Pitanna Literaturoznavstva最新文献

{"title":"The Crisis Interval: German Literature of Bukovyna at the Turn of the Century","authors":"Petro Rychlo","doi":"10.31861/PYTLIT2018.98.142","DOIUrl":"https://doi.org/10.31861/PYTLIT2018.98.142","url":null,"abstract":"Der Artikel widmet sich der deutschsprachigen Literatur der Bukowina um die Jahrhundertswende, die man als ein Krisenintervall in ihrer Entwicklung charakterisieren kann. Es war eine gewisse Atemspause zwischen zwei Perioden, deren erste auf die 60–80er Jahre des 19. Jahrhunderts fallt (E. R. Neubauer, L. A. Simiginowicz-Staufe, J. G. Obrist, K. E. Franzos) und zwei nachste mit dem Auftritt auf die Literaturbuhne von zwei Generationen deutschjudischer Dichter in der Zwischenkriegs- (A. Margul-Sperber, R. Auslander, M. Rosenkranz, A. Kittner, D. Goldfeld) und der Nachkriegszeit (A. Gong, I. Weisglas, P. Celan, M. Winkler, S. Meerbaum-Eisinger) verbunden sind. Das Werk der Czernowitzer deutschsprachigen Autoren der „Fin de siecle“-Epoche (L. Rosenzweig, K. Pekelmann, A. Norst, F. R. Kaindl, F. Porubski) erreichte nicht, im Unterschied von der vorherigen und der drauffolgenden Etappen, eine breitere Resonanz und blieb eine literarische Erscheinung von lokaler Pragung. Interessant in diesem Sinne sei der Vergleich mit der ukrainischen Literatur, die um dieselbe Zeit ihre hochste Blute erlebt (O. Kobylanska, O. Makowej, J. Jaroschynska, S. Jaryczewskyj u. a.).","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69755893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"An Endeavor of Freedom: Modern Anthologies of Ukrainian Free Verse","authors":"N. Naumenko","doi":"10.31861/PYTLIT2018.98.175","DOIUrl":"https://doi.org/10.31861/PYTLIT2018.98.175","url":null,"abstract":"The main problem of researching the semantics of free verse and its translations is that every literary critic is free to look at this intricate genre, choosing one’s own set of tropes and figures to interpret it in written form. These facts were considered in this study of original Ukrainian free verse works and their interpretations, regarding the specific treats of languages to use. The anthology Вільний вітер. Волен вятър published in Kharkiv in 2017 became a material for this research. This issue makes a good opportunity for one reader to get acquainted with Bulgarian culture, and for another to actualize their knowledge about this country on Black Sea coast. The 20 th century free verse writing represents quite active and flexible use of natural philosophical imagery in the artistic texture of the poems. These are different functions for it to fulfill (from decorating the lyrical narration up to expression of an essence of the work), stylistic means, and formation of the new connotations on the base of traditional meanings. Studying the interpretations of traditional genres and their poetics in compositional and lingual dimensions of both Ukrainian and Bulgarian free verses (those included into Вільний вітер ) allowed seeing the fact: the more the author gets into the internal world of the character and one’s relationships with nature, the wider becomes the circle of meanings for the cultural conceit, image, and symbol. Furthermore, the larger research field gets opened for comparison of aforesaid meanings in various languages, not only Ukrainian and Bulgarian.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69756071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reflexions Of World War 1 in Joseph Roth’s Early Publicism","authors":"Anastasiya Vytrykush","doi":"10.31861/pytlit2018.98.105","DOIUrl":"https://doi.org/10.31861/pytlit2018.98.105","url":null,"abstract":"This article deals with the speciality of J. Roth’s reception of the Great War, description of it in his early publicism. The object of this inverstigation were short writings of publicistic type, published in period 1915 – 1919, when the author participated at the war as an Austrian military reporter. This was the beginning of his journalistic career. The representation of World War 1 by young journalist was partly compared with that by older, more experienced novel-writer. The article analyzed J. Roth’s position to the war during its height and the cause-and-effect relations in his writings. The genres, used by J. Roth at that time, are considered, also the publishers of his texts. In this article the culture-historical method is used, a lot of attention is paid to the biographical analyze. As result of the analyses came the conclusion that J. Roth’s early publicism only partly belongs to the topic of war: there are only several Texts dedicated to the actual theme and some more texts, which contains any small mentions, reminiscences and parallels to the war. They are focused on the effects of the war for the society; which are absolutely negative. Despite of demonstrating no naturalistic battle-scenes, the writer shows the war as a catastrophic phenomenon, physically and mentally. Here comes J. Roth’s antimilitaristic position true.