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RSSI. Recherches sémiotiques. Semiotic inquiry最新文献

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L’expérience de l’origine : John Glassco, traducteur de Saint-Denys Garneau 起源的经验:约翰·格拉斯科，圣丹尼·加尔诺的翻译
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2013-02-18 DOI: 10.7202/1014247AR
P. Godbout
{"title":"L’expérience de l’origine : John Glassco, traducteur de Saint-Denys Garneau","authors":"P. Godbout","doi":"10.7202/1014247AR","DOIUrl":"https://doi.org/10.7202/1014247AR","url":null,"abstract":"Cet article se penche, dans une perspective semiotique, sur la traduction anglaise, par John Glassco, d’un poeme d’Hector de Saint-Denys Garneau, “Saules” (Regards et jeux dans l’espace, 1937). A partir d’une analyse tres fine de ce poeme proposee par Jacques Blais, la traduction de Glassco, publiee en 1975 dans les Complete Poems of Saint Denys Garneau, est examinee afin de determiner quelle “experience de traduction” est vecue par le traducteur.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130493052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Photography as a Witness of Theatre 摄影作为戏剧的见证者
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2010-10-07 DOI: 10.7202/044587AR
Mary Dondero
{"title":"Photography as a Witness of Theatre","authors":"Mary Dondero","doi":"10.7202/044587AR","DOIUrl":"https://doi.org/10.7202/044587AR","url":null,"abstract":"My paper investigates the meeting of theatre and photography in ‘theatre photography’. Recognizing that both art forms can determine theoretical and philosophical views on representation and self-representation, I aim to compare their visual strategies and the way they construct point of view. In the process several questions are raised: do qualities of photographs belong to objects photographed or to photographs themselves? How important is the object that ‘triggers’ the view? Should the theatre photographer place his camera anywhere? What of framing? In the second section I offer an analysis of photographs taken by Roger Pic in 1957 during the Paris performance of Brecht’s Mother Courage and Her Children by the Berliner Ensemble. This analysis seeks to demonstrate that theatre photography, which often seen as an example of documentary photography, can reach artistic status, provided it relies on enunciative strategies that express what cannot otherwise be photographed in a ‘direct’ manner, namely the characters’ words and emotions.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131720726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dispositif livresque et spécificité de la photographie dans les ‘Voyages de photographe’ de la fin du vingtième siècle 20世纪末“摄影之旅”中摄影的书籍装置和特殊性
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2010-10-07 DOI: 10.7202/044591AR
Danièle Méaux
{"title":"Dispositif livresque et spécificité de la photographie dans les ‘Voyages de photographe’ de la fin du vingtième siècle","authors":"Danièle Méaux","doi":"10.7202/044591AR","DOIUrl":"https://doi.org/10.7202/044591AR","url":null,"abstract":"A partir de la fin des annees cinquante, avec les oeuvres de Robert Frank, Bernard Plossu, Max Pam et bien d’autres, se developpe un genre neuf: celui du ‘Voyage de photographe’. Paraissent alors des livres reunissant des photographies et des mots qui fonctionnent comme des ensembles coherents et qui, tout en montrant des images du monde, renvoient a l’experience itinerante de leur auteur. Ces ouvrages conjuguent les possibilites du dispositif livresque et les specificites de la photographie pour evoquer avec une puissance particuliere le parcours du territoire.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128853383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"On Photography. The Medium, The Scandal and The Silence" “在摄影。媒介，丑闻和沉默”
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2010-10-07 DOI: 10.7202/044595AR
G. Fiorentino
{"title":"\"On Photography. The Medium, The Scandal and The Silence\"","authors":"G. Fiorentino","doi":"10.7202/044595AR","DOIUrl":"https://doi.org/10.7202/044595AR","url":null,"abstract":"Italo Calvino once referred to photography as an “anthropologically new object”, while Roland Barthes described it as a “bizarre medium”. In all accounts photography can be seen to resist our attempts to theorize it. Accepting this challenge, the present essay seeks to investigate the specificity of photography with reference to three concepts and pairs of authors: These concepts are then used to consider three photographs: a snapshot taken by an American soldier deployed in Iraq between 2003 and 2004; Le croci di Guerra (1991) by Oliviero Toscani for Benetton; and Dead Troops Talk (1992) by Jeff Wall.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122712013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Les théories du texte de François Rastier au service d’une lecture interprétative de la mode francois Rastier的文本理论服务于对时尚的解释性解读
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2010-10-07 DOI: 10.7202/044598AR
Maria Chalevelaki
{"title":"Les théories du texte de François Rastier au service d’une lecture interprétative de la mode","authors":"Maria Chalevelaki","doi":"10.7202/044598AR","DOIUrl":"https://doi.org/10.7202/044598AR","url":null,"abstract":"Cet article s’inspire de la semiotique interpretative de F. Rastier pour analyser un defile de mode (Collection printemps-ete 2003, Ungaro). D’un point de vue theorique ou methodologique, l’auteur demontre comment la semiotique interpretative doit completer le travail de la semiotique tensive (Fontanille, Zilberberg) sur un corpus qui n’est pas, a strictement parler, textuel.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124834195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La photo de presse: temps, vérité et photogénie (trois modèles de la photo de presse) 新闻摄影:时间、真相和摄影(新闻摄影的三个模型)
