{"title":"Makunaima: entre fatos e ficções","authors":"Mêrivania Rocha Barreto","doi":"10.5007/2175-7917.2020v25n2p47","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n2p47","url":null,"abstract":"This article aims to launch a discussion focused on the process of creating facts and fictions in the narratives that present Makunaima as a character. To this end, written reports from a German naturologist and oral reports from a documentary will be analyzed. In this way, the corpus for research is the work Vom Roroima zum Orinoco (From Roraima to Orinoco), specifically the book Myths and legends of the Taulipangue and Arecuna Indians, which presents the collection of narratives that were collected during the years of 1911 to 1913 on the triple border-Brazil, Venezuela and English Guiana- by the German traveler Theodor Koch-Grunberg; as well as the documentary “On the trails of Makunaima”, produced in 2007 by TV Cultura, in partnership with the Federal University of Roraima. This research was bibliographic and covered the branch of literary theory, more specifically the theory of reception, which contributes to the study of the concepts of facts and fictions; travelers' literature, in which are the accounts collected by Koch-Grunberg about the figure of Makunaima; and oral reports about the indigenous character present in the documentary. Some of the theoretical references used were the reception theory books by Wolfgang Iser and those by Karlheinz Stierle. These will provide the necessary support for theoretical discussions involving facticity and fictionality.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"47-64"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44330936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cadernos Negros: escrita de combate ao racismo","authors":"Cláudia dos Santos Gomes","doi":"10.5007/2175-7917.2020v25n2p187","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n2p187","url":null,"abstract":"The purpose of this article is to think about working with the textual genre Afro-Brazilian short story through the work Cadernos Negros (CN), in Portuguese language classes. The absence of a reading work with Afro-Brazilian Literature, contradicts Law 11.645 / 08, which obliges School Institutions to include Afro-Brazilian and Indigenous History and Culture in their curricula. The insertion of the CN collection in the classrooms, mainly in elementary school, final grades, will enable students to learn about some Afro-Brazilian intellectuals and their productions, stimulate the reading of short stories in the NC and discuss the themes present in Afro Literature -brazilian. These tales address questions about housing, childhood, abandonment, prejudice, cultural manifestations, teenage pregnancy among other very common topics today. It is hoped with the reading of the work to provide more effective discussions on racism and on ethnic-racial relations in classrooms, as there is an urgent need to adjust our school curricula to the different spheres of society.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"187-202"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5007/2175-7917.2020v25n2p187","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46282969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"# io resto a casa: vozes (in)ativas e (res)significadas","authors":"Daniela Bunn","doi":"10.5007/2175-7917.2020v25n2p78","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n2p78","url":null,"abstract":"When considering poetics and the power of the voice in times of pandemic, this article intends to launch a few reflections on the (res)signification of the voice during confinement. Deprived of the body and physical contact, the voice is enhanced, in poetic contexts or not. We are left without image, but we cannot be without the voice, becoming fighters of a huge war machine. Accordingly to Freud in 1915, we fight or stagnate, and in this way, (re)discover our fragments in the mirror and reorganize the image. Based on the book A letra e a voz, by Paul Zumthor (2001), and the text \"Cultura e memoria\", by Jerusa Pires Ferreira (1995), a Ratoeira is taken as an example, practiced on the coast of Santa Catarina, to reflect on the relationship of voice and memory. This article results from bibliographic research on the relationship of the body and voice, the popular manifestation of an oral tradition called Ratoeira, and it seeks connections with the current moment of the pandemic, in which we are relearning to listen and fight with words. For this combat, voice and literature play an essential role.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"78-85"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46281171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Empoderamento feminino e literatura: uma proposta didática para o ensino","authors":"M. Freitas","doi":"10.5007/2175-7917.2020v25n2p203","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n2p203","url":null,"abstract":"The current literature curriculum in Brazilian schools needs to contemplate the dual-purpose of forming an integral literary reader as well as an open-minded citizen to social changes and gender differences. In order to spread the idea of deconstructing prejudices towards women in our traditional patriarchal society, the necessity of approaching feminism in basic education arises. Thus, through bibliographic and interventional research, this paper aims to present to the academic and educational communities a didactic material which links literature and women’s empowerment as an approach to teach literature in high school. This paper also discusses women's empowerment, their role and space throughout the history of Brazil as well as in classic and contemporary literature. The result of this research is the didactic proposal presented, which, in turn, becomes an alternative for the formation of the reader, when, from a teacher mediation adequate to the intended objectives and through classic and contemporary female literature, fosters students the desire for literary reading.