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Przedstawienia ahuianime w Kodeksie Florentyńskim
Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201103
Katarzyna Szoblik
{"title":"Przedstawienia ahuianime w Kodeksie Florentyńskim","authors":"Katarzyna Szoblik","doi":"10.15804/sal201103","DOIUrl":"https://doi.org/10.15804/sal201103","url":null,"abstract":"The subject of this paper is description of three pictures found in the „Florentine Codex”, by fray Bernardino de Sahagun, showing the Aztec women called ahuianime. The ahuianime were women who accompanied the most distinguished warriors in various cultural and religious situations. As these relations might have had sexual context, the ahuianime were frequently considered prostitutes by the European missionaries. In the described pictures there are three ahuianime, each of them in different age: a young girl, a mature woman and an elderly woman. Each of them is accompanied by various attributes that point to her age, social status and social role. Our main aim is to state what meaning do these attributes have and to what extent are they consistent with the information on ahuianime provided by the written sources.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127946717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La casa del Alabado Santísimo Sacramento en Cusco 库斯科受祝福的圣礼之家
Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal202201
Donato Amado Gonzales
{"title":"La casa del Alabado Santísimo Sacramento en Cusco","authors":"Donato Amado Gonzales","doi":"10.15804/sal202201","DOIUrl":"https://doi.org/10.15804/sal202201","url":null,"abstract":"An analysis of the public spaces around the house belonging to the Confraternity of the Blessed Sacrament (Casa de Alabado Santísimo Sacramento) was included at the beginning of this study. This was the starting point for further considerations aimed at clarifying the historical process of transformation of the property, house No. 581 on Chihuampata Street. The analysis was carried out using archival sources, i.e. notarial records recording the purchase and sale of lots and land, as well as wills and donations. A historical reconstruction of the properties was carried out using a retrospective methodology and using the book of the first census of the city of Cusco in 1862.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128299342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El diablo, el pirata y Felipe Calderón. Caras de los Judas en México 魔鬼，海盗和费利佩calderon。墨西哥的犹大面孔
Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201405
Marta Skwirowska
{"title":"El diablo, el pirata y Felipe Calderón. Caras de los Judas en México","authors":"Marta Skwirowska","doi":"10.15804/sal201405","DOIUrl":"https://doi.org/10.15804/sal201405","url":null,"abstract":"The purpose of this text is to give the perspective of the contemporary festivity of “Burning of Judas” in Mexico and Mexico City, being a celebration of colonial origins, as well as the role of art objects belonging to so-called arte efímero. In the past, traditional objects produced in cartonería technique (known in Europe as papier-mâché technique) were related more to various ceremonies held throughout the year: burning of Judas at Easter, piñata breaking at Christmas, ceremonial masks as well as quasi-theatrical dolls called mojigangas. Nowadays, artists are widening the scope of their works, creating so-called alebrijes – fantasy creatures, which are regarded by some researchers as the example of surrealism in folk art. Whereas traditional cartonería objects were made for particular festivals, alebrijes are not related to any of them and are the example of individual forms. The text also discusses different images of Judas and the ritual of burning of him during the Holy Week in Mexico City against the historical background. Judas in Mexico is not only a biblical betrayer of Christ. He serves as an instrument of criticism, has a face of a politician and a commentator. His stylistic appearance has been greatly influenced by social and political events. Diego Rivera made Judas a part of his several paintings and murals. In many places of Mexico, these annual celebrations of folk origin take at the same time a form of happenings or a city event of a performance art type. The paper is based on the research conducted in Mexico in 2008–2009 as well as on reference books.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122505811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Motywy pochodzenia europejskiego jako jeden z aspektów badań nad stylistyką mestizo w barokowej architekturze Wicekrólestwa Peru
Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201111
A. Andrzejewska
{"title":"Motywy pochodzenia europejskiego jako jeden z aspektów badań nad stylistyką mestizo w barokowej architekturze Wicekrólestwa Peru","authors":"A. Andrzejewska","doi":"10.15804/sal201111","DOIUrl":"https://doi.org/10.15804/sal201111","url":null,"abstract":"The question of South American baroque architecture is filled with a number of problems which keep scholars dedicated to this topic restless for over 50 years. One of them is terminology. Currently the most widespread term used in connection with native-style adorned churches from the former Peru Viceroyalty, is mestizo style. Other designations are „popular architecture” or „Andes baroque”. This stylization appeared in south of Peru including Arequipa, Ayacucho, the shores of the Titicaca lake down to cities in Bolivia through La Paz to Potosí. Mestizo means a mix of European and Indian cultures. It appeared in the 17th century but it reach the peak of its popularity in the 18th. It has only an ornamental character and no construction importance. The motives which appeared in this style are the following:European-origin motifs (mermaids, eagles, angels); tropical floral and animal related motifs (monkeys, pineapples, papayas); Pre-Columbian motifs (masks, pumes). Unfortunately, the research status is insufficient and thereby the reference materials dealing with the topic is far from complete.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131657781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
