{"title":"相机:互动的形式","authors":"D. Mangano","doi":"10.7202/044596AR","DOIUrl":null,"url":null,"abstract":"This essay examines the material design of cameras. The author argues that design plays a central role in the interaction between Operator and Spectator (R. Barthes) and, furthermore, that it entails significant effects on photographic aesthetics. Finally, the author also considers some of the design differences between traditional emulsion cameras and digital cameras.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"30 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2010-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Cameras: Forms of Interaction\",\"authors\":\"D. Mangano\",\"doi\":\"10.7202/044596AR\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay examines the material design of cameras. The author argues that design plays a central role in the interaction between Operator and Spectator (R. Barthes) and, furthermore, that it entails significant effects on photographic aesthetics. Finally, the author also considers some of the design differences between traditional emulsion cameras and digital cameras.\",\"PeriodicalId\":191586,\"journal\":{\"name\":\"RSSI. Recherches sémiotiques. Semiotic inquiry\",\"volume\":\"30 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2010-10-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RSSI. Recherches sémiotiques. Semiotic inquiry\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7202/044596AR\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RSSI. Recherches sémiotiques. Semiotic inquiry","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7202/044596AR","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This essay examines the material design of cameras. The author argues that design plays a central role in the interaction between Operator and Spectator (R. Barthes) and, furthermore, that it entails significant effects on photographic aesthetics. Finally, the author also considers some of the design differences between traditional emulsion cameras and digital cameras.
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