Shevchenko Studies最新文献

{"title":"FIRST GALICIAN RECEPTION OF SHEVCHENKO’S POETRY (1840–1850’s)","authors":"R. Kharchuk","doi":"10.17721/2410-4094.2021.1(24).130-141","DOIUrl":"https://doi.org/10.17721/2410-4094.2021.1(24).130-141","url":null,"abstract":"The author examines the first reception of Shevchenko's poetry in Galicia in the 1840s and 1850s, finding out that Galician writers, including the publishers of «The Dniester mermaid» («Rusalka Dnistrova»), read Shevchenko's poetry in the almanac «Swallow» («Lastivka»). In her opinion, M. Shashkevych was more influenced by I. Kotlyarevsky's «Aeneid» and M. Maksymovуch's collection of Ukrainian songs than from Shevchenko's poetry, though he copied «Bewitched» («Prychynna») from the almanac «Swallow» («Lastivka»). This fact makes it possible to count M. Shashkevуch among the first implicit readers of Shevchenko in Galicia. Such reaction to Shevchenko's work can be explained by the fact that none of the three members of the «Russian Trinity» read the first Kobzar (1840). Y. Holovatsky has received «Chigirinskij kobzar and Gajdamaki. Dve pojemy na malorusskom jazyke Shevchenka» (St. Petersburg, 1844) in 1846 from K. Zap. He has received poems «Trizna» and «Hamalia» as well. This is evidenced not only by K. Zap's letter with the list of books he had to bring to Lviv, but also by the Y. Holovatsky’s memories, which have not been mentioned in Shevchenko's literature before. Y. Holovatsky refused to mention Shevchenko and his works in publications and lectures due to the coward in his house in connection with the report on reading the poem «Haydamaky». His brother Ivan intended to include Shevchenko's poetry in his anthology «The wreath for Ruthenians to Obzhynky» («Vinok Rusynam na obzhynky»), the first and second parts of which were published in 1846 and 1847 in Vienna, but he did not implement this plan. So, the first acquaintance with the poetry of Shevchenko in Galicia was mediated by an almanac «Swallow» («Lastivka»), the first implicit reader of Shevchenko in Galicia was M. Shashkevуch. «Kobzar» (1840) never reached Galicia, but information about «Kobzar» (1844), «Trizna», «Hamalia» and forbidden Shevchenko’s poem «Caucasus» («Kavkaz») circulated in the Galician intellectual environment. The first readers of Shevchenko in Galicia were a few people. The wider audience (mostly seminarists) became acquainted with Shevchenko's poetry following the «Kobzar» (1860).","PeriodicalId":262956,"journal":{"name":"Shevchenko Studies","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128405221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TRANSLATOR TARAS SHEVCHENKO","authors":"V. Radchuk","doi":"10.17721/2410-4094.2021.1(24).46-75","DOIUrl":"https://doi.org/10.17721/2410-4094.2021.1(24).46-75","url":null,"abstract":"The essay highlights the problem of mutual translatability of poems and paintings by Taras Shevchenko by treating them, “Kateryna” and other paired works in particular, in the light of Lessing’s “Laocoon” and from the point of view of modern semiotics and hermeneutics. The cumulative aesthetic influence of the artist’s works along with the integrity of his personality and style are accentuated. Shevchenko's masterpieces are considered as signs materialized by his talent and will in the proper means of an art that are structured as a whole due to the organic interaction of his creative drive and the diversity of semiocodes. With the attitudes of receptive aesthetics and linguistics in view, the study cautiously looks into the future afterlife of Shevchenko’s heritage.","PeriodicalId":262956,"journal":{"name":"Shevchenko Studies","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128169665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"IDEA-AESTHETIC COUPLE OF POETRY TARASA SHEVCHENKO AND PAUL HRABOVSKY","authors":"Gaevska Gaevska, O. V. Gaevska","doi":"10.17721/2410-4094.2020.1(23).55-71","DOIUrl":"https://doi.org/10.17721/2410-4094.2020.1(23).55-71","url":null,"abstract":"The fates of the two artists T. Shevchenko and P. Grabovsky have much in common both in biographical data and in their creativity. That is why we can speak about a certain congruence of the poems of P. Grabovsky and T. Shevchenko. Researchers of P. Grabovsky's creativity have repeatedly emphasized this (M. Sirotyuk, M. Sivachenko, O. Kiselev, I. Franko, etc.). It is interesting to trace the commonality of themes, problems and images in P. Grabowski's early poems. In his time, OsipMacovey, analyzing the poet's first collection, The Snowdrop, wrote: “These