{"title":"Los caminos del bien y del mal en la pintura novohispana, siglo XVIII","authors":"G. Wobeser","doi":"10.15804/SAL202004","DOIUrl":null,"url":null,"abstract":"hell. It was called “the path of roses” because it was pleasant. In him amusements prevailed, the good life and the en-joyment of sensory pleasures.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"35 2 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sztuka Ameryki Łacińskiej","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15804/SAL202004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
hell. It was called “the path of roses” because it was pleasant. In him amusements prevailed, the good life and the en-joyment of sensory pleasures.