果戈理作品中的空间演化:形态起源

А. I. Ivanitskiy
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引用次数: 0

摘要

在《死魂》这首诗中,果戈理再现了第一个循环“Dikanka附近农场的夜晚”中空间的古老多中心结构,在那里,通往远方的道路在其顶点转变为通往深处的道路。《修正者》和《彼得堡小说》中的放射状-射线轴“帝国中心-省”作为《夜晚……》和《死魂》之间的中间空间模型出现。但在同一部作品中,它被暴露出来,因为彼得堡的恶魔意义,来自“夜晚……”。而在《死魂》中,地上-地下垂直的两极不是祖先和后代,而是世界的理想本质及其物质外壳。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
SPACE EVOLUTION IN GOGOL’S WORKS: MORPHOLOGICAL ORIGINS
In the poem “Dead Souls” Gogol reproduced the archaic polycentral structure of the space from the first cycle “Evenings on a farm near Dikanka”, where the way into the distance was transformed in its culmination into the way into deep. The radial- ray axis “Empire center - province” in “Revisor” and in “Petersburg’s novels” comes out as the intermediate space model between “Evenings…” and “Dead Souls”. But in the same works it was exposed because of the daemonic meanings of Petersburg, that came from “Evenings…”. In “Dead Souls”, however, the poles of the terrestrial-underground vertical were not the ancestor and the descendant, but the ideal essence of the world and its material shell.
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