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2010-10-07 DOI: 10.7202/044597AR
Anne Beyaert
{"title":"La photo de presse: temps, vérité et photogénie (trois modèles de la photo de presse)","authors":"Anne Beyaert","doi":"10.7202/044597AR","DOIUrl":"https://doi.org/10.7202/044597AR","url":null,"abstract":"Cet article prend le parti de repartir les photographies de presse actuelles en trois modeles organises selon une diachronie. Il examine ces modeles intitules modele iconologique, photographie de presence et photographie spontanee a l’aune de trois criteres seminaux, la temporalite, la veridiction et la photogenie, pour valider l’hypothese selon laquelle trois regimes de croyance se succedent et s’argumentent dans le temps pour renouveler la photogenie et restaurer la confiance dans l’image.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124570591","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Photography as Translation. Visual Meaning, Digital Imaging, Trans-Mediality 摄影作为翻译。视觉意义，数字成像，跨媒介性
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2010-10-07 DOI: 10.7202/044586AR
Maurizio Gagliano
{"title":"Photography as Translation. Visual Meaning, Digital Imaging, Trans-Mediality","authors":"Maurizio Gagliano","doi":"10.7202/044586AR","DOIUrl":"https://doi.org/10.7202/044586AR","url":null,"abstract":"The idea of envisaging photography through the concept of translation is based on the work of Umberto Eco on literary translation (2003) and its application to the cinema by Nicola Dusi (2003). In this article, the author seeks to clarify the terms and limits of this idea, all the while paying attention to debates surrounding the iconic sign and to issues raised by the coming of digital photography.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124837742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Cameras: Forms of Interaction 相机:互动的形式
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2010-10-07 DOI: 10.7202/044596AR
D. Mangano
{"title":"Cameras: Forms of Interaction","authors":"D. Mangano","doi":"10.7202/044596AR","DOIUrl":"https://doi.org/10.7202/044596AR","url":null,"abstract":"This essay examines the material design of cameras. The author argues that design plays a central role in the interaction between Operator and Spectator (R. Barthes) and, furthermore, that it entails significant effects on photographic aesthetics. Finally, the author also considers some of the design differences between traditional emulsion cameras and digital cameras.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121943223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Shadow Writing. W.G. Sebald’s Syncretic Discourse 影子写作。西博尔德的《综合话语》
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2010-10-07 DOI: 10.7202/044590AR
Isabella Pezzini
{"title":"Shadow Writing. W.G. Sebald’s Syncretic Discourse","authors":"Isabella Pezzini","doi":"10.7202/044590AR","DOIUrl":"https://doi.org/10.7202/044590AR","url":null,"abstract":"The article examines the interrelation of photograph and text in W.G. Sebald’s On the Natural History of Destruction (2001). This intermediality is, indeed, characteristic of Sebald’s work in both fiction and non-fiction. On the Natural History... belongs to the latter category, an involved and emotional examination of the collective repression in the consciousness of the German people of the carpet-bombing of Germany at the end of World War II. Here too the photographs have a function which goes far beyond that of testimony, the images constructing a complex plot within and with the text, on the level of both expression and content. What they produce is a new and singular “third language”, the only idiom capable of dealing with such complex issues of pain and blame, repression and memory.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122442855","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Sémiotique pragmatique et photographie numérique. Le cas de la retouche photographique 实用符号学和数码摄影。照片修饰的案例
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2010-10-07 DOI: 10.7202/044594AR
B. Darras
{"title":"Sémiotique pragmatique et photographie numérique. Le cas de la retouche photographique","authors":"B. Darras","doi":"10.7202/044594AR","DOIUrl":"https://doi.org/10.7202/044594AR","url":null,"abstract":"A force d’etre expose aux grands pourvoyeurs de photographies retouchees que sont les medias, notre regard s’est adapte au point de fonctionner dans cet univers de papier et d’ecrans comme s’il etait en continuite avec l’univers des experiences non mediatisees. Ceci est tout particulierement vrai de la reconnaissance des visages. A l’occasion de cette etude semiotique, pragmatique, cognitive et systemique nous tenterons d’etudier les transformations que subit un portrait photographique lorsqu’il est soumis aux operations esthetiques et plastiques d’un specialiste de la retouche. Nous nous attarderons tout particulierement a l’impact de la transformation qu’un dispositif informatique de comparaison d’images “avant” et “apres” la retouche a sur le spectateur. Finalement, nous etudierons les questions de l’indicialite et de l’indexicalite de la photographie numerique en general et specifiquement dans le cas de la photographie retouchee.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115139354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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