Pitanna Literaturoznavstva最新文献_第7页

The figure “teacher-writer” by J. Williams: novel “Stoner” j·威廉姆斯的“教师作家”形象:小说《斯通纳》

Pitanna Literaturoznavstva Pub Date : 2020-12-28 DOI: 10.31861/pytlit2020.102.112

Kateryna Kalynych

{"title":"The figure “teacher-writer” by J. Williams: novel “Stoner”","authors":"Kateryna Kalynych","doi":"10.31861/pytlit2020.102.112","DOIUrl":"https://doi.org/10.31861/pytlit2020.102.112","url":null,"abstract":"The realization of the paradigm “teacher-writer” in the interpretation of American professor and writer John Williams has been researched. The comparison of the author’s biography with the image of the protagonist of the novel – Stoner – revealed that the latter is the prototype of the writer. Along with the evolution development of the main character William Stoner, we have followed the improvement of his teaching methods which was reflected on the pages of the novel. The reader’s attention is logically focused on the main issues, such as the war theme and the mission of the university. It was shown how political events (World Wars I and II) consistently influenced the functioning of the educational institution having direct impact on the behavior of the studenthood. The author puts forward his own concept of the real nature of an academic institution thus defining three university models. The first model – “the Stoner model” – renders a closed institution which cluster the chosen ones in order to implement ideal concepts of scientific activity; the second – “the Finch model” – demonstrates an open institution which realizes its educational and spiritual activities for an appropriate reward; the third model, knows as “Masters model”, sees a university as a shelter for incompetent people and elderly unfulfilled personalities. The conclusions lies in the notion of “perfect education” witch should be specific for any given epoch. For instance, according to J. William’s novel, new realia demand of university to renew its concepts and priorities, the lack of which, in its turn, reasons the logic of the conflict between the past and the present, and this is what the character of William Stoner systematically faces, apparently reflecting the experience of the author himself.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69760392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Form-Bilding Factors of the Generational Novel (by the example of novels “Heavenly bodies” by T. Dückers and “In my brother’s shadow” by U. Timm) 代际小说的形式拜尔因素（以T·Dückers的小说《天体》和U·蒂姆的小说《在我哥哥的阴影下》为例）

Pitanna Literaturoznavstva Pub Date : 2020-12-28 DOI: 10.31861/pytlit2020.102.088

Olya Hrecheshnyuk

{"title":"Form-Bilding Factors of the Generational Novel (by the example of novels “Heavenly bodies” by T. Dückers and “In my brother’s shadow” by U. Timm)","authors":"Olya Hrecheshnyuk","doi":"10.31861/pytlit2020.102.088","DOIUrl":"https://doi.org/10.31861/pytlit2020.102.088","url":null,"abstract":"The article deals with the problem of the form-bilding factors of the generational novel by the example of the most popular novels of the modern German literature (“Heavenly bodies” by T. Dückers and “In my brother’s shadow” by U. Timm). At the beginning of 21th century the question about the nature of a generational novel, as a specific kind of the family novel, is the most discussed among the specialists in literature. The work is based on research of the important works of famous scientists (A. Assmann, A. Eichenberg, M. Neuschäfer and other). The research demonstrates, that the most significant poetical details of this genre variety apply to its composition. The results of the research show that all generational novels have special structural elements, which are its form-bilding factors (specific composition form, position of the narrator, characters and other). The paper is based on structurally-typological and comparative approaches, which help to reveal the specificity of the generational novel as a genre variety. Scientific novelty contains the try to describe the features of the poetics of the generational novel in the modern German literary process. Despite the actuality of such problem of the generational novel and the existing works this theme is analyzed only a little. That is the reason for research on this topic.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48680199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Picturesque of Literature and Literature of Fine Arts in Works of Twice Exceptional Expressionists 两次杰出表现主义作品中的文学的如画与美术的文学

Pitanna Literaturoznavstva Pub Date : 2020-12-28 DOI: 10.31861/pytlit2020.102.134

