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SPACE EVOLUTION IN GOGOL’S WORKS: MORPHOLOGICAL ORIGINS 果戈理作品中的空间演化:形态起源
Culture and Text Pub Date : 1900-01-01 DOI: 10.37386/2305-4077-2021-2-65-73
А. I. Ivanitskiy
{"title":"SPACE EVOLUTION IN GOGOL’S WORKS: MORPHOLOGICAL ORIGINS","authors":"А. I. Ivanitskiy","doi":"10.37386/2305-4077-2021-2-65-73","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-2-65-73","url":null,"abstract":"In the poem “Dead Souls” Gogol reproduced the archaic polycentral structure of the space from the first cycle “Evenings on a farm near Dikanka”, where the way into the distance was transformed in its culmination into the way into deep. The radial- ray axis “Empire center - province” in “Revisor” and in “Petersburg’s novels” comes out as the intermediate space model between “Evenings…” and “Dead Souls”. But in the same works it was exposed because of the daemonic meanings of Petersburg, that came from “Evenings…”. In “Dead Souls”, however, the poles of the terrestrial-underground vertical were not the ancestor and the descendant, but the ideal essence of the world and its material shell.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128556605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE MOTIVE OF «CREATIVE FIRE» IN THE POETRY OF K.D.BALMONT 巴尔蒙特诗歌中“创造性之火”的动机
Culture and Text Pub Date : 1900-01-01 DOI: 10.37386/2305-4077-2021-3-161-170
N. Krokhina
{"title":"THE MOTIVE OF «CREATIVE FIRE» IN THE POETRY OF K.D.BALMONT","authors":"N. Krokhina","doi":"10.37386/2305-4077-2021-3-161-170","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-3-161-170","url":null,"abstract":"The article examines the language of epiphanies in the poetry of K. D. Balmont: the manifestation of divine will in the world created by God, the convergence of artistic creativity with Christian sacraments. The motives of world communion and “creative fire” are emphasized. The specificity and place of epiphanic motifs at different stages of the poet’s career are determined. The connections between the symbolist poet and the search for Russian religious and philosophical thought are made. The author traces the formation of the “creative fire” motive in the poetry of K. D. Balmont, associated with the disclosure of the theme of the world mystery and the understanding of the poet as an accomplice of Divine creation, and also emphasizes the way this motive would dominate in the final poetry book of the 1920s. “In the extended distance. Poem about Russia”.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"107 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124720413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
TACTILITY OF «ONE’S OWN» BODY AND THE BODY OF THE «OTHER» IN O. MANDELSTAM’S POETOLOGY 曼德尔施塔姆诗学中“自己”身体与“他者”身体的触感
Culture and Text Pub Date : 1900-01-01 DOI: 10.37386/2305-4077-2022-3-18-33
V. V. Maroshi
{"title":"TACTILITY OF «ONE’S OWN» BODY AND THE BODY OF THE «OTHER» IN O. MANDELSTAM’S POETOLOGY","authors":"V. V. Maroshi","doi":"10.37386/2305-4077-2022-3-18-33","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-3-18-33","url":null,"abstract":"The intertextuality of Mandelstam’s poetry is considered in the article from the point of view of its bodily and poetological aspects. The desire for bodily contact with the “other” world finds its expression in the verbal representation of touch or a kind of “haptic poetology”, the reflection of the verbal as partly tactile. The intensity of the representation of tactile sensations and their metaphorical use in Mandelstam’s poetry is unusual. The article analyzes various ways of his identification with both the lyrical heroes of Russian poets and the diseases of the poets themselves (A. A. Fet, F. I. Tyutchev, I. F. Annensky). In the poet’s articles, he attributes his own tactile attitude to the word to V. V. Rozanov, I. F. Annensky.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129988791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Biographical and literary context of A. P. Chekhov’s story “gusev” a.p.的传记和文学背景。 契诃夫的故事“古谢夫”
Culture and Text Pub Date : 1900-01-01 DOI: 10.37386/2305-4077-2022-2-92-102
A. Kubasov
