{"title":"La première personne du singulier","authors":"D. Ribard","doi":"10.4000/DOSSIERSGRIHL.6894","DOIUrl":"https://doi.org/10.4000/DOSSIERSGRIHL.6894","url":null,"abstract":"Dans l’œuvre de Michel de Certeau, litterature n’est pas le nom d’un corpus, ni de corpus qui pourraient varier d’un ouvrage a l’autre. Le mot, fondamentalement, ne sert pas a distinguer certains ecrits des autres. La litterature, c’est ce qui s’ecrit ; c’est l’ensemble forme par tout ce qui s’ecrit. Il s’est passe quelque chose, quelque chose est apparu, a disparu, de la litterature s’ecrit ; elle s’accumule. Chez Certeau, d’autre part, le moment ou ce qui s’ecrit devient de l’histoire, fondation reciproque du passe comme passe et du present comme different, se dit a la premiere personne du singulier. Cet article propose quelques remarques sur ce je operateur d’histoire, dans la reflexion de Certeau et dans ses analyses d’ecrits rediges a la premiere personne, pour lesquelles il fait usage de la distinction entre « la formalite du constatif (i.e. la description des idees et des choses) » et celle « du performatif », qui permet de comprendre le « texte » comme « un dispositif reglant des relations sociales, etablissant des conventions entre locuteurs, et organisant leurs places reciproques grâce a ce que Ducrot appelle des \"manœuvres stylistiques\" ».","PeriodicalId":266913,"journal":{"name":"Michel de Certeau et la littérature","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122000343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Michel de Certeau et l’écriture poétique de l’histoire","authors":"Daniel Wanderson Ferreira","doi":"10.4000/DOSSIERSGRIHL.6947","DOIUrl":"https://doi.org/10.4000/DOSSIERSGRIHL.6947","url":null,"abstract":"Michel de Certeau and the poetic writing of history. According to Michel de Certeau, there is an inescapable paradox in the historiographic operation. On the one hand, it is characterized by movements and reclassifications of documents of which the historians are concerned. On the other hand, the technique of writing is only a production of difference, since historians always ask the questions and make the analysis in the present. Thus, the historiographical writing is a fiction of reality, because the historical object is an absent body. These poetic forms give substance to the otherness of the past so that it can become, in a certain way, visible and memorable.","PeriodicalId":266913,"journal":{"name":"Michel de Certeau et la littérature","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125803489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La Fable mystique : une phénoménologie de l’écriture","authors":"Diana Napoli","doi":"10.4000/dossiersgrihl.6817","DOIUrl":"https://doi.org/10.4000/dossiersgrihl.6817","url":null,"abstract":"Cet article propose une lecture de la Fable mystique comme une sorte de « phenomenologie de l’ecriture » qui, traversant plusieurs etapes, s’incarnant dans plusieurs figures (pour utiliser l’expression hegelienne) atteint son unique et possible savoir absolu : un savoir « a perdre ». De l’ecroulement du monde medieval a Labadie, se dessine l’espace d’une science mystique (« science passante »), d’une figure historique de la modernite qui trouve, par l’ecriture, le moyen pour recomposer, dans l’espace d’une fiction, la plenitude de la parole autrefois garantie par la voix de Dieu.","PeriodicalId":266913,"journal":{"name":"Michel de Certeau et la littérature","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132350099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Quand le diable écrit et publie. Le littéraire comme pratique sociale dans la correspondance de Surin et La Possession de Loudun","authors":"Nicolas Schapira","doi":"10.4000/DOSSIERSGRIHL.6902","DOIUrl":"https://doi.org/10.4000/DOSSIERSGRIHL.6902","url":null,"abstract":"When the devil writes and publishes. Literary practices as social practices in the Correspondence of Surin and the Possession of Lundun. This article analyses how Michel de Certeau uses literature as a social phenomenon on the one hand, and studies on literature on the other hand, to make room for the otherness of the past and to tackle this past without confining it in any historiography. First of all, we analyse how Certeau mobilizes the notion of \"literary genre\", that is to say how he uses an important tool of literary studies, though diverting it completely (in his edition of the Correspondence of Jean-Joseph Surin, a mystique, as well as in L'Ecriture de l' histoire). In this paper, we also enquire into the place of the literary phenomenon in Certeau's analysis of Loudun's possession. At the end of our study, it becomes possible to designate what would constitute for Certeau the main characteristic ‒ or one characteristic ‒ of literary practices.","PeriodicalId":266913,"journal":{"name":"Michel de Certeau et la littérature","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115266786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le faire poétique chez Michel de Certeau","authors":"C. Duyck","doi":"10.4000/dossiersgrihl.6825","DOIUrl":"https://doi.org/10.4000/dossiersgrihl.6825","url":null,"abstract":"This paper aims to shed light on the broad scope of application of the notion of “poetics” in Michel de Certeau’s works, one that extends beyond the mere generic identity of poetry, and which implies a reference to a poetic enactment meant to fulfil two functions, namely ethical and critical. Within the historiographical frame of Certeau’s analysis of early modern mystical speech, the ethical function of the poetic enactmentis to ensure the possibility of a rebirth of the Divine Word, which had been made inaudible by the early modern corruption