« Prises » et « reprises de paroles ». Michel de Certeau au miroir des « écrivains subalternes »

Abstract

Based on a reading of Certeau's La Prise deparole et autres ecrits politiques, this article aims at understanding why this famous author of the "French Theory" is not more present in the "postcolonial critique" or in the "subordinate criticism" with whom he nevertheless shares many concerns as, e.g., the power to say, the mechanisms of domination, the relations of the dominated to language.