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TransmutAção: ancestralidade na poética de BNegão 嬗变:bnegao诗学中的祖先
Anuario de Literatura Pub Date : 2020-10-06 DOI: 10.5007/2175-7917.2020v25n2p161
Ellen Berezoschi
{"title":"TransmutAção: ancestralidade na poética de BNegão","authors":"Ellen Berezoschi","doi":"10.5007/2175-7917.2020v25n2p161","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n2p161","url":null,"abstract":"This article intends to analyze three songs from the album TransmutAcao, by rapper Bnegao, together with the group Seletores de Frequencia. The analysis focuses on a specific performance of the artists, made at the Centro Cultural Vila Verde, in Sao Paulo, in 2015, in which ancestry and rhythm mark the teachings of time and mark the gift of the present moment. The analysis is based mainly on the ideas of Paul Zumthor, as it highlights issues related to performance and how it is constituted. The text also covers the notion of performance due to its ritualistic character that involves spirituality (in this case, the content of Bnegao's message) and its poetic-musical character that makes an invocation of the present moment, which prioritizes the here and now of the members of the poetic act. The article explores performance as a whole, analyzing music, poetry, gesture and the constitution of the event. In some moments, the album is also mentioned as a whole, as a work, for carrying a message that crosses all the songs.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"161-171"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70493079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A persistência da voz poética em Stela do Patrocínio: entre a oralidade e a escrita patrocinio Stela中诗意声音的持久性:在口头和书面之间
Anuario de Literatura Pub Date : 2020-10-06 DOI: 10.5007/2175-7917.2020v25n2p28
Marianna Ilgenfritz Daudt, Fernanda Vivacqua
{"title":"A persistência da voz poética em Stela do Patrocínio: entre a oralidade e a escrita","authors":"Marianna Ilgenfritz Daudt, Fernanda Vivacqua","doi":"10.5007/2175-7917.2020v25n2p28","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n2p28","url":null,"abstract":"The present study aims to present a view on Stela do Patrocinio's oeuvre Reino dos bichos e dos animais e o meu nome [Kingdom of beasts and animals is my name] (DO PATROCINIO, 2001), a work that was poetically produced orally by Stela do Patrocinio and transcribed by Viviane Mose. In our research, we consider that there is a living poetic voice in poems, and our first interest was to discuss how it moves from orality to the writing form. For this purpose, we analyzed Stela do Patrocinio's poetics from two approaches. On the one hand, our interest was centered on the way in which how the question of authorship is refracted, when transposing poetics to written poetry. On the other hand, we turn to the reader's relationship with this poetic voice, understanding the two in their bodily dimensions, taking in account their places in space. For that, we used the theoretical propositions mainly by Foucault (2002, 2009), Gumbrecht (2010) and Zumthor (2014). Amid the debate, the poetic voice is evident in the verses, since, when making a critical reading of these, it is also necessary that they be vocalized. Finally, through the theoretical and critical path, we believe that, transposed to writing, the poetic voice of Stela do Patrocinio (2001) continues to pulse in the reader, in a dynamic where the tension changes, but the production of presence remains.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"28-46"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44427723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Poesia segundo Paul Zumthor na canção "Metal contra as nuvens", de Renato Russo 根据Paul Zumthor在Renato Russo的歌曲“Metal against the clouds”中的诗歌
Anuario de Literatura Pub Date : 2020-10-06 DOI: 10.5007/2175-7917.2020v25n2p15
Elisângela Maria Ozório
{"title":"Poesia segundo Paul Zumthor na canção \"Metal contra as nuvens\", de Renato Russo","authors":"Elisângela Maria Ozório","doi":"10.5007/2175-7917.2020v25n2p15","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n2p15","url":null,"abstract":"Paul Zumthor (1997; 2005; 2007) presents theories and criticisms about poetry present in the song. For this, the critic counts with estudies about oral poetry and he starts to recognize that all poetry has, at least, two voices that connect: the voice of the poetical self and the voice of the singer who performs the song. The voice of the singer embodies of the poetical self, which facilitates the reception of the poetic message, as such practice needs the performance contained in the song. Then, the performance has one of the central ideas of the  theorist, just as it as differentiates it from the pure reception and also defines what is a song. The article Poetry according to Paul Zumthor at the song Metal contra as nuvens, by Renato Russo sets out to poetic song, using the musician-poetic lyrics Metal contra as nuvens (1991), by the composer and poet Renato Russo. Moreover, before entering Paul Zumthor, the article counts on Octavio Paz (1982) to clarify what the poetry and the poetic word are.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"15-27"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42604047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Os (d)anos da colonização, as identidades pós-coloniais e a busca da guinendade em "A última tragédia de Abdulai Sila" 《阿卜杜勒莱·苏拉的最后悲剧》中的殖民岁月、后殖民身份和对几内亚的追求
