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RSSI. Recherches sémiotiques. Semiotic inquiry最新文献

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“A Past Which Has Never Been a Present”. Cinema and Photography in Blow-Up by Michelangelo Antonioni "从未成为现在的过去"米开朗基罗·安东尼奥尼的电影和摄影放大
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2010-10-07 DOI: 10.7202/044592AR
R. Eugeni
{"title":"“A Past Which Has Never Been a Present”. Cinema and Photography in Blow-Up by Michelangelo Antonioni","authors":"R. Eugeni","doi":"10.7202/044592AR","DOIUrl":"https://doi.org/10.7202/044592AR","url":null,"abstract":"This article analyses Michelangelo Antonioni’s Blow-Up (1966). The author argues that the film offers a fully-developed theory of photography, one that is consistent with Merleau-Ponty’s phenomenology and which emphasizes the embodiedness and situatedness of ‘Operator’ and ‘Spectator’. However, one key element of this theory resides in the recognition that these two ‘agents’ can never coincide.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"128 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115142206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Photography Today: Between Tableau and Document 今日摄影:介于画面与文件之间
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2010-10-07 DOI: 10.7202/044589AR
H. V. Gelder
{"title":"Photography Today: Between Tableau and Document","authors":"H. V. Gelder","doi":"10.7202/044589AR","DOIUrl":"https://doi.org/10.7202/044589AR","url":null,"abstract":"This essay seeks to examine the position of photography in contemporary art or, more specifically, the way photography now hovers between tableau and the ‘document’ Three methodological levels are considered: first, a co-textual reading of select images by Jeff Wall and Allan Sekula in relation to their titles; secondly, an examination of their various treatment of pictorial elements, remnants of a long-standing artistic tradition; thirdly, at the level of the meta-text, the same images are confronted with a much broader contextual relationship. Here, the differences between two modes of working in contemporary photography — singular tableau and (pseudo-) documentary montage — become clear. A historical flashback traces this current photographic paragone back to 16th Century Southern Netherlandish art. Finally, the author raises a question pertaining to a fourth, practical level: that of the art market.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"119 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133878446","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Sémiotique et photographie: 1961-2006 符号学与摄影:1961-2006
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2010-10-07 DOI: 10.7202/044585AR
J. Baetens
{"title":"Sémiotique et photographie: 1961-2006","authors":"J. Baetens","doi":"10.7202/044585AR","DOIUrl":"https://doi.org/10.7202/044585AR","url":null,"abstract":"Le present article offre un apercu des rencontres et interactions entre les champs de la photographie et de la semiotique depuis 1961 (date de publication de l’article fondateur de Roland Barthes “Le Message photographique”). Il analyse successivement trois aspects de cette problematique: a) la grande diversite des analyses semiotiques du fait photographique; b) les apports mutuels des deux domaines, puisque la semiotique a change notre maniere de voir la photographie et vice versa; c) les problemes et les opportunites qui se profilent lorsqu’on cherche a articuler theoriquement les deux domaines.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"150 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128885252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What Anchors Semiosis : How Descartes Changed the Subject 符号学之锚:笛卡儿如何改变主题
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2008-09-01 DOI: 10.7202/1005869AR
M. Champagne
{"title":"What Anchors Semiosis : How Descartes Changed the Subject","authors":"M. Champagne","doi":"10.7202/1005869AR","DOIUrl":"https://doi.org/10.7202/1005869AR","url":null,"abstract":"The goal of this article is twofold. First, it revises the historiographic partition proposed by John Deely in Four Ages of Understanding (2001) by arguing that the moment marking the beginning of philosophical Modernity has been vividly recorded in Descartes’ Meditations on First Philosophy with the experiment with the wax. Second, an upshot of this historical study is that it helps make sense of Deely’s somewhat iconoclastic use of the words “subject” and “subjectivity” to designate mind-independent worldly things. The hope is that successfully accomplishing these twin tasks will give semiotic inquiry a better appreciation of its own history, as well as resources genial to furthering its ongoing development.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":" 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2008-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113949458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
L’évidence des photos aériennes d’Auschwitz 奥斯维辛航空照片的证据
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2007-12-19 DOI: 10.7202/044593AR
N. Roelens
