曼德尔施塔姆诗学中“自己”身体与“他者”身体的触感

V. V. Maroshi
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引用次数: 0

摘要

本文从曼德尔施塔姆诗歌的身体和诗学两个方面来探讨其互文性。与“他者”世界进行身体接触的愿望在触摸的语言表现或一种“触觉诗学”中得到表达,这是语言部分触觉的反映。在曼德尔施塔姆的诗歌中,对触觉的强烈表现及其隐喻的使用是不同寻常的。文章分析了他对俄罗斯诗人的抒情英雄和诗人自身的疾病(费特、秋切夫、安连斯基)的各种认同方式。在诗人的文章中,他把自己对这个词的触觉态度归因于v·v·罗扎诺夫,i·f·安涅斯基。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TACTILITY OF «ONE’S OWN» BODY AND THE BODY OF THE «OTHER» IN O. MANDELSTAM’S POETOLOGY
The intertextuality of Mandelstam’s poetry is considered in the article from the point of view of its bodily and poetological aspects. The desire for bodily contact with the “other” world finds its expression in the verbal representation of touch or a kind of “haptic poetology”, the reflection of the verbal as partly tactile. The intensity of the representation of tactile sensations and their metaphorical use in Mandelstam’s poetry is unusual. The article analyzes various ways of his identification with both the lyrical heroes of Russian poets and the diseases of the poets themselves (A. A. Fet, F. I. Tyutchev, I. F. Annensky). In the poet’s articles, he attributes his own tactile attitude to the word to V. V. Rozanov, I. F. Annensky.
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