Pitanna Literaturoznavstva最新文献_第8页

Monarch’s Multiple Bodies: Implementing Body Politic Metaphor on Present-Day North American Stages 君主的多重主体:在当代北美舞台上实施政体隐喻

Pitanna Literaturoznavstva Pub Date : 2020-07-09 DOI: 10.31861/pytlit2020.101.163

N. Vysotska

引用次数: 0

Metaphor in the Context of Baltic Music: the Idea of Eternal Return 波罗的海音乐语境中的隐喻：永恒的回归

Pitanna Literaturoznavstva Pub Date : 2020-07-09 DOI: 10.31861/PYTLIT2020.101.177

Jüraté Landsbergyté-Becher

{"title":"Metaphor in the Context of Baltic Music: the Idea of Eternal Return","authors":"Jüraté Landsbergyté-Becher","doi":"10.31861/PYTLIT2020.101.177","DOIUrl":"https://doi.org/10.31861/PYTLIT2020.101.177","url":null,"abstract":"Metaphor is the essential form for building momentum in the phenomenon of Baltic music. It created a new silent style of defensiveness and transcendentality, which eventually could help to change the self-awareness of the nation. The purpose of this article is to research the linguistic power of a metaphor, its transfer into the music and how it helped to uncover disinformation in the period of Soviet ideological domination. The comparative methodology is used to examine metaphors in the areas of music, literature, political science, and aesthetics of art philosophy. This article is structured to show the motion of metaphor in particular turns of time. Metaphor is a powerful instrument to raise the dimensions of the archetypes of national identity and statehood rights. Its usage could be compared with religion, nature, sacrality of space and history, and it is necessary for the change in the knowledge about the nation’s development. Metaphor is the renewed road to comprehend the importance of statehood existence and what happened in Baltic states during the times of crucial changes. It could be said that the metaphor helped to regain independence without the army and spreads its influence similarly at the present day, penetrating the new media streams connecting the matters of statehood. The article findings summarise the origins of the power of the nation based on the phenomenon of the resurrection of archetypes (under the theory of C. G. Jung), which were rediscovered by using principles of psychology.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49510420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Army of Metaphors” in Scientific Discourse 科学话语中的“隐喻大军”

Pitanna Literaturoznavstva Pub Date : 2020-07-09 DOI: 10.31861/pytlit2020.101.064

M. Lanovyk, Z. Lanovyk

{"title":"“Army of Metaphors” in Scientific Discourse","authors":"M. Lanovyk, Z. Lanovyk","doi":"10.31861/pytlit2020.101.064","DOIUrl":"https://doi.org/10.31861/pytlit2020.101.064","url":null,"abstract":"The article outlines the problem of the terminological potential of metaphor as the main figure of poetics, rhetoric, artistic and poetic thinking in general. The authors analyze numerous works about the nature and value of the metaphor; comprehend peculiarities of its use, forms and discourses of use, figurative potential of metaphorical thinking; at the same time, they emphasize on the mythological basis of such thinking (in particular, based on the works of O. Freudenberg, N. Frye, F. Nietzsche).\u0000The main focus is on the metaphorical (figurative) nature of terminology in both the humanities and the exact sciences, as well as the problem of the interpenetration of terms, in particular, scientific terms, metaphors borrowed from human sciences.\u0000The research confirms that at the present stage of development of all spheres of knowledge and science in general there is a cross-cutting penetration of metaphor at different levels: at the level of the names of theories; at the level of titles of scientific works – from ancient times to modern times; at the level of naming / defining phenomena and concepts, etc. Methodological foundation is based at the works of H. Ortega y Gasset, H. G. Gadamer and other philosophers of the twentieth century, who acknowledge the metaphor as a form of scientific thinking and cognition, at the same time see it as a marker of the spiritual space of science. The article outlines the Ukrainian experience of term-building in the context of a long-standing European tradition in combining elements of Western and Eastern approaches to the realization of reality and the transfer of knowledge.\u0000Numerous examples confirm the idea that metaphorology as a separate brunch in the 21st century is gaining momentum. Paying attention to metaphorical outview as an integral feature of human thinking (including scientific) offers new aspects and perspectives on the history of the sciences, opens the way to the convergence and interpenetration of scientific spheres, contains a number of axioms for human understanding of nature, history, world and mysteries of being.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69758516","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Ontological Essence of Transferring the Word Meaning: the Interpretive Resource of a Metaphor 词义转移的本体论本质:隐喻的解释资源

