Sztuka Ameryki Łacińskiej最新文献_第9页

Hechos hierofánicos y experiencias místicas del sincretismo religioso en México 墨西哥宗教融合的hierofanical事实和神秘体验

Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201406

Anna Wendorf

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Retablos escogidos de Teodoro Ramírez Peña: comentario de hechos históricos. Reflexiones Retablos escogidos de Teodoro ramirez pena:历史事实评论。思考

Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal202207

Maria Eleonora Hebisz

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Las representaciones femeninas, sus diseños corporales y su simbología en el occidente mesoamericano 中美洲西部的女性形象、身体设计和象征

Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201502

Daniel Ruiz Cancino

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La iglesia de los Jesuitas en Cusco como un modelo para la arquitectura de la región 库斯科的耶稣会教堂是该地区建筑的典范

Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201202

Ewa Kubiak

{"title":"La iglesia de los Jesuitas en Cusco como un modelo para la arquitectura de la región","authors":"Ewa Kubiak","doi":"10.15804/sal201202","DOIUrl":"https://doi.org/10.15804/sal201202","url":null,"abstract":"At the end of the first half of the 17th century, a “European” character of Peruvian architecture was loosened. In 1650, an earthquake in Cusco destroyed existing buildings and, as the result, proved to be an impetus for building movement intensification. One of a few buildings which were not destroyed was a still unfinished Cusco cathedral, which later played a unique role in baroque architecture development in Peru. The temple was undoubtedly one of the first productions which could be associated with a baroque style. However, without diminishing the significance of the object, it is worth emphasizing other (not less important) sources of baroque architecture in the region. Another temple that undoubtedly influenced the shaping of a new trend in local building was a Jesuit church in Cusco. Mentioned as an important object for Peruvian architecture of the colonial period, it is usually treated as an element in the sequence of baroque architecture development in Peru. It is worth emphasizing the role that the temple played in creation of certain architectural models, which were present in Peruvian building of the late 17th and 18th centuries. Three analysed elements are: a facade composition (influence on the architecture of Cusco: San Pedro, Nuestra Señora de Belén, San Sebastián and the region – temples in Ayaviri, Asillo, Mamara, Huaquira, Puno); a design, a spatial layout and a structural system (similarity to a Jesuit church in Cusco of the temples of San Pedro in Cusco, San Pedro in Juli, Santiago de Pomata, Pisco); decorative-ornamental motifs – towers’ finials (San Pedro in Cusco) or columns’ decoration (Santa Cruz in Juli).","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126778599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Soporte tela, pigmentos y moldura como manifestaciones de identidad cultural. Un estudio desde el cuadro San Francisco niño reparte el pan a los pobres (Cusco – Chile, ca. 1668–1684) 支持织物、颜料和造型作为文化身份的表现。《旧金山nino分发面包给穷人》(库斯科-智利，约1668 - 1684)

Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal202205

Victoria Francisca Jiménez Martínez

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Badania etnograficzne Borysa Malkina w świetle listów do Heleny Przestalskiej-Malkin. Wyprawa do Indian Kofán

Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201104

Magdalena Nierzwicka

{"title":"Badania etnograficzne Borysa Malkina w świetle listów do Heleny Przestalskiej-Malkin. Wyprawa do Indian Kofán","authors":"Magdalena Nierzwicka","doi":"10.15804/sal201104","DOIUrl":"https://doi.org/10.15804/sal201104","url":null,"abstract":"Borys Malkin (1917–2009) was anthropologist, enthomologist and traveller. He dedicated almost 40 years of his life to field research in South America. In this period he visited many different tribes and collected, a valuable Indian’s ethnographic materials. Nowadays these unique exhibits are in many important museums in America, Europe and also in Poland. Borys Malkin researched the Kofán Indians from Santa Rosa de Sucumbíos settlement. This tribe inhabit the region of Amazon tropical forests across Ecuadorian – Colombian boundary. He visited the Kofán people twice: in 1970 and 1971 and this period was really valuable for his researches. This ethnic group became the most documented from among all Indian tribes which he has ever investigated. He collected ethnographic materials such as: wood pots, clay pots, gourd pots, hamacs, blowguns, spears, fishing-nets, necklaces and plume ornaments and supplemented its by films and photos. Malkin wrote reports from his voyages in letters to Helena Przestalska, who became his wife in 1972. This correspondances and articles was publisched by Malkin in magazine „Poznaj świat” and his book Odchodzący świat, let us know the life of researcher.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127316225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Panorama de los estudios sobre dechados en México 墨西哥死亡研究概览

Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201505

M. Enríquez

引用次数: 1

Alegoria Eucharystii – wspólne wzory graficzne w malarstwie XVII i XVIII w. w Polsce i Peru 圣餐的寓意--17 和 18 世纪波兰和秘鲁绘画中常见的图形模式

Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201109

Ewa Kubiak

{"title":"Alegoria Eucharystii – wspólne wzory graficzne w malarstwie XVII i XVIII w. w Polsce i Peru","authors":"Ewa Kubiak","doi":"10.15804/sal201109","DOIUrl":"https://doi.org/10.15804/sal201109","url":null,"abstract":"The motive of Eucharist is one of the most important subjects of allegoric images in baroque Polish as well as Vice-Kingdom of Peru art. Apart from classical images with The Eucharist’s adoration, in which the luminous body of Christ is placed in a monstrance, there were also symbolic compositions in which the mystery of Christ’s sacrifice was presented in an allegoric way. Some of these images are presented in the article. The most interesting for the author are images common for modern Polish painting and colonial Peru. The first such composition is The Mystical Press – the subject that was very well known in all Latin America – from New Spain to Argentina. It was also known in Europe, but in modern period became less popular. The composition of majority images is based on Hieronim Wierix’s print. Images from Poland and these from Peru repeat the same compositional pattern.The second example is The scouts return from Kanaan, which topic is related with the allegoric of The Eucharist. There are quite a lot of such pictures from both countries. Some of them were a pattern based upon the same print – anonymous work based on Maarten de Vos’es picture. The popularity of The Eucharist motive had been analyzed and variety of its allegoric compositions in post-Tridentine age and Counter-Reformation art. The finding of the article is that art in distant extremities of the Christian world had similar functions – it was used to preserve the Catholicism from heresy danger (Orthodox Church, Protestantism) and, on the other hand, it was a tool to achieve new mission areas for The Church.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133907249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Architektura barokowa Brazylii

Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201101

Władysław Tatarkiewicz

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Grafiti en América Latina

Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201210

Jędrzej Kotarski

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