Anuario de Literatura Pub Date : 2020-10-06 DOI: 10.5007/2175-7917.2020v25n2p172
Jonh Jefferson do Nascimento Alves
{"title":"Os (d)anos da colonização, as identidades pós-coloniais e a busca da guinendade em \"A última tragédia de Abdulai Sila\"","authors":"Jonh Jefferson do Nascimento Alves","doi":"10.5007/2175-7917.2020v25n2p172","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n2p172","url":null,"abstract":"The present study deals with the nation's narrative as a collective representation with the theme of violence and trauma against the Guinean people. The text allows the encounter between colonial discourses, prejudices and traumatic effects on African identity, asking how far the nationalist projects and dreams in Guinea-Bissau were really achieved and how the past contributed to the political instability and the economic failures experienced in contemporary times. In this sense, we take as a corpus of analysis the fictional work The Last Tragedy by Abdulai Sila (2002), voice of a complex and current society, whose texts specifically address the attempt to constitute a reflection on the national identity and the history of guineans in contexts post-colonial. Artistic production – particularly literature here – emerges as part of the process of consolidating identities, through its character of representation. Abdulai Sila's Last Tragedy (2002) seems to seek answers that justify the origin of the country's common adversities today, in a still alive and present past.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"172-186"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44727720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
AIDS e identidade em "O tribunal da quinta-feira" 艾滋病与“星期四法庭”中的身份认同
Anuario de Literatura Pub Date : 2020-06-15 DOI: 10.5007/2175-7917.2020v25n1p145
Alessandra D. S. Boos
{"title":"AIDS e identidade em \"O tribunal da quinta-feira\"","authors":"Alessandra D. S. Boos","doi":"10.5007/2175-7917.2020v25n1p145","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n1p145","url":null,"abstract":"This article presents an analysis of Michel Laub's O tribunal da quinta-feira, published in 2016, in order to understand how the narrator (and protagonist) tells his own story, how it is intertwined with the very history of AIDS in Brazil and what his personal relationships tell us about his identity as a cisheterosexual man. The narrator Jose Victor's account evokes a kind of “AIDS genealogy” as a way of giving meaning to his life experiences, especially sexual ones. Despite being critical of the stigmatization of people infected with HIV and homophobia, Jose does not spare women around misogynistic discourses disguised as sense of humor. In addition, issues such as heteronormativity, disciplinary society and pornography are in focus. To think about the questions brought by this narrative, the following authors were mainly used: Perlongher (1987), Bourdieu (1996), Foucault (1999), Sontag (2007) and Rich (2010).","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"145-157"},"PeriodicalIF":0.0,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47723383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“...Tão somente amigas”?: pensando o queer em "Todos nós adorávamos caubóis", de Carol Bensimon “...只是朋友”?:卡罗尔·本西蒙的《我们都喜欢牛仔》中的酷儿思维
Anuario de Literatura Pub Date : 2020-06-15 DOI: 10.5007/2175-7917.2020v25n1p101
Ruan Nunes Silva
{"title":"“...Tão somente amigas”?: pensando o queer em \"Todos nós adorávamos caubóis\", de Carol Bensimon","authors":"Ruan Nunes Silva","doi":"10.5007/2175-7917.2020v25n1p101","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n1p101","url":null,"abstract":"This paper aims to offer a theoretical investigation of the interactions between queer theory and the discussions on identity by analysing the Brazilian novel Todos nos adoravamos caubois by Carol Bensimon, published originally in 2013. Departing from a discussion on heteronormativity (MISKOLCI, 2006), critical commentary on queer theory and its post-identity politics is provided with an eye to highlighting not only the metaphor of the voyage in the chosen narrative, but also the fragmentation and the shifting of Cora and Julia’s identities, the protagonists, while on their road trip throughout the countryside of the Brazilian state of Rio Grande do Sul. Analysing bridges and gaps between/in queer theory and gay and lesbian studies, it is highlighted that Bensimon’s novel is representative of the indefinability of queer theory as a way to investigate the contemporary literary scene. Some theoretical contributions considered in this paper were developed by Carla Rodrigues (2009), Linda Hutcheon (2003), Steve Seidman (2004), Diane Richardson (2006) and  Guacira Lopes Louro (2016).","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"101-114"},"PeriodicalIF":0.0,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48797869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ficção 80/90: literatura e epidemia discursiva 小说80/90:文学和散漫的流行病
Anuario de Literatura Pub Date : 2020-06-15 DOI: 10.5007/2175-7917.2020v25n1p130
R. Felippe, João Alcides Haetinger Esmerio