of both modern language and the ecclesial institution.But the ethical autonomy of the poetic enactmentshould also be viewed in light of its critical relation to heteronomous sets. Such a conflictual relation takes on a dialectic form in the mystical combination of poem and prose; in the contemporary period, the poetic enactment assumes a polemological quality, as it encompasses practices that are not strictly linguistic, but also apply to the tactical appropriations of loci strategically organised by a power.","PeriodicalId":266913,"journal":{"name":"Michel de Certeau et la littérature","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132665078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Certeau cannibale ? Les ressources de la « relation “ethnographique” »","authors":"Boris Lyon-Caen","doi":"10.4000/dossiersgrihl.6856","DOIUrl":"https://doi.org/10.4000/dossiersgrihl.6856","url":null,"abstract":"It is difficult to resist the force of attraction generated by the Italian readings of Lery, Montaigne, Lafitau and Jules Verne. These readings seduce, mainly by their mode of refraction: by endorsing the ethnologists’ discourse. Now Certeau's four alter ego, such as he ventriloquists them, precisely thematize this very question of \"the other\": the other, the savage, as a puzzling subject of cunning appropriation and as a matrix, providing a \"site\" to the writer. The present article, conceived in the purpose of disenchantment, circulates between this model of the ice gallery and the model of the Russian dolls - to consider finally the reciprocal engendering of Michel de Certeau, the \"ethnographic literature\" and its \"good savages\".","PeriodicalId":266913,"journal":{"name":"Michel de Certeau et la littérature","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130500291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"De quel genre littéraire l’hagiographie est-elle le nom chez Michel de Certeau ?","authors":"Agnès Guiderdoni","doi":"10.4000/DOSSIERSGRIHL.6842","DOIUrl":"https://doi.org/10.4000/DOSSIERSGRIHL.6842","url":null,"abstract":"Michel de Certeau wrote and published three times, in three different places, one almost identical text dealing with hagiography: in two editions of the Encyclopaedia Universalis (1971 and 1985) and as a chapter in L'ecriture de l'histoire in 1975. Certeau mentionned that hagiography is first and foremost a literary genre and treated it in a relatively elliptical manner; it gave a definition of it difficult to embrace, precisely because of its inclusion in the literary field. We will try to clarify this text and this definition, which are difficult to grasp, using especially other texts written by Certeau, to finally try to answer that question: which is finally the name of hagiography as a literary genre?","PeriodicalId":266913,"journal":{"name":"Michel de Certeau et la littérature","volume":"C-24 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121003381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jean-Joseph Surin et « L’illettré éclairé » : une série littéraire (1968-1982)","authors":"Patrick C. Goujon, S. Houdard","doi":"10.4000/dossiersgrihl.6801","DOIUrl":"https://doi.org/10.4000/dossiersgrihl.6801","url":null,"abstract":"De Certeau’s research on the « young man of the coach’s letter » by Surin, published in a 1968’s review, is the center of The Mystic Fable, released in 1982. The so-called « science of the texts » performed in 1968 as a history of religious ideas inside literary forms, turns around in 1982, and establishes literature as a theoritical model for mysticism. Literature then becomes the « historical novel » of mysticism. The Mystic Fable generates the specific venue for De Certeau’s writing, as a kind of genesis narrative, stretched between Surin’s family saga and the mystic word’s theory: the fable.","PeriodicalId":266913,"journal":{"name":"Michel de Certeau et la littérature","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122551269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Les traces littéraires dans La Fable mystique","authors":"J. Abramovici","doi":"10.4000/DOSSIERSGRIHL.6914","DOIUrl":"https://doi.org/10.4000/DOSSIERSGRIHL.6914","url":null,"abstract":"In La Fable mystique, the literary references are regular, punctual, but always precise, never trivial. They constitute significant traces, some remnants of the readings that have nourished the researcher's imagination and serve as a material for his work as a writer, as well as signs guiding his analysis. The way in which Michel de Certeau uses these references, how writes his notes, the whole of his quotation practice, deserve to be specifically analyzed in this perspective.","PeriodicalId":266913,"journal":{"name":"Michel de Certeau et la littérature","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127869497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"« Prises » et « reprises de paroles ». Michel de Certeau au miroir des « écrivains subalternes »","authors":"R. Fonkoua","doi":"10.4000/dossiersgrihl.6922","DOIUrl":"https://doi.org/10.4000/dossiersgrihl.6922","url":null,"abstract":"Based on a reading of Certeau's La Prise deparole et autres ecrits politiques, this article aims at understanding why this famous author of the \"French Theory\" is not more present in the \"postcolonial critique\" or in the \"subordinate criticism\" with whom he nevertheless shares many concerns as, e.g., the power to say, the mechanisms of domination, the relations of the dominated to language.","PeriodicalId":266913,"journal":{"name":"Michel de Certeau et la littérature","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127943931","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}