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Reflexiones en torno a Visual Voyages de Daniela Bleichmar. Reseña del libro [Daniela Bleichmar, Visual Voyages. Images of Latin American Nature from Columbus to Darwin, New Haven–London: Yale University Press, 2017, 226 pp.] 反思与视觉之旅德拉妮埃拉·布莱希玛。Reseña del libro [Daniela Bleichmar, Visual Voyages]。《从哥伦布到达尔文的拉丁美洲自然图像》，纽黑文-伦敦:耶鲁大学出版社，2017年，226页。
Sztuka Ameryki Łacińskiej Pub Date : 2021-01-31 DOI: 10.15804/sal202107
Piotr M. Sękowski
{"title":"Reflexiones en torno a Visual Voyages de Daniela Bleichmar. Reseña del libro [Daniela Bleichmar, Visual Voyages. Images of Latin American Nature from Columbus to Darwin, New Haven–London: Yale University Press, 2017, 226 pp.]","authors":"Piotr M. Sękowski","doi":"10.15804/sal202107","DOIUrl":"https://doi.org/10.15804/sal202107","url":null,"abstract":"","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"128 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121593011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Colegios Jesuitas en Cusco: San Bernardo y San Francisco Borja. Arte y arquitectura a la luz de los inventarios de 1768 库斯科的耶稣会学校:圣贝纳多和旧金山博尔哈。根据1768年库存的艺术和建筑
Sztuka Ameryki Łacińskiej Pub Date : 2021-01-31 DOI: 10.15804/sal202102
Ewa Kubiak
{"title":"Colegios Jesuitas en Cusco: San Bernardo y San Francisco Borja. Arte y arquitectura a la luz de los inventarios de 1768","authors":"Ewa Kubiak","doi":"10.15804/sal202102","DOIUrl":"https://doi.org/10.15804/sal202102","url":null,"abstract":"The most famous architectural complex associated with the Jesuit order in colonial Cusco, was the college and church of the Transfiguration, located in the main square of the city. Monks of the Society of Jesus focused on evangelisation and teaching, which led to creation of subsequent monastic foundations. There were two schools in Cusco: one of them was intended for descendants of conquistadors (Colegio de San Bernardo), and the other one for sons of Andean caciques (Colegio de San Francisco Borja). Each of them was located in its own architectural complex, and one of the necessary conceptual elements of the complexes was a chapel intended for students. There are quite a few sources and studies concerning the history of both schools, and the interior decoration of the chapels located at the colleges has been reconstructed on the basis of the preserved inventories, drawn up at the time of expulsion of Jesuits and takeover of their property. The author of the article concentrates on reconstruction of the decoration, showing it in the cultural and artistic context of the region.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128268799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El motivo del conejillo de Indias (cavia porcellus) en la pintura europea de la Edad Moderna 现代欧洲绘画中的豚鼠图案(cavia porcellus)
Sztuka Ameryki Łacińskiej Pub Date : 2021-01-31 DOI: 10.15804/sal202103
Joanna Strzemecka
{"title":"El motivo del conejillo de Indias (cavia porcellus) en la pintura europea de la Edad Moderna","authors":"Joanna Strzemecka","doi":"10.15804/sal202103","DOIUrl":"https://doi.org/10.15804/sal202103","url":null,"abstract":"This paper focuses on European reception of the guinea-pig motif on the example of paintings from the 16th to 18th centuries. Interpretation of guinea pig’s significance in early modern Europe is interesting insofar as it concerns an animal with an already established cultural function. The homeland of guinea pig is South America, where it was bred for food but also played an important social and religious role. When it came to Europe, its original meaning fundamentally changed. As a new animal with exotic connotations, it gained the status of a valuable fauna specimen and soon became an extremely fashionable breeding animal among the upper classes. This evolution can be observed in the field of art. Zoological and scientific representations become the “natural habitat” for a guinea pig. Initially, a guinea-pig image appears in lexicons, and then in elaborate animalistic compositions, representing the widest possible spectrum of various fauna. The natural perspective, which included a guinea pig in the European bestiary, significantly influenced further development of, already independent, images of the animal. They became most popular at the turn of the 17th and 18th centuries, especially among artists associated with court circles. Created for wealthy collectors, these depictions reflected a peculiar fashion for this animalistic theme, as evidenced by mutual borrowings among painters taking up the motif in question.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130445477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Todos somos mestizos. Reseña del catálogo de la exposición Planète Métisse en el Musée du quai Branly-Jacques Chirac de París (marzo de 2008–julio de 2009), editado por Serge Gruzinski [Serge Gruzinski, Planète Métisse, Paris: Musée quai Branly, 2009, 180 我们都是混血儿。巴黎musee du quai Branly- jacques Chirac展览planete metisse(2008年3月- 2009年7月)，Serge Gruzinski编辑[Serge Gruzinski, planete metisse，巴黎:musee quai Branly, 2009, 180]
Sztuka Ameryki Łacińskiej Pub Date : 2021-01-31 DOI: 10.15804/sal202106
Paweł Drabarczyk vel Grabarczyk
{"title":"Todos somos mestizos. Reseña del catálogo de la exposición Planète Métisse en el Musée du quai Branly-Jacques Chirac de París (marzo de 2008–julio de 2009), editado por Serge Gruzinski [Serge Gruzinski, Planète Métisse, Paris: Musée quai Branly, 2009, 180","authors":"Paweł Drabarczyk vel Grabarczyk","doi":"10.15804/sal202106","DOIUrl":"https://doi.org/10.15804/sal202106","url":null,"abstract":"","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134173680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
La idea de ciudad-jardín de Ebenezer Howard y su contexto histórico-cultural en Europa y América Latina 埃比尼泽·霍华德的花园城市理念及其在欧洲和拉丁美洲的历史文化背景