{"title":"Ficção 80/90: literatura e epidemia discursiva","authors":"R. Felippe, João Alcides Haetinger Esmerio","doi":"10.5007/2175-7917.2020v25n1p130","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n1p130","url":null,"abstract":"This article intends to review part of the brazilian literary production of the 1980's, from the contradictions of a decade marked, simultaneously, by rapturing and terror. The decennium, period characterized by euphoria around the redemocratization, is also impacted by the emergence of AIDS, an event responsible for the redisciplination of the bodies — caused by the emphasis on the practice of safe sex ­—  and the stigmatization of homosexuality. In Aids e suas metaforas, Susan Sontag (1989) analyzes the imaginary around the disease, from which the consequences would be both the recrudescence of prejudice against homosexuals and the blaming of the virus’ victims. When resumed and associated to the brazilian context, Sontag’s arguments assume distinct connotations that enable a revisitation of the brazilian literature from a scope directed to the pandemic by the artistic expression (which is a perspective practically ignored by the historiography and the literary studies). From this slant, it is also possible to consider the “utility” that the insistent metaphorical explorations linked to AIDS may have supported. The development of such proposals will employ the short stories “Linda, uma historia horrivel” and “Depois de agosto”, both by the brazilian writer Caio Fernando Abreu (1988; 1995), as text corpus.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"130-144"},"PeriodicalIF":0.0,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45012538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vestígios do experimentalismo poético greco-latino 希腊拉丁诗歌实验主义的痕迹
Anuario de Literatura Pub Date : 2020-06-15 DOI: 10.5007/2175-7917.2020v25n1p172
Cristóvão José dos Santos Júnior
{"title":"Vestígios do experimentalismo poético greco-latino","authors":"Cristóvão José dos Santos Júnior","doi":"10.5007/2175-7917.2020v25n1p172","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n1p172","url":null,"abstract":"Este trabalho investiga determinados vestígios do experimentalismo poético greco-latino, buscando demonstrar sua longevidade e potência artística. Nesse sentido, são abordadas tipologias de escrita constrangida, como o acróstico, o palíndromo, o centão, o lipograma, o anagrama e o tautograma. Interessante é perceber que tais modalidades compositivas já encontram registro documental em obras da Antiguidade e da Idade Média, muito embora se costume atribuir a difusão de tais elaborações expressivas ao movimento Concretista, situado no século XX. Explicita-se, portanto, o processo de marginalização dessas manifestações artísticas, as quais foram relativamente invisibilizadas. Desse modo, discute-se a permanência resistente do construto poético experimental a partir de um levantamento de ocorrências encontradas, focalizando os cenários antigo e mediévico de sua produção. Destaque-se, então, que este estudo é de natureza indiciária, visando a adentrar na percepção de rastros, pistas e vestigíos que possibitem um olhar crítico-panorâmico desse legado poético, o qual não apenas nos constitui, mas também provoca, ainda nos tempos atuais, significativo fascínio e curiosidade.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70493003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
A literatura como destino, mesmo em tempos de pandemia 文学是目的地，即使在疫情时期也是如此
Anuario de Literatura Pub Date : 2020-06-15 DOI: 10.5007/2175-7917.2020v25n1p08
B. R. Mattia, D. Stoll, Elton da Silva Rodrigues, Isabele Soares Parente, Jair Zandoná, T. R. O. Ramos
{"title":"A literatura como destino, mesmo em tempos de pandemia","authors":"B. R. Mattia, D. Stoll, Elton da Silva Rodrigues, Isabele Soares Parente, Jair Zandoná, T. R. O. Ramos","doi":"10.5007/2175-7917.2020v25n1p08","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n1p08","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42445686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
O fantasma travesti: uma rapsódia queer 异装鬼：一首奇怪的狂想曲
Anuario de Literatura Pub Date : 2020-06-15 DOI: 10.5007/2175-7917.2020v25n1p39
Emerson Silvestre
{"title":"O fantasma travesti: uma rapsódia queer","authors":"Emerson Silvestre","doi":"10.5007/2175-7917.2020v25n1p39","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n1p39","url":null,"abstract":"This article presents a critical analysis of Sylvia Orthof's novel O fantasma travesti (The transvestite ghost) (1988), whose form and the characters construction closely match the discourse of queer theory regarding the deconstruction of binary gender archetypes and performativity as a creation of new ways of understanding body, gender and sexualities As theoretical scope we bring the contributions of Butler (2015) and Louro (2001) and we propose an approximation between queer theory and fiction theory in order to understand Orthof's novel as a process in which the politics of writing, a concept suggested by Ranciere (1995), plays an important role in the representation of the character Ziriguidum. Created under the aegis of gender parody and under the influence of fantastic narrative, Ziriguidum is a ode to queerness. The language with which it is built reverberates the ambiguity and inconstancy that characterize queer theory, besides it illustrates the pronominal confusion that arises when there is a need to refer to trans people.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"39-52"},"PeriodicalIF":0.0,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43058108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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