根据Paul Zumthor在Renato Russo的歌曲“Metal against the clouds”中的诗歌

Elisângela Maria Ozório
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引用次数: 0

摘要

Paul Zumthor(1997;2005;2007)提出了关于歌曲中诗歌的理论和批评。为此,评论家通过对口头诗歌的研究,开始认识到所有诗歌至少有两种声音是相互联系的:诗歌自我的声音和演唱歌曲的歌手的声音。歌手的声音体现了诗意的自我,这有利于诗歌信息的接受,因为这种实践需要歌曲中包含的表演。然后,表演具有理论家的核心思想之一,正如它将其与纯粹的接受区分开来一样,也定义了什么是歌曲。根据Paul Zumthor在Renato Russo的歌曲《Metal contra as nuvens》中的诗歌,使用作曲家兼诗人Renato Russel的音乐家诗意歌词《Metal contra as nuvens》(1991),开始了诗意的歌曲。此外,在进入Paul Zumthor之前,文章依靠Octavio Paz(1982)来澄清诗歌和诗歌词是什么。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Poesia segundo Paul Zumthor na canção "Metal contra as nuvens", de Renato Russo
Paul Zumthor (1997; 2005; 2007) presents theories and criticisms about poetry present in the song. For this, the critic counts with estudies about oral poetry and he starts to recognize that all poetry has, at least, two voices that connect: the voice of the poetical self and the voice of the singer who performs the song. The voice of the singer embodies of the poetical self, which facilitates the reception of the poetic message, as such practice needs the performance contained in the song. Then, the performance has one of the central ideas of the  theorist, just as it as differentiates it from the pure reception and also defines what is a song. The article Poetry according to Paul Zumthor at the song Metal contra as nuvens, by Renato Russo sets out to poetic song, using the musician-poetic lyrics Metal contra as nuvens (1991), by the composer and poet Renato Russo. Moreover, before entering Paul Zumthor, the article counts on Octavio Paz (1982) to clarify what the poetry and the poetic word are.
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