{"title":"摄影作为翻译。视觉意义，数字成像，跨媒介性","authors":"Maurizio Gagliano","doi":"10.7202/044586AR","DOIUrl":null,"url":null,"abstract":"The idea of envisaging photography through the concept of translation is based on the work of Umberto Eco on literary translation (2003) and its application to the cinema by Nicola Dusi (2003). In this article, the author seeks to clarify the terms and limits of this idea, all the while paying attention to debates surrounding the iconic sign and to issues raised by the coming of digital photography.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"8 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2010-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Photography as Translation. Visual Meaning, Digital Imaging, Trans-Mediality\",\"authors\":\"Maurizio Gagliano\",\"doi\":\"10.7202/044586AR\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The idea of envisaging photography through the concept of translation is based on the work of Umberto Eco on literary translation (2003) and its application to the cinema by Nicola Dusi (2003). In this article, the author seeks to clarify the terms and limits of this idea, all the while paying attention to debates surrounding the iconic sign and to issues raised by the coming of digital photography.\",\"PeriodicalId\":191586,\"journal\":{\"name\":\"RSSI. Recherches sémiotiques. Semiotic inquiry\",\"volume\":\"8 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2010-10-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RSSI. Recherches sémiotiques. Semiotic inquiry\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7202/044586AR\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RSSI. Recherches sémiotiques. Semiotic inquiry","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7202/044586AR","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Photography as Translation. Visual Meaning, Digital Imaging, Trans-Mediality
The idea of envisaging photography through the concept of translation is based on the work of Umberto Eco on literary translation (2003) and its application to the cinema by Nicola Dusi (2003). In this article, the author seeks to clarify the terms and limits of this idea, all the while paying attention to debates surrounding the iconic sign and to issues raised by the coming of digital photography.
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