poetry… A whole school of feelings from the highest animation to extreme pessimism. These psychic motives are composed in different ways in the song and once they hum like funeral bells, and once lively marches to the march” [Makovej O., P. 230]. Significant place in the mentioned collection, as well as in all the creative works of P. Grabowski, as already mentioned, is given to the depiction of the difficult slave life of the worker. The reader is most impressed by the works in which the poet depicts concrete, as if drawn from life images and paintings. These are the poetry «Worker», «Seamstress», «Worker», «From Life», «To Mother». In T. Shevchenko’s poems, the same motives of pain and sympathy for the underprivileged and oppressed sound. Particularly, the fate of the woman has always worried P. Grabovsky and T. Shevchenko, and therefore the image of a female worker holds a significant place in their work. Why? Here it is necessary to emphasize the position of man in society in those days. These were the years of cruel and ruthless oppression of the people, and a woman like no one was humiliated and humiliated.","PeriodicalId":262956,"journal":{"name":"Shevchenko Studies","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121304770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE WOMEN'S MYTHOLOGICAL IMAGES IN THE TARAS SHEVCHENKO'S AND YURIJ VYNNYCHUK'S WORKS","authors":"O. Medvedchuk","doi":"10.17721/2410-4094.2021.1(24).38-45","DOIUrl":"https://doi.org/10.17721/2410-4094.2021.1(24).38-45","url":null,"abstract":"The article gives a detailed analysis of the mythological women images' transformation in Taras Shevchenko's and Yurij Vynnychuk's works. The peculiarities of using of these images in the poem \"Witch\", the ballad \"Insane woman\" by Taras Shevchenko and short stories \"Hornlet\", \"Taste of birch\" by Yutij Vynnychuk are examined. It is shown that respectful attitude to women was typical feature of the Ukrainian nation from the remotest times, as a woman plays the most important role in our mental sensation of the world – the role of mother and tradition-keeper. Therefore it is understood that in Ukrainian mythology the images of a witch and a mermaid have not obtain negative connotation, as they have in many other mythologies. The comparative analysis is given, common and different features of the witch and mermaid images in the Taras Shevchenko's and Yurij Vynnychuk's works are determined. The common peculiarity of picturing their heroines as positive and kind women in both authors' creations is defined. Such a position suits the general believes of the Ukrainian nation and represents national and common to mankind values that are reflected in our mythology. Besides, the both authors impart their mythic women with typical for human soul feelings and emotions, such as love, sadness, care, compassion and ability to forgive. The main difference is the fact, that Yurij Vynnychuk combines Ukrainian mythology with European and adds own descriptions in describing the appearance of mermaids and withes, while Taras Shevchenko follows Ukrainian mythological concepts. The reason of this difference is caused by the great lapse of time in almost two centuries between the authors and different peculiarities of style of their works.","PeriodicalId":262956,"journal":{"name":"Shevchenko Studies","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125271949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"IN SEARCH OF SCIENTIFIC STUDIES OF TARAS SHEVCHENKO’S POETRY","authors":"А. M. Kalynchuk","doi":"10.17721/2410-4094.2020.1(23).112-129","DOIUrl":"https://doi.org/10.17721/2410-4094.2020.1(23).112-129","url":null,"abstract":"Article updates the works of O. Hrushevskyi and V. Shchepotiev, who replenished the tragic martyrologist of the national culture in the days of Stalin's genocide, as well as M. Markovskyi, who was forced to cease scientific activity. They laid the scientific foundations of Shevchenko studies together with I. Franko, M. Sumtsov, M. Zerov, P. Fylyppovych, M. Dray-Khmara, V. Miyakovskyi, B. Navrotskyi. The purpose of the article is to spread information about the contribution of O. Hrushevskyi, M. Markovskyi and V. Shchepotiev to the development of scientific approaches to the study of the poet's creativity, to update their texts, to correlate them with the problems of the development of Shevchenko's science in the first third of the 20th century. Shevchenko studies are considered in the context of developing by critics’ objective approaches to the study of the artist's