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"203-221"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45312048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"De “Parangolé”, de Ana Martins Marques, a “Vestido com Vista pro Mar”: a vocoperformance de Juliana Perdigão","authors":"Natália Barcelos Natalino","doi":"10.5007/2175-7917.2020v25n2p139","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n2p139","url":null,"abstract":"In order to contribute for researches about the poetry supports, this article is dedicated, in particular, to the study of vocoperformance, of the voice in performance, the vocal performance. For this, it is taken as a basis the poem “Parangole”, by Ana Martins Marques (2011), musicalized by Juliana Perdigao (2016) – with the participation of Tulipa Ruiz –, present on the album O. Starting from a Marina Tsvetaeva (2017) excerpt in “O poeta e a critica”, we will take, in a first moment, Jean-Jacques Rousseau (1999) in his Ensaio sobre a origem das linguas, trying to understand what kind of voice is the one who whispered to Tsvestaeva ears, giving her directions, sometimes orders – “when the voice indicates, I discuss; when the voice orders, I obey” (TSVETAEVA, 2017, p. 45). In search of this understanding, in search of this voice who pursues – a voice “of the order of poetic perception and not of deduction” (ZUMTHOR, 2014, p. 15) –, we continue with Friedrich Nietzsche (2001) in A gaia ciencia, more specifically in the aforism “Da origem da poesia”; and with Arnaldo Antunes (2014), in his text “Sobre a origem da poesia”. As theoretical support for a deeper compreension of these issues, especially in the field of song, performance and sung poetry studies, we will use researchers such as Adriana Cavarero (2011), Enzo Minarelli (2010), Lia Tomas (2002), Luiz Tatit (1996;2014;2016), Paul Zumthor (2014) and Renato Cohen (2002).","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"139-160"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48625712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A estética do sucesso vocal: discursos engendrados na construção de vozes de sucesso midiático","authors":"Thiago Barbosa Soares, Damião Francisco Boucher","doi":"10.5007/2175-7917.2020v25n2p101","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n2p101","url":null,"abstract":"This study aims to analyze how a type of vocal aesthetics is produced, from a performativity to sayings about successful voices. We believe that, due to the speeches conveyed about the materialization of the voice that (re) produces subjects and meanings of success, there is also a complex discursivization of the aesthetics of success reception. For the observation of so much, we will employ the theoretical methodological apparatus of the French Discourse Analysis, especially guided by the notion of pre-constructed, of presupposition and implied, of intra and interdiscourse, as well as of metaphorical slips (effects). Thus, we will investigate the media discursive functions that make it possible to affirm that the reception of the voice, to a large extent, engenders a successful vocal aesthetic and, consequently, supports the maintenance of this particular listening. In particular, we will analyze articles from Rolling Stone magazine, “Quando Michael se Tornou Michael” (SHEFFIELD, 2010), “Amy Winehouse 1983-2011” (ELISCU, 2011), and “Voz Imortal” (CAVALCANTI, 2015), published in the years 2010, 2011 and 2015 respectively.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"101-118"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47014373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Caminhos e desafios do rap brasileiro contemporâneo","authors":"A. Oliveira","doi":"10.5007/2175-7917.2020v25n2p65","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n2p65","url":null,"abstract":"One of the most radical aspects of Brazilian rap along its trajectory was the increasing regulation of its aesthetic dimension by a set of fundamental ethical parameters built collectively with the peripheral community. In objective terms, this means that the quality or success of the genre within the music market could not be evaluated only aesthetically. In its most radical moments, rap did not intend to be interpreted only as music, but as the sharing of forms of popular and collective wisdom integrated into the experience of peripheral subjects, with the declared objective of saving lives. However, as the hip hop movement strengthens itself professionally, without solving the basic social inequality that gave rise to it, rap comes to be understood more immediately as a pure aesthetic form, endowing the ethical dimension with an unequivocal performance character. Or rather, making politics itself an aesthetic issue, more linked to the hip hop universe than to the original peripheral community, from which it separated.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"65-77"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43503506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gilead entre estátuas e ruínas: uma resenha de \"Os testamentos\", de Margaret Atwood","authors":"Júlia Côrtes Rodrigues","doi":"10.5007/2175-7917.2020v25n2p222","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n2p222","url":null,"abstract":"","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"222-227"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41499100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ouvidos atentos: as vozes plurais de Itamar Assumpção","authors":"B. Barbosa","doi":"10.5007/2175-7917.2020v25n2p86","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n2p86","url":null,"abstract":"This work presents a reading of the song “Prezadissimos ouvintes”, by Itamar Assumpcao and Domingos Pellegrini, originally recorded in 1985, on the record Sampa midnight – isso nao vai ficar assim, by Itamar Assumpcao – one of the most representative names of “Vanguarda Paulista” – very irreverent and creative music scene, which initially emerged at the limits of the small theater Lira Paulistana – also an independent music label, on which Itamar Assumpcao recorded his first LP, Beleleu leleu eu, in 1981. The purpose of this study is to show that, among the different strategies used by Itamar throughout his career, there is a compositional model that privileges the multiplicity of voices and genres, thus establishing dialogues with his cultural and / or affective memory, as we will see in the song addressed. The analysis is based, above all, on the notions of voice and orality, by Paul Zumthor (2010); “plural voices”, by Adriana Cavarero (2011); and song and intonation, by Luiz Tatit, (2002).","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"86-100"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43506334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
B. R. Mattia, D. Stoll, Elton da Silva Rodrigues, Isabele Soares Parente, Jair Zandoná, T. R. O. Ramos
{"title":"Como querer balburdiar: um respiro para a poética das vozes","authors":"B. R. Mattia, D. Stoll, Elton da Silva Rodrigues, Isabele Soares Parente, Jair Zandoná, T. R. O. Ramos","doi":"10.5007/2175-7917.2020v25n2p08","DOIUrl":"https://doi.org/10.5007/2175-7917.2020v25n2p08","url":null,"abstract":"","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"25 1","pages":"08-14"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46966430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}