“在摄影。媒介,丑闻和沉默”

G. Fiorentino
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引用次数: 0

摘要

卡尔维诺(Italo Calvino)曾将摄影称为“人类学上的新对象”,而罗兰·巴特(Roland Barthes)则将其描述为“奇异的媒介”。在所有的叙述中,摄影都可以被看作是抵制我们理论化它的尝试。接受这一挑战,本文试图通过三个概念和作者对来研究摄影的特殊性:然后使用这些概念来考虑三张照片:2003年至2004年间部署在伊拉克的一名美国士兵拍摄的快照;奥利维亚罗·托斯卡尼为贝纳通设计的《格拉的croci di Guerra》(1991);以及杰夫·沃尔1992年的《死兵谈话》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"On Photography. The Medium, The Scandal and The Silence"
Italo Calvino once referred to photography as an “anthropologically new object”, while Roland Barthes described it as a “bizarre medium”. In all accounts photography can be seen to resist our attempts to theorize it. Accepting this challenge, the present essay seeks to investigate the specificity of photography with reference to three concepts and pairs of authors: These concepts are then used to consider three photographs: a snapshot taken by an American soldier deployed in Iraq between 2003 and 2004; Le croci di Guerra (1991) by Oliviero Toscani for Benetton; and Dead Troops Talk (1992) by Jeff Wall.
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