heritage. Shevchenko's Intelligence of O. Hrushevskyi, M. Markovskyi and V. Shchepotiev in the early 20th сentury – interesting and relevant in the sense that they testified to the critics' attempts to interpret Shevchenko's achievements of a particular period from the perspective of the psychology of creativity, to consider in the context of the controversy about the historical-literary and folklore sources of his poetry. In their search for scientific research, scientists discussed the known facts, attracted unfamiliar materials, developed problems that were ripe for that period, thus supporting the development of Shevchenko studies in the first third of the 20th century, diversifying its directions. The results of this study can be used in the preparation of an objective monograph on the latest trends, problems, and prospects for the development of Shevchenko studies in the early 20th century.","PeriodicalId":262956,"journal":{"name":"Shevchenko Studies","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123979729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ARCHIVAL DOCUMENTS ABOUT TARAS SHEVCHENKO HOMELAND","authors":"Ju. I. Sokoliuk","doi":"10.17721/2410-4094.2021.1(24).93-102","DOIUrl":"https://doi.org/10.17721/2410-4094.2021.1(24).93-102","url":null,"abstract":"Article by Iu. Sokoliuk Archival Documents on the Birthplace of Taras Shevchenko aims to broaden the scientific understanding of locations that are important for the creative development of Taras Shevchenko. An extremely important aspect of the methodological work is the involvement of archival information in the channels of mass and scientific communication, the discussion at seminars and conferences, publication in specialized publications, etc. Archival documents of the 19th century reflect the features of real life of all segments of the population of Russian Impire. In the given intelligence the author directed his efforts to applied research in the archives of Kyiv. The relevance of the intelligence is that the documents are still unknown to the general public. Some archival cases relate to Mr. Paul Engelhardt's estates, whose serfs were the Boyko-Shevchenko families. Of particular interest are cases of abuse of serfs in the village of Kirilovka. This shows that the human tragedies described by Shevchenko have a true historical basis. Summarizing the rich information material collected by renowned Shevchenko scholars, it should be noted that Shevchenko's childhood in a special way influenced the formation of the poet as an artist and as a person. Modern science opens new pages every day. An address to the original sources is an extraordinarily important aspect of modern Shevchenko’s studies. More and more scientists are interested in this topic. Therefore, we conclude that the archival institutions of Ukraine are still an inexhaustible source for studying the historical realities of T. Shevchenko's life and their influence on the writer's work.","PeriodicalId":262956,"journal":{"name":"Shevchenko Studies","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128811490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"UKRAINIAN MARSEILLAISE BY TARAS SHEVCHENKO","authors":"H. Kriuchkov","doi":"10.17721/2410-4094.2021.1(24).5-15","DOIUrl":"https://doi.org/10.17721/2410-4094.2021.1(24).5-15","url":null,"abstract":"The article is devoted to the analysis of dіfferent translations of Taras Shevchenko \"Testament\" and National French Himn Marseillaise. Two value systems and specific psycholects of nostalgia, aggression, peace are examined. The aim of the article is to define the main psycholects in Taras Shevchenco poems, particularly in \"Testament\". In result of the comparison methods of several translations of \"Testament\" we have obtained three important psycholect of nostalgia, aggression and peace. All spheres use the concept of \"love\" and \"mother country\". The first and the second quatrains of \"Testament\" contain the invincible, calm, tranquil grandeur and beauty of the peace-loving country. Both quatrains are based on the psycholect nostalgia. The third and the fourth quatrains are the most discussed but they impresse everybody with their optimism, future of Ukraine, belief, victory, liberty. In the fifth quatrain the poet calls Ukrainians to revolt and to win the liberty. The psycholect of this quatrain ensures the riot and the victory. This is the psycholect of aggression. The sixth quatrain describes the future of Ukraine. The poet asks to recollect him in the new society, in the new, big and