{"title":"论普希金与果戈里作品中的悲剧性困惑","authors":"E. Filonov","doi":"10.37386/2305-4077-2022-2-31-44","DOIUrl":null,"url":null,"abstract":"The article attempts to apply the concept of “tragic bewilderment”, which relates back to the Nevel philosophical school (in particular, to the works of Matvei Kagan), to interpret the patterns of the creative evolution of Alexander Pushkin and Nikolai Gogol. Overcoming tragic bewilderment, Pushkin and Gogol rethink the nature of the relationship between literature and extra-literary reality: they move away from the idea of the aesthetic autonomy of art and open up new possibilities for literature, associated with its dialogic appeal to the world of the reader.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"ON THE TRAGIC BEWILDERMENT IN THE WRITINGS OF PUSHKIN AND GOGOL\",\"authors\":\"E. Filonov\",\"doi\":\"10.37386/2305-4077-2022-2-31-44\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article attempts to apply the concept of “tragic bewilderment”, which relates back to the Nevel philosophical school (in particular, to the works of Matvei Kagan), to interpret the patterns of the creative evolution of Alexander Pushkin and Nikolai Gogol. Overcoming tragic bewilderment, Pushkin and Gogol rethink the nature of the relationship between literature and extra-literary reality: they move away from the idea of the aesthetic autonomy of art and open up new possibilities for literature, associated with its dialogic appeal to the world of the reader.\",\"PeriodicalId\":187515,\"journal\":{\"name\":\"Culture and Text\",\"volume\":\"3 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Culture and Text\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37386/2305-4077-2022-2-31-44\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Culture and Text","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37386/2305-4077-2022-2-31-44","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
ON THE TRAGIC BEWILDERMENT IN THE WRITINGS OF PUSHKIN AND GOGOL
The article attempts to apply the concept of “tragic bewilderment”, which relates back to the Nevel philosophical school (in particular, to the works of Matvei Kagan), to interpret the patterns of the creative evolution of Alexander Pushkin and Nikolai Gogol. Overcoming tragic bewilderment, Pushkin and Gogol rethink the nature of the relationship between literature and extra-literary reality: they move away from the idea of the aesthetic autonomy of art and open up new possibilities for literature, associated with its dialogic appeal to the world of the reader.
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