嬗变:bnegao诗学中的祖先

Ellen Berezoschi
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引用次数: 0

摘要

本文拟分析说唱歌手Bnegao与乐队Seletores de Frequencia合作的专辑《TransmutAcao》中的三首歌曲。分析的重点是2015年在圣保罗Verde文化中心进行的艺术家的具体表演,其中祖先和节奏标志着时间的教导,标志着当下的礼物。分析主要基于Paul Zumthor的观点,因为它突出了与性能相关的问题以及它是如何构成的。文本还涵盖了表演的概念,因为它的仪式性特征涉及灵性(在这种情况下,Bnegao的信息的内容)和它的诗意-音乐特征,使当下时刻的召唤,优先考虑诗歌行为成员的此时此地。本文将表演作为一个整体来探讨,分析音乐、诗歌、姿态和事件的构成。在某些时刻,这张专辑也被作为一个整体,作为一个作品,因为它传递了一个贯穿所有歌曲的信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TransmutAção: ancestralidade na poética de BNegão
This article intends to analyze three songs from the album TransmutAcao, by rapper Bnegao, together with the group Seletores de Frequencia. The analysis focuses on a specific performance of the artists, made at the Centro Cultural Vila Verde, in Sao Paulo, in 2015, in which ancestry and rhythm mark the teachings of time and mark the gift of the present moment. The analysis is based mainly on the ideas of Paul Zumthor, as it highlights issues related to performance and how it is constituted. The text also covers the notion of performance due to its ritualistic character that involves spirituality (in this case, the content of Bnegao's message) and its poetic-musical character that makes an invocation of the present moment, which prioritizes the here and now of the members of the poetic act. The article explores performance as a whole, analyzing music, poetry, gesture and the constitution of the event. In some moments, the album is also mentioned as a whole, as a work, for carrying a message that crosses all the songs.
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