Sztuka Ameryki Łacińskiej Pub Date : 2021-01-31 DOI: 10.15804/sal202104
Marta Lewicz-Więcław
{"title":"La idea de ciudad-jardín de Ebenezer Howard y su contexto histórico-cultural en Europa y América Latina","authors":"Marta Lewicz-Więcław","doi":"10.15804/sal202104","DOIUrl":"https://doi.org/10.15804/sal202104","url":null,"abstract":"Ebenezer Howard’s idea of the garden-city and its historical-cultural context in Europe and Latin America This text analyses how the English urban and cultural heritage influenced the European and Latin American world of the 20th century, marked by the industrial revolution, in the context of the creation of new urban centres. The main question was how Ebenezer Howard’s idea of the garden city developed in Latin America and Europe. This article aims to analyse the historical and cultural context of their implementation in developed and developing countries. The research also aims to determine to how well this vision, described as utopian, has been realised in the studied cities, considered to be the most accurate realisations of Howard’s concept in both Europe and Latin America.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121950904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
El ritual fotográfico: fotografía y naturaleza en Colombia alrededor de 1900 摄影仪式:1900年左右哥伦比亚的摄影与自然
Sztuka Ameryki Łacińskiej Pub Date : 2021-01-31 DOI: 10.15804/sal202101
Carlos Rojas Cocoma
{"title":"El ritual fotográfico: fotografía y naturaleza en Colombia alrededor de 1900","authors":"Carlos Rojas Cocoma","doi":"10.15804/sal202101","DOIUrl":"https://doi.org/10.15804/sal202101","url":null,"abstract":"Photographs of nature in Colombia around 1900 were to a large extent the first images that were taken of regions and populations. Therefore, despite the difficulty of being interpreted as documents, they allow us to understand ways of looking and analyzing, positioning and conditioning the landscapes represented. Based on intensive research in various public and private archives, is presented an analysis of the connections between landscape, nature and photography in Colombia. Through a semiological analysis, I seek to understand the way in which nature, an invisible element devoid of temporality, found its meaning and its own stylistic identity through photography.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124762813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El motivo de la transformación en el cuento Axolotl de Julio Cortázar 胡里奥cortazar的故事《Axolotl》中转变的原因
Sztuka Ameryki Łacińskiej Pub Date : 2021-01-31 DOI: 10.15804/sal202105
Anna Wendorff
{"title":"El motivo de la transformación en el cuento Axolotl de Julio Cortázar","authors":"Anna Wendorff","doi":"10.15804/sal202105","DOIUrl":"https://doi.org/10.15804/sal202105","url":null,"abstract":"The motif of transformation in Julio Cortazar’s short story Axolotl This paper aims to briefly tackle the issue of the alter ego and the metamorphosis in Latin American literature. For this reason, we shall take the story by Julio Cortázar entitled Axolotl as a reference point and evaluate the various interpretations of the myth and transformation in Cortázar’s work. Since we are not the very expression and measure of our thoughts (e.g. Julio Cortázar), our other self is always among us. The various existential relationships that we establish daily to confirm that we live our lives fulfilled by certainty and conviction, and that – staying in a permanent conflict with the world engulfed in an antagonistic relationship between the real and the unreal – they are a potent metaphor through which Cortázar evoques Thomas Mann or Franz Kafka, among others. Thus, the axolotl shall not be the only reason to analyze the story. We shall also see how this metaphor is rendered in literature.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129185506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Los caminos del bien y del mal en la pintura novohispana, siglo XVIII 18世纪新西班牙绘画中的善与恶之路
Sztuka Ameryki Łacińskiej Pub Date : 2020-12-31 DOI: 10.15804/SAL202004
G. Wobeser
{"title":"Los caminos del bien y del mal en la pintura novohispana, siglo XVIII","authors":"G. Wobeser","doi":"10.15804/SAL202004","DOIUrl":"https://doi.org/10.15804/SAL202004","url":null,"abstract":"hell. It was called “the path of roses” because it was pleasant. In him amusements prevailed, the good life and the en-joyment of sensory pleasures.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"35 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124333576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Los ritos, los curanderos y la ley 仪式，治疗师和法律
Sztuka Ameryki Łacińskiej Pub Date : 2020-12-31 DOI: 10.15804/SAL202006
Magdalena Krysińska-Kałużna
{"title":"Los ritos, los curanderos y la ley","authors":"Magdalena Krysińska-Kałużna","doi":"10.15804/SAL202006","DOIUrl":"https://doi.org/10.15804/SAL202006","url":null,"abstract":"ar-ticle shows that law based on the vision of the Western world often cannot be an adequate response to some events taking place in indigenous worlds. This is not least because in the world of positivist rationality these events or phenome-na simply do not exist.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117090920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Las jícaras en el camino sagrado de los jóvenes iniciados Huicholes 吉卡拉在惠科尔青年同修的神圣道路上
Sztuka Ameryki Łacińskiej Pub Date : 2020-12-31 DOI: 10.15804/SAL202005
Jerzy Mrożek, Investigadora Independiente
{"title":"Las jícaras en el camino sagrado de los jóvenes iniciados Huicholes","authors":"Jerzy Mrożek, Investigadora Independiente","doi":"10.15804/SAL202005","DOIUrl":"https://doi.org/10.15804/SAL202005","url":null,"abstract":"","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134013957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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