{"title":"L’évidence des photos aériennes d’Auschwitz","authors":"N. Roelens","doi":"10.7202/044593AR","DOIUrl":"https://doi.org/10.7202/044593AR","url":null,"abstract":"L’enjeu des photos aeriennes d’Auschwitz ne se situe plus dans un proces contre l’evidence visuelle mais dans l’evidence ethique d’un appel a la responsabilite (la decision de bombarder), d’autant plus lorsqu’elles sont confrontees a la contre-plongee fantasmatique de prisonniers qui misaient sur les bombardements aeriens comme seule issue possible a leur situation, au futur anterieur d’une barbarie encore jugulable. C’est l’effet pragmatique (en l’occurrence le non-faire) que ces photos ont declenche ou les discours qu’elles ont suscites qu’on analyse dans ces pages. Dans les annees soixante-dix les historiens Brugioni et Poirer ont ainsi invoque l’inefficacite de la technique photographique de l’epoque pour justifier l’inaction des allies. Les discours d’escortes actuels sur les sites Internet qui diffusent les photos en question deploient, quant a eux, une rhetorique qui n’est pas moins innocente.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2007-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127743892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Des images et des signes. À propos de la relation indexicale et de son interprétation 图像和标志。关于索引关系及其解释
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 1900-01-01 DOI: 10.7202/1005865AR
M. Lefebvre
{"title":"Des images et des signes. À propos de la relation indexicale et de son interprétation","authors":"M. Lefebvre","doi":"10.7202/1005865AR","DOIUrl":"https://doi.org/10.7202/1005865AR","url":null,"abstract":"Le present article cherche a demontrer que le diagnostic des theoriciens du cinema annoncant la fin du 7e art — dans la mesure ou il reposerait sur le concept peirceen de l’index — fait foi d’une profonde incomprehension de la theorie semiotique de C. S. Peirce. En outre, les nouvelles images numeriques de la photographie et du cinema ne sont pas “moins” indexicales qu’avant et ne sauraient l’etre d’un point de vue strictement logique. Ce qui ne signifie pas, toutefois, qu’il n’existe aucune distinction pertinente au plan semiotique entre l’image photo-filmique d’une part, et la peinture, le dessin, ou l’image de synthese d’autre part. Nous ferons appel a la classification des signes elaboree par Peirce en 1903 pour examiner ce qui distingue ces deux paradigmes de l’image.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121822883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
La photographie traitée par ce qui n’est pas elle, ou l’art de se défiler 摄影处理的不是它，或滚动的艺术
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 1900-01-01 DOI: 10.7202/044588AR
P. Fresnault-Deruelle
{"title":"La photographie traitée par ce qui n’est pas elle, ou l’art de se défiler","authors":"P. Fresnault-Deruelle","doi":"10.7202/044588AR","DOIUrl":"https://doi.org/10.7202/044588AR","url":null,"abstract":"Une lithographie (Kodak, par Lelong, 1923, 151 x 100) nous ‘parle’ de photographie. Cette transposition est une metaphore, mais aussi un ‘evitement’. Que penser de l’affiche en question? L’auteur tente d’articuler un propos d’inspiration barthesienne a un discours situe quelque part entre l’iconologie et la mediologie.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"8 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120870071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
HENRY JENKINS, SAM FORD, JOSHUA GREEN. Spreadable Media. Creating Value and Meaning in a Networked Culture. New York : New York University Press (Postmillennial Pop Series), 2013. 352 pp. 亨利·詹金斯，山姆·福特，约书亚·格林。容易被涂开的媒体。在网络文化中创造价值和意义。纽约:纽约大学出版社(后千年流行系列)，2013。352页。
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 1900-01-01 DOI: 10.7202/1025934AR
Marta Boni
{"title":"HENRY JENKINS, SAM FORD, JOSHUA GREEN. Spreadable Media. Creating Value and Meaning in a Networked Culture. New York : New York University Press (Postmillennial Pop Series), 2013. 352 pp.","authors":"Marta Boni","doi":"10.7202/1025934AR","DOIUrl":"https://doi.org/10.7202/1025934AR","url":null,"abstract":"","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"37 9","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114111370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Caractères et signes : à quoi reconnaît-on la valeur éthique des représentations artistiques? Lecture de la Poétique d’Aristote 人物与符号:艺术表现的伦理价值是如何识别的?阅读亚里士多德的诗学
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 1900-01-01 DOI: 10.7202/1005867AR
C. Genin
{"title":"Caractères et signes : à quoi reconnaît-on la valeur éthique des représentations artistiques? Lecture de la Poétique d’Aristote","authors":"C. Genin","doi":"10.7202/1005867AR","DOIUrl":"https://doi.org/10.7202/1005867AR","url":null,"abstract":"Dans une oeuvre d’art narrative ou figurative, a quels signes pouvons-nous reconnaitre et identifier la qualite morale de tel personnage? A partir d’une lecture des textes d’Aristote portant sur l’art et l’education, sur le theâtre ou la musique, nous essayons de degager certains reperes lies a des modes culturels comme a la symbolisation de valeurs morales. Puis, fort de cet acquis, nous tenterons une etude appliquee sur des mythes contemporains qui mettent en scene des heros fictifs empruntes a la culture populaire cinematographique.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115597994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Peirce et l’image : Présentation 皮尔斯和图像:展示
RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 1900-01-01 DOI: 10.7202/1035281AR
M. Lefebvre
{"title":"Peirce et l’image : Présentation","authors":"M. Lefebvre","doi":"10.7202/1035281AR","DOIUrl":"https://doi.org/10.7202/1035281AR","url":null,"abstract":"","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121880225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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