Pitanna Literaturoznavstva Pub Date : 2020-07-09 DOI: 10.31861/pytlit2020.101.007

Olha Chervinska, Roman Dzyk

{"title":"The Ontological Essence of Transferring the Word Meaning: the Interpretive Resource of a Metaphor","authors":"Olha Chervinska, Roman Dzyk","doi":"10.31861/pytlit2020.101.007","DOIUrl":"https://doi.org/10.31861/pytlit2020.101.007","url":null,"abstract":"Taking in to account the analytical experience of Metaphorology, the article understudies deals with the ontological essence of a literary metaphor. It mostly occurs as a receptive issue and is regarded on a specific example of poetry by W. Shakespeare’s – the central figure of “the western canon”. Particular emphasis has been laid on Sonnet 64 and its Ukrainian and Russian translations, where the paradigm of time arises as a basic metaphor. According to O. Potebnia’s concept, time, as an image, always preserves its “inner form”: it is anthropomorphic and in all respects corresponds to the archaic mythologeme, which is further on is implemented as a detailed generative metaphor. A multi-componential metaphor of a “deadly thought” (“This thought is as a death”) about the destruction and fatal end of all things, which perfectly corresponds to the overall theme of the sonnet, consistently appears, unfolds and gets materialized in Shakespeare’s text. It transforms the abstraction of thought into a format of metaphorical imagery, the latter being distinctly conveyed in practically all translations. This metaphor is formed along an “ontological spiral” by zeugma (a four-time repetition of ‘when’, eventually attached to the generalization “Ruin hath taught me thus to ruminate...”). This classical figure also models a compositional frame of metaphors in the sonnet. Relying on the issue of primacy in the ontological pair “essence” and “substance”, we might conclude that metaphor, being treated as a subjective reality-text, creates simultaneously “non-being” and is considered as a specific, fragmentary copy of the world, its quasi-original. The paradox of the phenomenon lies in the fact that “plunging” into the metaphorical field, we thus deeply penetrate into non-being, however heading to reality.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69758332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Metaphorical Codes of S. Parajanov’s Movie Text “Sayat Nova” (1969) S.Parajanov电影文本“Sayat Nova”（1969）的隐喻密码

Pitanna Literaturoznavstva Pub Date : 2020-07-09 DOI: 10.31861/pytlit2020.101.209

N. Nikoriak

{"title":"Metaphorical Codes of S. Parajanov’s Movie Text “Sayat Nova” (1969)","authors":"N. Nikoriak","doi":"10.31861/pytlit2020.101.209","DOIUrl":"https://doi.org/10.31861/pytlit2020.101.209","url":null,"abstract":"The article under studies deals with theoretical and practical discourse of the issue of cinema metaphor. It emphasizes that certain investigations of the issue are carried out in terms of theory, in the aspect of typology of cinema metaphors. The article also analyzes the ways of their creation and their impact on the recipient; in the cases of moving to the practical plane, particular attention is drawn to the analysis of either individual cinema metaphors or to the peculiarities of cinema metaphors of individual authors. The film “Sayat Nova” (“The Color of Pomegranates”) has been considered in the above aspect. The author of the article distinguishes a few detailed cinema metaphors that most clearly demonstrate the deep receptive potential of visual reading of this movie text. The key metaphorical codes in this case are wine, pomegranate, water, book, ladder, ritual, sheep, dream, vision, thread, lace, and poet. Particular emphasis has been laid on the fact that the he author's methods of creating cinema metaphors are polymorphic in their nature. Some of them contain a deeply conceptual, symbolic meaning, which is formed due to the context and can be expanded because of additional connotations arising during the perception of “cinema metaphors”. Others are formed as a result of a montage combination of two or more frames, through the use of purely cinematic means (for instance, shooting angle, close-up, sound, color) or involvement of viewer’s receptive experience in the course of perception.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49064186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Ontology of a Metaphor 隐喻的本体论

