Grafiti en América Latina

Jędrzej Kotarski
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引用次数: 0

Abstract

The article concerns the outline of the history of graffiti in Latin America. In the first part the author discusses the general genesis of graffiti and its development in the New World, and in the second part focuses on the example of Brazil. Characterizing a complex phenomenon of graffiti, the author shows its specific character in the metropolitan realities of São Paulo and Rio de Janeiro. The morphological analysis (techniques, compositions, divisions) and the analysis of the physiology of functioning (theme, motivation, perception) allow the reader to discover the specific character of graffiti and to understand why Brazil on the South American continent, just like the United States in the world, has become a leading place of the development of a subculture which stands for graffiti. The street painting also in this region is placed between vandalism and art. The Brazilian specific character of graffiti is its expression and meaning of communication, showing serious social-political problems troubling the inhabitants of districts, who have no other opportunities to express their often right, full of rebellion opinions.
这篇文章概述了拉丁美洲涂鸦的历史。在第一部分中,作者讨论了涂鸦的一般起源及其在新世界的发展,在第二部分中重点介绍了巴西的例子。作者刻画了一种复杂的涂鸦现象,在圣保罗和里约热内卢的大都市现实中展示了它的特殊性。形态学分析(技法、构图、划分)和功能生理学分析(主题、动机、感知)让读者发现涂鸦的具体特征,并理解为什么南美大陆上的巴西,就像世界上的美国一样,成为代表涂鸦的亚文化发展的主要地方。这个地区的街头绘画也被置于故意破坏和艺术之间。巴西涂鸦的特点在于它的表达和交流的意义,表现出困扰地区居民的严重的社会政治问题,他们没有其他机会表达他们通常是正确的,充满反叛的意见。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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