistance to categorisation — both on the level of individual fragments or passages of text, and of Quin’s work more generally — invites readers and critics to question the frameworks in which they are trying to place the parts, to challenge the rigidity of the categories themselves.","PeriodicalId":323447,"journal":{"name":"Anglica Wratislaviensia","volume":"716 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123752799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

“You and I”: The Fragmentation of the Writing Self and the Tradition of Modernism in T.S. Eliot’s “The Love Song of J. Alfred Prufrock” and Gabriel Josipovici’s Moo Pak “你和我”:艾略特《J.阿尔弗雷德·普鲁弗洛克的情歌》与加布里埃尔·约西波维奇《穆帕克》中写作自我的碎片化与现代主义传统

Anglica Wratislaviensia Pub Date : 2018-11-22 DOI: 10.19195/0301-7966.56.10

Magdalena Sawa

引用次数: 0

Method-ising Cognitive Truth: The Paradigm of Subtext in Baz Luhrmann’s Silver-Screen Vision of Romeo and Juliet’s Wedding 方法化的认知真理:巴兹·鲁曼《罗密欧与朱丽叶的婚礼》银幕视觉中的潜台词范式

Anglica Wratislaviensia Pub Date : 2018-11-22 DOI: 10.19195/0301-7966.56.5

Elżbieta Litwin

{"title":"Method-ising Cognitive Truth: The Paradigm of Subtext in Baz Luhrmann’s Silver-Screen Vision of Romeo and Juliet’s Wedding","authors":"Elżbieta Litwin","doi":"10.19195/0301-7966.56.5","DOIUrl":"https://doi.org/10.19195/0301-7966.56.5","url":null,"abstract":"A case study of the wedding scene in William Shakespeare’s Romeo + Juliet directed by Baz Luhrmann 1996, this article is a hermeneutic exploration of the truth pursuits within the subtext from the empirical perspective of a practicing director and a semiotician, in accordance with the principles of the Method acting technique. The author proposes a new, space-negotiated definition of subtext as a separate cognitive unit, based on the multilayered interdependences within the directorial semiotic triad of word–emotional action–mise-en-scène. In a minute shot-by-shot analysis, the author examines the hermeneutic collocations in-between the elements of the triad, and demonstrates the ways cognitive spaces become subtextual statements within each shot, as well as how the internal subtexts shape the metasubtext of each shot in order to arrive at the megasubtext of the scene — and subsequently the total subtext of the entire story in a cultural text. Aspects of the evolution of the subtext representations are analyzed within the triad of word–emotional action–mise-en-scène, against the backdrop of the epistemological pursuits of the truth. How do we reach the truth in a cultural text? What components of the film language rule the expression of the truth in a cultural text?","PeriodicalId":323447,"journal":{"name":"Anglica Wratislaviensia","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117270913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0