free family. The psycholect of peas ensures the ideal calm in the society of free people. The conceptosphere of the first and the second quatrains of \"Testament\" is founded on nostalgia's concept \"Love\" and \"Mother country\". Lexical means, grammatical structure of phrases, phonetic phenomenos and prosody provide with intellectual, logical and emotional expression of feelings in the poet's psycholect who was sick and took leave of the life and said good-bye to the Ukrainian people. Concepts of the third and the fourth quatrains are God and Liberty. Marseillaise has the same idea of the fight and the victory. The fifth quatrain follow the main concept of the struggle. Slogans of this quatrain coincide with appeals of Marseillaise: bury, rise, tear asunder chains, stain the freedom with blood. The image of enemy's blood on \"Testament\" corresponds to impure blood of Marseillaise. The interrogatory of students and teachers witnesses the main concept of \"Testament\" (95 per cent). This is \"Freedom\". The second concept is \"Religion\" (God. Pray) – 86 per cent. The third concept is \"Motherland\" – (toponyms: Ukraine, Dnipro) – 80 %. Strangers consider the main idea of \"Testament\" in the last quatrain. Ukrainian respondents consider more important adjectives about Family: free (45 per cent), new (41 per cent), big (14 per cent). Important lines of Testament are the following: Tear chairs – 23 per cent. Bury and revolt – 19 per cent. Don't forget to speak well – 19 per cent. Pray – 15 per cent. Enemy's wicked blood – 5 per cent. Testament of Taras Shevchenko is just the second national himn of Ukraine or Ukrainian Marseillaise. It is constructed on three psycholects: nostalgia, aggression and peace. The general harmony of this poem is attained by well–balance between aggressio","PeriodicalId":262956,"journal":{"name":"Shevchenko Studies","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134633572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE IMAGE OF CHYGYRYN IN THE POETRY OF T. SHEVCHENKO AND IN «HISTORY OF RUS PEOPLE»","authors":"А. О. Hudyma","doi":"10.17721/2410-4094.2020.1(23).84-97","DOIUrl":"https://doi.org/10.17721/2410-4094.2020.1(23).84-97","url":null,"abstract":"In «History of Rus People» Chygyryn is shown as a city of strong hetman power, where the fate of Ukraine is decided, and at the same time a city of strife, internal conflicts, political disorientation, which ends up with the destruction of the city in 1678 under pressure of the Turks. If the author of «History of Rus People» unfolds before us the history of Chygyryn over about 180 years, then the history of Shevchenko’s Chygyryn dates back more than 240 years. According to T. Shevchenko Chygyryn undergoes three stages of development – Cossack, Haydamaky and the period of decline and oblivion, contemporary to T. Shevchenko. The image of Chygyryn in T. Shevchenko's works usually does not acquire specific external features. The poet mostly represents the image of Chygyryn through an action or an event that takes place in it. For T. Shevchenko, Chygyryn serves as a starting point for certain national-scale actions and processes: the Cossack march («Headscarf»), the election of a hetman («On Holy Sunday»), the Haydamaky movement («Haydamaky»). It is obvious that the fate of Chyhyryn disturbed T. Shevchenko, since, as he clearly saw it, together with the hetman's capital, burned in quite remote for T. Shevchenko year of 1678 and transformed into a regular township, the memory of the role of Chygyryn in the history of Ukraine in its statesmanship period had been forgotten. T. Shevchenko expresses his reflections in this regard in the poetry «Chygyryn, Chygyryn ...». Chygyryn is spiritually related to T. Shevchenko. Ukraine and Chygyryn are in a strong connection in T. Shevchenko’s mind. At the same time, the author of «History of Rus People» refers to Chygyryn and its fate rather distantly, notably, using no epithets regarding Chygyryn. In T. Shevchenko’s works, Chygyryn is associated with the concepts of glory and holiness and becomes symbolic. This is not only the real Chygyryn, whose history has reached both heyday and decline, – for T. Shevchenko – it is a symbol of Cossack glory, statehood, spiritual unity of the people.","PeriodicalId":262956,"journal":{"name":"Shevchenko Studies","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125858918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ISSUES OF TRANSLATIONAL MASTERSHIP OF TARAS SHEVCHENKO’S POEMS IN THE JAPANESE SLAVIC STUDIES","authors":"I. P. Bondarenko, Yuliia