{"title":"a. a.脚的诗;短语","authors":"","doi":"10.37386/2305-4077-2020-4-68-89","DOIUrl":null,"url":null,"abstract":"The article deals with the phenomenon of ecphrasis in the poetry of A. FET. The dynamics of FET’s ecphrastic poetics is outlined: from poems tied to a specific work, based on the contradiction of statuarity/sculpture and its overcoming, to an archetypal plot endowed with «flickering» meanings. It is shown how, experimenting with an anthological genre, the frozen plasticity of which is associated with an unambiguous word, FET moves away from it to a suggestive word that reconstructs myth, fluctuating between understanding myth as a culture and myth as a reality, to a multidimensional whole, where the plot becomes an intersection of semantic fields.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"62 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"POETRY OF A. A. FET: EKPHRASIS\",\"authors\":\"\",\"doi\":\"10.37386/2305-4077-2020-4-68-89\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article deals with the phenomenon of ecphrasis in the poetry of A. FET. The dynamics of FET’s ecphrastic poetics is outlined: from poems tied to a specific work, based on the contradiction of statuarity/sculpture and its overcoming, to an archetypal plot endowed with «flickering» meanings. It is shown how, experimenting with an anthological genre, the frozen plasticity of which is associated with an unambiguous word, FET moves away from it to a suggestive word that reconstructs myth, fluctuating between understanding myth as a culture and myth as a reality, to a multidimensional whole, where the plot becomes an intersection of semantic fields.\",\"PeriodicalId\":187515,\"journal\":{\"name\":\"Culture and Text\",\"volume\":\"62 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Culture and Text\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37386/2305-4077-2020-4-68-89\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Culture and Text","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37386/2305-4077-2020-4-68-89","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The article deals with the phenomenon of ecphrasis in the poetry of A. FET. The dynamics of FET’s ecphrastic poetics is outlined: from poems tied to a specific work, based on the contradiction of statuarity/sculpture and its overcoming, to an archetypal plot endowed with «flickering» meanings. It is shown how, experimenting with an anthological genre, the frozen plasticity of which is associated with an unambiguous word, FET moves away from it to a suggestive word that reconstructs myth, fluctuating between understanding myth as a culture and myth as a reality, to a multidimensional whole, where the plot becomes an intersection of semantic fields.