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69756202","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Intermedial Metadramatic Measurements: Children's Cinema of 1960–1980's","authors":"Eugene Vasyliev","doi":"10.31861/PYTLIT2018.98.229","DOIUrl":"https://doi.org/10.31861/PYTLIT2018.98.229","url":null,"abstract":"The article attempts to apply the common concept of metadrama and metatheatrality, developed by L. Abel, J. Calderwood, J. Schluter, P. Hornby, S. Sviontek, K. Vieweg-Marks, and others related to dramaturgy, to the phenomena of cinema. The problem of theatricality in cinema aesthetics and the history of world cinema is touched upon. The research material is the work of the national cinema for children of the 1960s–1980s, primarily Rolan Bykov’s films (“Seven Nannies”, “Aibolit-66”, “Automobile, Violin and Blot the Dog”). Various manifestations of metatheatrality are analyzed in the films for children: “Mama” (“Rock'n'Roll Wolf»), “The Adventures of Buratino”, “New Adventures of Captain Vrungel”, “A Merry Dream, or Laughter and Tears”, film dilogy about Petrov and Vasechkin, etc. The phenomena of metacharacter (a character who is aware of himself as a character) in children's films are also explored. Characters of Rolan Bykov's films can be categorized as metacharacters: they also perceive themselves as actors, not human beings, articulate their “artificiality”, are aware of their fictional character. Manifestations of metadrama diversify film text, bring a bright game element, create an atmosphere of theatricality, carnival, festivity. Metadramatism makes the viewer think about aesthetic problems, in particular, artistic convention, the boundaries between art (“screen”) and reality (“audience”), their expansion and even destruction. Metadrama techniques contribute to the convergence of the aesthetics of cinema and theatre.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69757332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“The Decline of the West” by Oswald Spengler: Providential Model of Science","authors":"M. Lanovyk, Z. Lanovyk","doi":"10.31861/pytlit2018.98.007","DOIUrl":"https://doi.org/10.31861/pytlit2018.98.007","url":null,"abstract":"The article is dedicated to the 100 Anniversary from the first publication of the monumental work by Oswald Spengler “The Decline of the West”. The main attention is focused upon the problems of the role, place, functions and methods of science in the situation of changeability and instability of the contemporary academic space; trajectory of the possible development of the human knowledge in the West world; delimitation of the science and humanitarian studies spheres and their interrelations; opposing of the cultural and civilization scientific models. The study reveals that the scholar suggests the necessity of drawing of the idea of the internal as the overcoming of the crisis in the science which would help to oppose spiritual world picture to the mechanic worldview and consequently open the way to the penetration into deep internal essence of the things. So the article deals with the comprehended by German scholar such concepts as knowledge, understanding, creativity; scientific experience as self-perception; the past and the future as an expression of separate human soul or culture; idea of irrational and creative components of investigation. Oswald Spengler in his unsurpassed work “The Decline of the West” had predicted risks of our epoch and had developed the unique scheme of the study of the past as the foundation for the future construction. Proposed approach confirmed the possibility of the existence of the providential model of science, which would take into consideration in scientific knowledge not only spiritual phenomena but intuitive penetration, insight, enlightens as well; to project the ways of the possible dynamics of the historical, cultural and scientific development. The providential model of science is analyzed as the method of avoidance of the probable risks in the conditions of civilization crisis, as well as the possible approach of preserving of the West culture.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69755995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Autistic Way of Thinking and Existentialistic Dimensions of Postpostmodernism","authors":"D. Drozdovskyi","doi":"10.31861/PYTLIT2018.98.301","DOIUrl":"https://doi.org/10.31861/PYTLIT2018.98.301","url":null,"abstract":"In the paper, the author has spotlighted the specific representation of autistic thinking in contemporary post-postmodernistic novel. Post-postmodernistic novels exploit neopositivistic strategies of world perception and analysis providing new philosophical outlook. The novel “ The Curious Incident of the Dog in the Night-Time ” by Mark Haddon is in the center of investigator’s attention. Christopher, the protagonist of M. Haddon’s novel, has a special way of thinking inherent in the strategy to objectify reality laying it out into basic causal elements and using mathematical models of world deciphering and understanding. The protagonist reveals