Kuzmenko","doi":"10.17721/2410-4094.2020.1(23).30-44","DOIUrl":"https://doi.org/10.17721/2410-4094.2020.1(23).30-44","url":null,"abstract":"This article aims to outline main tasks when translating poetry of the Great Kobzar into Japanese. Analytical, biographical, contextual-descriptive and comparative methods were used in the study. In particular, the analytical method is applied when examining the Japanese works related to a poetic heritage of T. Shevchenko and its translations, biographical – when considering some facts from life of the Japanese slavists, which contributed to their interest in works of the Ukrainian poet. The contextual-descriptive and comparative methods are used in analyzing translated collections of the Great Kobzar’s poetry in Japanese and problems of the Ukrainian-Japanese literary translation. Poetry of Taras Shevchenko found its readers in Japan thanks to translation efforts of Taisuke Shibuya, Takayuki Murai, Gаchiro Tazawa, Takashi Juge, Shosuke Komatsu, Kazuo Nakai, Takao Hino, Takao Okamoto and Etsuko Fujii. Three main problems of translation mastership can be distinguished in the Japanese slavistics. First, expediency of translating the Kobzar's poems not from the Ukrainian original, but from the Russian and English translations. This issue was brought up by Kazuo Nakai, who noted that this practice of using the Russian or English texts continued until the end of 1990s. Secondly, significant problems in case of the Ukrainian-Japanese literary translation are associated with untranslatables for designation of certain cultural, socio-historical and other phenomena. Third, selection of the modern or obsolete language for translation: Takashi Juge used obsolete words, while Etsuko Fujii chooses the modern Japanese language, so that young people could also read the poems of Kobzar. Thus, the Japanese slavists still have a lot of problems in the field of the Ukrainian-Japanese literary translation, to overcome which each of them uses its own approach. Further study of the Japanese translation of the Ukrainian literary works seem to have potential for deepening cultural and literary relations between two countries.","PeriodicalId":262956,"journal":{"name":"Shevchenko Studies","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122268977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE CINEMA EPOPE ABOUT T. SHEVCHENKO IN THE EDUCATIONAL PROCESS","authors":"А. О. Tkachenko","doi":"10.17721/2410-4094.2021.1(24).102-120","DOIUrl":"https://doi.org/10.17721/2410-4094.2021.1(24).102-120","url":null,"abstract":"Nowadays, students are not very willing to read fiction, and there is no other way to solve this problem, except using of audio and video disks, flash drives, radio and TV programs, Internet portals, etc., on a par with paper mediums. Curricula should also be carefully reviewed, including lists for basic and variable reading. Do not chase the number of names and works, but pick the most perfect and original in the artistic aspect. And at the same time – do not impose them imperatively. Perhaps, it is the biggest contradiction of the very idea of stacking programs. However, it is necessary to solve it, because the humanitarian progress is one of the most important factors in the unity of society. And, of course, it is necessary to create a state educational portal (while almost everything is kept on enthusiasm), where to submit the work of the writer, accompanied by its intermedial re-coding. Not to mention the significant cost savings on the reissue of textbooks and chrestomathies, this will tone up the scientific and educational foundations of literary and artistic education. T. Shevchenko's creativity occupies a significant place in our intermedial space, therefore, so in this \"cassette\" article we confined ourselves to meditations on the documentary-artistic series \"Taras Shevchenko. Testament\". Moreover, this is exactly student's reflections, accompanied by brief comments of the teacher. Inasmuch as in our pragmatic time, it's not so easy to watch 12 films for one person, students were invited to submit in short reviews not only concise thoughts about films, but also the timing of the most interesting or key scenes and episodes of the series from their point of view. It will also help future audiences orientate in a fairly large time and space of the cinema epopees.","PeriodicalId":262956,"journal":{"name":"Shevchenko Studies","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126955328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}