THE MOTIVE OF «CREATIVE FIRE» IN THE POETRY OF K.D.BALMONT

N. Krokhina
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Abstract

The article examines the language of epiphanies in the poetry of K. D. Balmont: the manifestation of divine will in the world created by God, the convergence of artistic creativity with Christian sacraments. The motives of world communion and “creative fire” are emphasized. The specificity and place of epiphanic motifs at different stages of the poet’s career are determined. The connections between the symbolist poet and the search for Russian religious and philosophical thought are made. The author traces the formation of the “creative fire” motive in the poetry of K. D. Balmont, associated with the disclosure of the theme of the world mystery and the understanding of the poet as an accomplice of Divine creation, and also emphasizes the way this motive would dominate in the final poetry book of the 1920s. “In the extended distance. Poem about Russia”.
巴尔蒙特诗歌中“创造性之火”的动机
本文考察了巴尔蒙特诗歌中的顿悟语言:神的意志在上帝创造的世界中的体现,艺术创造力与基督教圣礼的融合。强调世界共融和“创造之火”的动机。在诗人生涯的不同阶段,顿悟母题的特殊性和地位是确定的。将象征主义诗人与对俄国宗教和哲学思想的探索联系起来。作者追溯了巴尔蒙特诗歌中“创造之火”动机的形成,将其与世界神秘主题的揭示和诗人作为上帝创造的帮凶的理解联系在一起,并强调了这一动机在20世纪20年代最后一本诗集中占据主导地位的方式。“在更远的距离。关于俄国的诗”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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