{"title":"“插曲”和“重复歌词”。米歇尔·德·塞托在《低级作家》的镜子里","authors":"R. Fonkoua","doi":"10.4000/dossiersgrihl.6922","DOIUrl":null,"url":null,"abstract":"Based on a reading of Certeau's La Prise deparole et autres ecrits politiques, this article aims at understanding why this famous author of the \"French Theory\" is not more present in the \"postcolonial critique\" or in the \"subordinate criticism\" with whom he nevertheless shares many concerns as, e.g., the power to say, the mechanisms of domination, the relations of the dominated to language.","PeriodicalId":266913,"journal":{"name":"Michel de Certeau et la littérature","volume":"5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"« Prises » et « reprises de paroles ». Michel de Certeau au miroir des « écrivains subalternes »\",\"authors\":\"R. Fonkoua\",\"doi\":\"10.4000/dossiersgrihl.6922\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Based on a reading of Certeau's La Prise deparole et autres ecrits politiques, this article aims at understanding why this famous author of the \\\"French Theory\\\" is not more present in the \\\"postcolonial critique\\\" or in the \\\"subordinate criticism\\\" with whom he nevertheless shares many concerns as, e.g., the power to say, the mechanisms of domination, the relations of the dominated to language.\",\"PeriodicalId\":266913,\"journal\":{\"name\":\"Michel de Certeau et la littérature\",\"volume\":\"5 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-02-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Michel de Certeau et la littérature\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/dossiersgrihl.6922\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Michel de Certeau et la littérature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/dossiersgrihl.6922","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
« Prises » et « reprises de paroles ». Michel de Certeau au miroir des « écrivains subalternes »
Based on a reading of Certeau's La Prise deparole et autres ecrits politiques, this article aims at understanding why this famous author of the "French Theory" is not more present in the "postcolonial critique" or in the "subordinate criticism" with whom he nevertheless shares many concerns as, e.g., the power to say, the mechanisms of domination, the relations of the dominated to language.