S. Varetska

{"title":"Picturesque of Literature and Literature of Fine Arts in Works of Twice Exceptional Expressionists","authors":"S. Varetska","doi":"10.31861/pytlit2020.102.134","DOIUrl":"https://doi.org/10.31861/pytlit2020.102.134","url":null,"abstract":"The article considers a problem of the arts interaction, which is a characteristic feature of German expressionism. It analyzes works of gifted expressionists, which are fulfilling themselves not only as writers, but as painters too and vice versa. All attention is paid to such figures of expressionism as Oscar Kokoschka, Franz Kafka, Alfred Kubin. The article argues that the power of talent of such artists is so great that self-realization in one of the arts is not enough for them, and therefore they actively use the opportunity to reveal the facets of their giftedness not only verbally, but also visually, alternately changing brushes to pen. Such a synthesis is quite productive because these works are enriched by narrative thematic motifs, genre varieties, a figurative vision of reality, compositional figures of the material organization, etc. It is proved that the expressionists did not follow the modernist concept “Art for the sake of art”, yet for them a human is with his fears, complexes and visions in the center. Thus, the main aim of an artist is using various artistic means to show a sacred inner world where in contrast to the real philistine life a spiritual unity and harmony do exist. In a combination of text, drawing or music, or, like Kokoschka’s light and paint, expressionists try to convey through multimedia the sensual and sacred that arises for them as the purpose of existence.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69760406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Anthropology of Desire Correlate in Oles Ulianenko’s Novel “Syn Tini” 奥列斯·乌连年科小说《Syn Tini》中的欲望关联人类学

Pitanna Literaturoznavstva Pub Date : 2020-12-28 DOI: 10.31861/pytlit2020.102.055

F. Shteinbuk

{"title":"Anthropology of Desire Correlate in Oles Ulianenko’s Novel “Syn Tini”","authors":"F. Shteinbuk","doi":"10.31861/pytlit2020.102.055","DOIUrl":"https://doi.org/10.31861/pytlit2020.102.055","url":null,"abstract":"Oles Ulianenko, one of the most talented and controversial modern Ukrainian writers, has been dead for ten years. However, during his life O. Ulianenko’s works were not given any appropriate professional interpretation as the literary scholars and critics applied either the wrong or inefficient method because of the numerous objective or, very often, subjective reasons. The goal of this article is to suggest an alternative variant, in comparison to the traditional literary ones, of theoretical literary analysis which is grounded on the principles of the corporal-mimetic method to interpret fiction, and which is an example of literary analysis of the writer’s novel “Syn Tini” (The Shadow Son). Consequently, the conclusion has been drawn that the meaning of the analyzed novel is not determined by moral-ethical rigorism but by an anthropological correlate of desire aimed to overcome death, hence, to accept life because the exact realization of the corresponding correlate connected with ontological categories “life” and “death” can “explain people’s existence. Not as a flock, but human beings…” (J. Lucan). Moreover, relations between a man and a woman can be considered in the same ontological-anthropological plane. Thus, Oles Ulianenko’s novel “Syn Tini” does not depict a “zoo”, albeit “human” one, not a parade of sadistic deviations which are “idiologized” or “aestheticized”, not to speak about “demonism of criminal actions” of any kind – it depicts exactly people. People who are madly driven by their desire to become someone in life, to be at least “shadow son”, since they are obviously not able to claim the status of those who can count on having their own shadow.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69760650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Metaphorical Code of Perceiving a Literary Text 文学文本感知的隐喻密码

Pitanna Literaturoznavstva Pub Date : 2020-07-09 DOI: 10.31861/pytlit2020.101.047

B. Ivanyuk

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引用次数: 0

Life as a Metaphor and Metaphor as a Foundation for Poetic Translation 生命是隐喻，隐喻是诗歌翻译的基础

Pitanna Literaturoznavstva Pub Date : 2020-07-09 DOI: 10.31861/pytlit2020.101.126

