Las representaciones femeninas, sus diseños corporales y su simbología en el occidente mesoamericano

Daniel Ruiz Cancino
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Abstract

The female ceramic figurines realized in the west Mesoamerica territory, have an important body painted decoration which represent singly or combined geometric designs like spirals, straight, zigzag and wavy lines, circles, concentric circles, triangles, crosses and points are observed like decoration. This order designs transcends by the location in breasts, pelvic and belly area, in addition to this, most of them allude to the sexed body. It is thus the symbolic codes present in the sculptures can be interpreted from the relationship with thoughts of life, where societies are intimately linked with the cycles of nature, with the universe distribution of vertical and horizontal way, which refer archetypal concepts in Mesoamerica. Therefore it is important to consider these representations as possible social and cosmological allegories conceptions of culture that developed in the late formative and half Classic period (BC 200 – AD 400/600), during the tradition of the Tumbas de Tiro in territory comprised by the present states of Jalisco, Colima, Nayarit, Michoacan and the south central of Sinaloa.
中美洲西部的女性形象、身体设计和象征
在中美洲西部地区发现的女性陶瓷雕像,有一个重要的身体彩绘装饰,它代表单一或组合的几何图案,如螺旋线、直线、之字形和波浪线,圆形、同心圆、三角形、十字和点。这一顺序的设计超越了在乳房、骨盆和腹部的位置,除此之外,它们大多暗指性感的身体。因此,雕塑中存在的符号代码可以从与生活思想的关系中解释,其中社会与自然周期密切相关,与垂直和水平方式的宇宙分布有关,这参考了中美洲的原型概念。因此,重要的是要考虑这些表征作为可能的社会和宇宙学寓言的文化概念,这些文化概念发展于后期和半古典时期(公元前200年-公元400/600年),在由哈利斯科州、科利马州、纳亚里特州、米却肯州和锡那罗亚中南部组成的领土上的Tumbas de Tiro传统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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