{"title":"Biographical and literary context of A. P. Chekhov’s story “gusev”","authors":"A. Kubasov","doi":"10.37386/2305-4077-2022-2-92-102","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-2-92-102","url":null,"abstract":"The article is devoted to the analysis of biographical and literary contexts of A. P. Chekhov’s story “Gusev” (1890). The study describes the literary and biographical genealogy of the title character. The purpose of the work is to consider Alexander Chekhov, the writer’s elder brother, as a prototype that determines the profane component of Gusev’s image. The story is considered as a “literary gift” brought to Alexander Chekhov from Anton Pavlovich’s trip to Sakhalin. The significance of the genre originality of “Gusev” as a Christmas story is noted, bringing it closer to other similar works by Chekhov. The ambivalent nature of the title character is proved, which combines a dramatic beginning with a comic, travesty beginning. It is concluded that Gusev is an integral artistic image created by the creative activity of the author based on heterogeneous prototypes. The results of the study can be used in the practice of analyzing Chekhov’s prose, as well as in biographical works.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130777875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE LANGUAGE OF IMAGES IN THE SHORT STORY «THE LIGHTINING OF ILLUMANING WORDS» BY V. A. NIKIFOROV-VOLGIN nikiforov-volgin短篇小说《照亮的文字的闪电》中的意象语言
Culture and Text Pub Date : 1900-01-01 DOI: 10.37386/2305-4077-2021-3-185-195
E. Suzryukova
{"title":"THE LANGUAGE OF IMAGES IN THE SHORT STORY «THE LIGHTINING OF ILLUMANING WORDS» BY V. A. NIKIFOROV-VOLGIN","authors":"E. Suzryukova","doi":"10.37386/2305-4077-2021-3-185-195","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-3-185-195","url":null,"abstract":"This paper studies literary images connected with the main theme of V. A. Nikiforov- Volgin’s story «Lightning of illumaning words» - dedicated to the subject of Church Slavonic language. The author’s text is filled with metaphors and similes related to the liturgical language of the Church. Imagery used as a means of expression can be found in both Church Slavonic chants cited by the characters and the narrator’s speech. Their basic purpose is to emphasize the esthetic aspect of Church Slavonic words. The literary images used for this purpose include lightning, light, jewels, gold, silver, water, weave, or a flower.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"21 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133529906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
LITERARY SOURCES OF THE FAIRYTALE REPERTOIRE OF E. M. LEVINA FROM THE PUDOZH REGION (KARELIA) 来自pudodoh地区(卡累利阿)的e.m.l evina童话曲目的文学来源
Culture and Text Pub Date : 1900-01-01 DOI: 10.37386/2305-4077-2023-2-143-153
A. S. Lyzlova
{"title":"LITERARY SOURCES OF THE FAIRYTALE REPERTOIRE OF E. M. LEVINA FROM THE PUDOZH REGION (KARELIA)","authors":"A. S. Lyzlova","doi":"10.37386/2305-4077-2023-2-143-153","DOIUrl":"https://doi.org/10.37386/2305-4077-2023-2-143-153","url":null,"abstract":"The Pudozh region of Karelia, rich in folklore traditions of various genres, has attracted the attention of the researches of Karelian Research Institute (now the Institute of Linguistics, Literature and History of Karelian Research Centre of the Russian Academy of Sciences) since its foundation in 1930. Evdokia Makarovna Levina from Poga Village situated at Lake Vodlozero appeared to be the source for recording the largest number of fairy tales (more than 50) in the 1970s. The research revealed that some of the fairy-tales performed by this illiterate woman descend from the texts published in anthologies and collected volumes, as this article proves with the help of textological comparisons.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"185 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114837683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
POETRY OF A. A. FET: EKPHRASIS a. a.脚的诗;短语
Culture and Text Pub Date : 1900-01-01 DOI: 10.37386/2305-4077-2020-4-68-89