O. Tabachnikova

{"title":"Life as a Metaphor and Metaphor as a Foundation for Poetic Translation","authors":"O. Tabachnikova","doi":"10.31861/pytlit2020.101.126","DOIUrl":"https://doi.org/10.31861/pytlit2020.101.126","url":null,"abstract":"The first part of the article examines the phenomenon of metaphor in its ontological sense – as an integral part of the poetic worldview. Using the example of the famous extended metaphor in describing the ball in Nikolai Gogol’s novel “Dead Souls”, we discuss the extension of meanings that occurs at the level of aesthetics as a direct effect of the metaphor. In the second part of the article, the metaphor is considered as a supporting element of the poetic construction, which in a certain sense plays the role of an invariant in the process of poetic translation. Using my own translation activities as an example, I am trying to trace the transplantation of a poetic metaphor from English into Russian. Moreover, the metaphor, that terminologically means movement, a certain flow (and extension) of meaning, is analysed as a scientific model. In constructing this model, the author’s goal is not identification, but approximation, not blind similarity, not far-fetched comparison of the two phenomena (even if formally suitable), but the discovery of deep kinship. Moreover, as stated in the article, this kinship does not have to be conveyed by the totality of qualities – instead, it aesthetically follows from the main features. Using translations from 20th-century English poetry (Robert Frost and Wilfred Owen), specific poetic decisions made by me as a translator are discussed. At the same time, general issues that inevitably arise in translation are also addressed, in particular, on the choice of a poetic form depending on the cultural context and on both poetic traditions. In this case, our goal is to trace what happens with a metaphor in the process of translation, what transformations it undergoes.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48080383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

In Search of the Meaning of Umberto Eco’s Narrative Metaphor “To Catch a Orange Dove” 探寻翁贝托·艾柯“抓一只橙鸽”叙事隐喻的意义

Pitanna Literaturoznavstva Pub Date : 2020-07-09 DOI: 10.31861/pytlit2020.101.256

A. Tychinina

{"title":"In Search of the Meaning of Umberto Eco’s Narrative Metaphor “To Catch a Orange Dove”","authors":"A. Tychinina","doi":"10.31861/pytlit2020.101.256","DOIUrl":"https://doi.org/10.31861/pytlit2020.101.256","url":null,"abstract":"The narrative specifics of Umberto Eco’s novel “The Island of the Day Before is regarded through a basic idea of the narrative metaphor “The Orange Dove”. The methodological basis of the study is a summary concept of the relationship between narrative and metaphor. These are O. Freidenberg’s hypothesis of metaphor as a future narrative form of plots and genres; F. Ankersmit’s narrative logic of metaphor’s transformation into a plot through a “point of view”; P. Recoeur’s “common innovative nucleus” in narrative and metaphor designed for productive imagination; G. Genette’s “narrative modality” and regulation of narrative information through metalepsis; R. Barthes’ dichotomy of “functions and indices” as an analogy of metonymic and metaphorical relations. In the article under discussion, we consider metaphor as a narrative principle that ensures its own presentation, generates its rhythm, creates personosphere, and involves a reader in an intellectual game. Such a way of metaphor formation marks U. Eco’s literary style. In his novel “The Island of the day Before”, the following distinctive range of metaphors play a very constructive role: metaphor of sleep, metaphor of love as a source of creative activities, metaphor of duality, metaphor of hatred. Above all, it is worth pointing out author’s epistemological metaphor, which is closely related to the search of truth: in the latter sense, the “Orange Dove” is associated with a post-modernist analogue of the “Blue Rose”, borrowed from the epoch of Romanticism. Due to the technique of metalepsis (“the figure of speech denoting author’s intrusion”), offered by G. Genette, the narrator demonstrates his metaphoric intentions through the discourse of a character-narrator. In conclusion, narrative metaphor of the novel directs the narrative strategy to a variety of its numerous versions, which may be implemented owing to reader’s competence.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69759894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Metaphor in M. Proust’s Artistic World: From the Being of Art to the Art of Being 普鲁斯特艺术世界中的隐喻：从艺术的存在到存在的艺术

Pitanna Literaturoznavstva Pub Date : 2020-07-09 DOI: 10.31861/pytlit2020.101.146