lack of traditional emotionality providing ontological understanding of such phenomenon as death. Besides, his model of world perception develops existentialistic philosophical points. At the same time, the protagonist represents a special type of scientific mind seeking to learn the world in accordance with the concept of prime numbers and avoiding any form of emotionality. Lack of traditional emotionality does not neglect the representation of special forms of emotional intelligence in Christopher’s behavior and becomes a mechanism of avoiding social conflicts based on misunderstandings. The protagonist’s mind is represented in the novel as a revelation of post-postmodernistic way of thinking that combines irony and sincerity, physics and metaphysics. Scientific discourse in the novel is explicated as a source of understanding existential and metaphysic phenomena. Autistic mind of the protagonists represented in M. Haddon’s novel reveals a successful form of adaptation to reality and social interactions.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69757542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Fantastic Shakespeare: Character’s Passionary Confocality in the Aspect of Reception","authors":"A. Tychinina, D. Paranyuk","doi":"10.31861/PYTLIT2018.98.191","DOIUrl":"https://doi.org/10.31861/PYTLIT2018.98.191","url":null,"abstract":"Based on J. Baudrillard’s methodology on the beginning of the era of hyperreality as the “world of simulation”, the article under discussion substantiates the expansion of science fiction horizons by means of “reversing the imaginary”. The latter notion is mostly marked with the inter-penetration of fictional worlds, which are genealogically revealed only in their connection with new genre forms. Particular emphasis in the “hyperreal indifference” of science fiction narratives has been laid on intertextual ties. The article updates the issue of intertextual potential of the personosphere of science fiction and fantasy, which, according to Tz. Todorov, presupposes “reader’s active integration into the world of characters”. In this way, the specifics of including the “fantasy” characters of Shakespeare’s plays into the intertextual space of science fiction has been analyzed. Much attention has been paid to the figure of William Shakespeare as a character in literary texts by American science fiction writer Clifford Simak (1904–1988) “The Goblin Reservation” (1968) and “Shakespeare’s Planet” (1976). Another emphasis has been laid on the peculiarities of synthesizing science fiction and fantasy that form the so-called “simulative hyperreality” by means of combining several models of personosphere – fairy, fantastic, fantasy, mystical, and other – in the creative activities of C. Simak. They function in accordance with the principle of combining the image fields, whose imagological vectors are constantly intersecting with each other. What is more, the personosphere has been attracted not by the protagonist, but by some confocal figure (a sage or a sentinel, according to C. Jung), who is absolutely neutral, however has a reliable “point of view”, thus winning reader’s receptive trust. In this case, W. Shakespeare is regarded as a confocal and, at the same time, passionary character, for he is presented as an imaginative nucleus of a personosphere, and not only as an intertextual phantasm (according to R. Barthes) or an atroponimic allusion. Therefore, this “penetration” of Shakespeare into science fiction may be considered as an essential intertextual ideologeme (according to J. Kristeva). Entering the world of other characters, his passionary status pushes away the center of the personosphere, thus generating the development of plot events. This is why the chronotope version, suggested by the American writer (whereby realistic, fantastic, fantasy and even mystical characters coexist quite peacefully), stands out as rather logical for Shakespeare’s timeless image, whose idiorhythmic nature is able to fit any context, ironically refuting the so-called “Shakespeare’s Question”. The article under studies also points out Shakespeare’s interrelations with a mystical anthropomorphic character Spirit, whose “traces” (in J. Derrida’s interpretation) frequently “run into” the figure of Shakespeare. Hence, it might be concluded that Shakespeare’s immanent presen","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69757038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Polyvalence of the Cave Paradigm: Iris Murdoch’s Reception","authors":"A. Matiychak","doi":"10.31861/PYTLIT2018.98.317","DOIUrl":"https://doi.org/10.31861/PYTLIT2018.98.317","url":null,"abstract":"The article analyzes the literary and philosophical aspects of the Cave paradigm both in the context of Iris Murdoch’s fiction and her philosophical essays. The purpose of the article is to study the specifics of the Cave paradigm embodiment in the genrelogic structure of Murdoch’s philosophical novel. The multiple-aspect approach to the issue is proposed. In addition to the gnoseologic