{"title":"POETRY OF A. A. FET: EKPHRASIS","authors":"","doi":"10.37386/2305-4077-2020-4-68-89","DOIUrl":"https://doi.org/10.37386/2305-4077-2020-4-68-89","url":null,"abstract":"The article deals with the phenomenon of ecphrasis in the poetry of A. FET. The dynamics of FET’s ecphrastic poetics is outlined: from poems tied to a specific work, based on the contradiction of statuarity/sculpture and its overcoming, to an archetypal plot endowed with «flickering» meanings. It is shown how, experimenting with an anthological genre, the frozen plasticity of which is associated with an unambiguous word, FET moves away from it to a suggestive word that reconstructs myth, fluctuating between understanding myth as a culture and myth as a reality, to a multidimensional whole, where the plot becomes an intersection of semantic fields.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115034202","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mitigation as a way of resolving or preventing conflicts in diplomatic speech 缓和:在外交讲话中作为解决或防止冲突的一种方式的缓和
Culture and Text Pub Date : 1900-01-01 DOI: 10.37386/2305-4077-2022-2-153-161
S. Tunyan
{"title":"Mitigation as a way of resolving or preventing conflicts in diplomatic speech","authors":"S. Tunyan","doi":"10.37386/2305-4077-2022-2-153-161","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-2-153-161","url":null,"abstract":"During the implementation of communicative attitudes in various types of both personal and institutional discourse, particularly in diplomatic discourse, the most frequent category is mitigation – the category of communicative relaxation, for the implementation of which in every language there are certain means, as it allows you to correctly place accents, to direct the illocutionary force of the statement in the right direction. The article presents the essence and history of this term, its pragmatic component in the diplomatic discourse.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129752240","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE PROBLEM OF GENRE IDENTIFICATION OF THE CLOSET DRAMA OF 18TH-19TH CENTURIES 18 -19世纪衣柜剧的体裁鉴定问题
Culture and Text Pub Date : 1900-01-01 DOI: 10.37386/2305-4077-2021-3-226-238
O. Zhuravleva
{"title":"THE PROBLEM OF GENRE IDENTIFICATION OF THE CLOSET DRAMA OF 18TH-19TH CENTURIES","authors":"O. Zhuravleva","doi":"10.37386/2305-4077-2021-3-226-238","DOIUrl":"https://doi.org/10.37386/2305-4077-2021-3-226-238","url":null,"abstract":"The article analyzes the genre features and preconditions for the development of non-stage drama in romantic literature at the turn of the 18th-19th centuries. Closet drama is understood as a persistent literary form that inherits dramatic and epic generic features and is a kind of dramatic genre that is not intended to be staged. The author also analyzes the literary and non-literary factors that influenced the formation of the genre, and raises the question of its legitimacy. The author assigns a decisive role in the liberalization of the dramatic form and transformation of its understanding to the novel and the tendency of romanization associated with it.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130533059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ON THE TRAGIC BEWILDERMENT IN THE WRITINGS OF PUSHKIN AND GOGOL 论普希金与果戈里作品中的悲剧性困惑
Culture and Text Pub Date : 1900-01-01 DOI: 10.37386/2305-4077-2022-2-31-44
E. Filonov
{"title":"ON THE TRAGIC BEWILDERMENT IN THE WRITINGS OF PUSHKIN AND GOGOL","authors":"E. Filonov","doi":"10.37386/2305-4077-2022-2-31-44","DOIUrl":"https://doi.org/10.37386/2305-4077-2022-2-31-44","url":null,"abstract":"The article attempts to apply the concept of “tragic bewilderment”, which relates back to the Nevel philosophical school (in particular, to the works of Matvei Kagan), to interpret the patterns of the creative evolution of Alexander Pushkin and Nikolai Gogol. Overcoming tragic bewilderment, Pushkin and Gogol rethink the nature of the relationship between literature and extra-­literary reality: they move away from the idea of the aesthetic autonomy of art and open up new possibilities for literature, associated with its dialogic appeal to the world of the reader.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130909243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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