N. Astrakhan

{"title":"Metaphor in M. Proust’s Artistic World: From the Being of Art to the Art of Being","authors":"N. Astrakhan","doi":"10.31861/pytlit2020.101.146","DOIUrl":"https://doi.org/10.31861/pytlit2020.101.146","url":null,"abstract":"The article deals with the functions of metaphor in the artistic world of M. Proust. In the context of the novel sequence In Search of Lost Time, metaphor becomes a mechanism to implement involuntary memory, which allows to combine the present (impressions) and the past (memories). Metaphor, given by the associative connection between impressions and memories, becomes the main constructive law of the artistic model of reality created by the French writer.\u0000The multifunctionality of metaphor correlates with the three forms of the subject of consciousness that appears in the context of the artistic whole of the novel sequence as an author, a narrator and a character. The author organizes the work of involuntary memory, based on the metaphor; the narrator balances what has been fished out of the past against the present with the help of experience associations; the character experiences the impressions by going through discoveries and disappointments.\u0000Proust’s lyrical epos gives the subject the ability to move beyond the hellish circle of the present into timeless dimensions. The novels created by the author and the character, intersect creating the effect of full being, allowing the subject of creative consciousness to recover its identity by overcoming painful contradictions of individual existence in the artistic creativity as in the dialogical interaction with the other.\u0000By using the formal and the hermeneutical methods with the emphasis on the philosophy of dialogue, the article explores the peculiarities of metaphor functioning at the macro- and microlevels. The former allows to construct the experimental picture of the world at the intersection of different time-space spheres that correlate with each other due to the spiritual and intellectual efforts of the subject. The latter allows us to consider the artistic image based on metaphor the core of the modernist writer’s artistic style and the way to the new concept of artist and art.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48284498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Metaphor as Discourse Main Element 隐喻作为语篇的主要成分

Pitanna Literaturoznavstva Pub Date : 2020-07-09 DOI: 10.31861/pytlit2020.101.109

L. Oliander

引用次数: 0

Metaphorical Structure of the Poetry of the symbolists (based on the poems by V. Ivanov) 象征主义诗歌的隐喻结构(以伊万诺夫的诗歌为例)

Pitanna Literaturoznavstva Pub Date : 2020-07-09 DOI: 10.31861/pytlit2020.101.239

Elina Sventsitsky

{"title":"Metaphorical Structure of the Poetry of the symbolists (based on the poems by V. Ivanov)","authors":"Elina Sventsitsky","doi":"10.31861/pytlit2020.101.239","DOIUrl":"https://doi.org/10.31861/pytlit2020.101.239","url":null,"abstract":"The aim of this article is to show that metaphorical and symbolic word in the symbolist poetics are the interdependent phenomena, and to reveal how a poem becomes symbolic through the realization of a certain metaphorical structure, based on the analysis of V. Ivanov's poems. The study of Ivanov's work “Dve stihii v russkom simvolisme” (“Two Elements in the Russian Symbolism”) has led to the conclusion that the author’s thinking is personalized and creates entities; in the numerous phenomena of existence, he sees a single personal entity. Thus arises the semantic perspective of defining a single essence through a series of comparisons. This is why a number of Ivanov's poems are based on multiple metaphor, a framework of definitions expressed in metaphors. In each of the analyzed works (“Ulov” – “The catch”, “Alpiyskiy rog” – “Alpine horn”, the cycle “Lira i os’” – “Lyre and axis”), the poet establishes several levels of metaphorization, where the real and the ideal planes are constantly exchanging places. The metaphorical comparison of different objects builds transitions from one level to another. Thus, a kind of synthesis emerges, things become transparent, flexible, and they are permeated by upward currents. It is this dynamic symbol of existence that makes it possible to accumulate and revive the past content, and interact with the world cultural context. It has a certain structure – a crystal, whose facets are separate and intrinsically valuable, but deep down they are united, and this unity lives in each of the facets. The detected structure also expresses the main tendency of Ivanov's creative work: the contemplation of an immediate feeling, an instinct, i.e. a heroic attempt to break through to a sense of the unity of everything with everything through rational comprehension and analysis.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69759170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1