Pitanna Literaturoznavstva Pub Date : 2020-06-09 DOI: 10.31861/pytlit2020.101

引用次数: 0

Uncompromising Compromise of Sergei Dovlatov – from “Ours” to Non-Ours 谢尔盖·多夫拉托夫的不妥协——从“我们的”到“非我们的”

Pitanna Literaturoznavstva Pub Date : 2019-12-27 DOI: 10.31861/pytlit2019.100.089

Оlga Тabachnikova

{"title":"Uncompromising Compromise of Sergei Dovlatov – from “Ours” to Non-Ours","authors":"Оlga Тabachnikova","doi":"10.31861/pytlit2019.100.089","DOIUrl":"https://doi.org/10.31861/pytlit2019.100.089","url":null,"abstract":"This paper attempts to look at Dovlatov in a broad context – starting with a personal case of Dovlatov the emigrant, it aims to arrive at a more general portrait of a Soviet Russophone writer in exile and to uncover common features inherent in the outlook at life of a Russian émigré artist of the third wave of Russian emigration. \u0000To this end, it appears important to consider emigration not only as a liminal situation, a situation of transition, i.e. of crossing all sorts of borders – external and internal, but also (by and large as a consequence of this border crossing) as a traumatic situation. This relates first of all to exile, that is, to a forced loss of one’s own motherland and environment. Indeed, a voluntary emigration, especially in the post-Soviet period, is a phenomenon of a completely different order – it is, instead, a migration, a question of a conscious choice, without the tragedy of a no-return, i.e. without the fatal ingredient characteristic of the Russian exiles of the Soviet period. \u0000In the case in question, however, we are dealing with an existential laboratory which tests above all human dignity, and with a state of acute existential solitude which this laboratory considerably magnifies. In this case, it would be more appropriate to talk about self-destruction than salvation. As for compassion, it remains relevant, but only at a personal, human level, only towards one’s close circle rather than an émigré environment as such. \u0000In the light of the above, if we interpret compromise as one’s readiness to be transplanted onto a foreign soil, as a borrowing of alien themes, criteria and language, or simply as a game on the seemingly native linguistic field, but according to non-native (and, as it happens, unfair) rules, then in a higher spiritual sense Dovlatov, having crossed the border from ours to non-ours, turned out to be incapable of compromise – just as he was incapable of it while in Russia. Indeed, he wrote his most profound and most piercing lines at the edge of anguish and longing – on the nostalgic material, that of the past.","PeriodicalId":32028,"journal":{"name":"Pitanna Literaturoznavstva","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47953183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Jazz is “another possible way of perceiving the world...” [Review on the monograph: Matsenka, S. (ed.) (2019). Literaturno-dzhazovi improvizatsiï: intermedial′ni studiï (Literary-Jazz Improvisations: Intermedial Studies). Lviv : Sribne slovo, 396 p.] 爵士乐是“感知世界的另一种可能方式……[对专著的评论:Matsenka, S.(主编)(2019)。]Literaturno-dzhazovi improvizatsiï: intermedial 'ni studiï(文学-爵士即兴:中间研究)。利沃夫:Sribne slovo, 396页。

Pitanna Literaturoznavstva Pub Date : 2019-12-27 DOI: 10.31861/pytlit2019.100.169

Olha Chervinska

引用次数: 0

Bayard’s Fables: A Fictional Theory or / and / is a Theoretical Fiction 贝亚德寓言:一个虚构的理论或/和/是一个理论小说

Pitanna Literaturoznavstva Pub Date : 2019-06-28 DOI: 10.31861/PYTLIT2019.99.111

G. Dranenko

引用次数: 0

Clothes as an Identity Sign of Personality in the novels by W. Genazino 论格纳齐诺小说中服装作为个性的身份标志

Pitanna Literaturoznavstva Pub Date : 2019-06-28 DOI: 10.31861/PYTLIT2019.99.194

Liliya Nester

引用次数: 0