and gender aspects much attention is paid to the ethic-aesthetic structure component of Murdoch’s literary texts. Investigation of this paradigm in such view makes it possible to realize the resources of the author's style, emphasizing the connection between the author's ethics and the aesthetics of her fiction. In this case the proto-text is the famous Plato's myth about the Cave and the meta-text to reveal Murdoch's reception of this myth and interpretations in her novels are her own writings: “The Sovereignty of Good over other Concepts”, “The Fire and the Sun: Why Plato Banished the Artists”, “Concepts of Unity. Art”. As for cognition, likewise Plato, Murdoch regards the idea of Good has a limit, and it is vaguely recognizable, but having recognized it, we come to the conclusion that it is precisely the cause of all that is the true and beautiful. Developing the metaphor of the sun, as the understanding of the Good, Murdoch finds it extremely rich. Unlike her theoretical and philosophical writings, in her novels Murdoch ironically plays with the Plato's myth. She considers the Cave as a “magic space”, “theatre space”, “sacred space”, “place of initiation” or a “place of illusions”. The author's interpretation of the Cave paradigm is unique, worthy of a true philosopher. It is revealed by means of the material (topos) and spiritual (logos) factors correlation.Overall, this is no longer a real topos, but the consciousness of her characters as such, with all its mazes, shadows, dark corners, unconscious queer illusions.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47752732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Peaks of Ukrainian lyryc: poems by P. Tychyna – I. Drach – Yu. Izdryk","authors":"Yanina Yukhymuk","doi":"10.31861/PYTLIT2018.98.157","DOIUrl":"https://doi.org/10.31861/PYTLIT2018.98.157","url":null,"abstract":"In the article analyzing the impact of major historical events and activities of prominent personalities of the century (1918–2018) on the development of national literature, and the main attention to Ukrainian literature. Considering books of poems by such unique writers as P. Tychyna, I. Drach and Yu. Izdryk in the context of the world literary process, the author notes the depth of the national tradition of the poem, equally they have the tendency to romanticize both political events and social processes. Accession to independence was the impetus to the development of a national culture in countries that had previously been a part of the empire or were dependent on the interaction with certain countries. The evolution of the concept of independence, which for 100 years has significantly expanded its meaning, is also seen in the analyzed collections: “Solar clarinets” (1918), “To the origins” (1968), “Lazy and tender” (2018). The theme of inner freedom, without which outer freedom is an illusion, highlights the mentioned collections among other works by contemporaries of P. Tychyna, I. Drach and Yu. Izdryk. For the effectiveness of the analysis, theories of aesthetes-intuitionists were used: H. Bergson, B. Croce, and H. Read, which open up new ways of understanding fiction.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69755944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Topos of Donbas as a Narrative Phenomenon in the Ukrainian Culture of the XX–XXI Centuries: Observations, Analysis, Summarizing","authors":"O. Romanenko","doi":"10.31861/PYTLIT2018.98.081","DOIUrl":"https://doi.org/10.31861/PYTLIT2018.98.081","url":null,"abstract":"In this article the course of Donbas representation in the Ukrainian literature and culture of the 20–21th is described. Artworks of that times have been analyzed here in context of geographical metaphors forming and presentativeimpressions about Donbas as a whole socio-cultural area. Three types of Donbas's perception in Ukrainian literature have been identified. The first one is based on metaphorical comprehension of vision of steppe and hard work. This type was formed in Ukrainian literature in the first decades of XX century. For example, in the works of Spyrydon Cherkasenko or Mykola Cherniavsky. The second one is based on the idea of heroic labor and industrialization. Its formation dates back to the 1920s and 1930s. This was especially shown in the artistic and journalistic works that were published on the pages of magazines “New Generation”, “Zaboy”. And in the 1970s it came out in Peter Shelest’s and Oleksiy Tykhogo’s publications. The third type of the Donbas perception appeared as a result of social changes at the end of the XX century. Its main component is the motive of existential emptiness. In the article, this is described on the example of the analysis of Serhiy Zhadan’s works and in the public speeches of Yaroslav Hrytsak and Olena Styazhkina. Aspects of topic exploring in the context of memory investigation in modern humanities have been outlined in the article.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49156548","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}