El modelo de Il Gesù en la arquitectura limeña del siglo XVII 17世纪利马建筑中的Il gesu模型
Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201402
Ewa Kubiak
{"title":"El modelo de Il Gesù en la arquitectura limeña del siglo XVII","authors":"Ewa Kubiak","doi":"10.15804/sal201402","DOIUrl":"https://doi.org/10.15804/sal201402","url":null,"abstract":"The article is devoted to the issue of functioning of the “Il Gesù model” in Lima architecture of the first half of the 17th century. The first part describes “models” in sciences and discusses the issue of using “models” in architecture and in research into architecture. Then it formulates the “Il Gesù model” and, making use of it, characterises three buildings in Lima: San Pablo (contemporarily San Pedro) Jesuit church, a Franciscan church and a Merderian one. Deliberations are summed up with the reflection on various ways of understanding of the notion of “Jesuit style”, one of which is closely related to the similarity to the Jesuit Il Gesù church in Rome.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114999978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
¿Cidade maravillosa? La imagen de las favelas de Río de Janeiro – desde el cine artístico hasta el popular ¿市美妙吗?里约热内卢贫民窟的形象——从艺术电影到流行电影
Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201408
Jędrzej Kotarski
{"title":"¿Cidade maravillosa? La imagen de las favelas de Río de Janeiro – desde el cine artístico hasta el popular","authors":"Jędrzej Kotarski","doi":"10.15804/sal201408","DOIUrl":"https://doi.org/10.15804/sal201408","url":null,"abstract":"The article presents the evolution of favela’s images in Brazilian cinematography; from the first productions from the 1950s until the end of the first decade of the 21st century. The author tries to systematize them by distinguishing three periods (the 50s / 60s, the turn of the 20th and 21st centuries, the first decade of 21st century). The author discusses the change of the subject matter and the image of favela’s residents: from paternalistic images of alienation, otherness and mutual distrust, through homeliness, to relationships dominated by the world of crime at the beginning of the 21st century. Cinematography is like a mirror reflecting socio-political changes which took place in Brazil and affected its inhabitants in abovementioned periods. The analysis of these changes reveals their direction and nature which focus, like in the lens, on example of Rio de Janeiro.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115685702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Święta Gertruda Wielka – kult i ikonografia w sztuce kolonialnej Nowej Hiszpanii
Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201108
Antonio Rubial García, Doris Bieñko de Peralta
{"title":"Święta Gertruda Wielka – kult i ikonografia w sztuce kolonialnej Nowej Hiszpanii","authors":"Antonio Rubial García, Doris Bieñko de Peralta","doi":"10.15804/sal201108","DOIUrl":"https://doi.org/10.15804/sal201108","url":null,"abstract":"The cult of St. Gertrude the Great was one of the most popular during the sixteenth and seventeenth centuries in Spanish America. This paper explores its presence in New Spain in orthodox and heterodox milieus, as depicted in manuscripts, printed books, and religious images and paintings. The medieval nun St. Gertrude – barely remembered today – was reinterpreted as a Counter-Reformation saint, set against Protestantism because of her German origins. She was ‘sworn’ in New Spain as Patroness of the city of Puebla, and was known for her interceding powers in preparing for death and as a champion in saving souls from Purgatory. Not only was her cult paramount in ecclesiastical circles (such as religious orders and the secular clergy) but also widespread among various lay sectors of New Spain’s society. Today still we may find traces of that devotion in some places of contemporary Mexico.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116902942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La imagen de Nuestra Señora del Rosario en Urubamba (Perú). Historia y culto 乌鲁班巴(秘鲁)的玫瑰经圣母像。历史与崇拜
Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal202204
Ewa Kubiak, Maria Mażewska, G. Romero-Sánchez
{"title":"La imagen de Nuestra Señora del Rosario en Urubamba (Perú). Historia y culto","authors":"Ewa Kubiak, Maria Mażewska, G. Romero-Sánchez","doi":"10.15804/sal202204","DOIUrl":"https://doi.org/10.15804/sal202204","url":null,"abstract":"This article presents a multifaceted analysis of a painting depicting the image of Nuestra Señora del Rosario from the parish church in Urubamba. The canvas is an unusual work, especially in terms of iconography and in the context of the local rosary cult, which has a very well-established tradition. The painting itself carries a lot of information, the work tells its story through the portraits and inscriptions on it. Thanks to the analysis of the canvas, as well as archival documents, it became possible to reconstruct the context of the work’s functioning.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124093060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La imagen colonial neogranadina y su aurea mediocritas 新格拉纳达殖民形象及其平庸的黄金
Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201207
Juan Ricardo Rey-Márquez
{"title":"La imagen colonial neogranadina y su aurea mediocritas","authors":"Juan Ricardo Rey-Márquez","doi":"10.15804/sal201207","DOIUrl":"https://doi.org/10.15804/sal201207","url":null,"abstract":"The history of colonial art in Colombia is based on the idea of material poverty. This idea worked as a founding directive that conditioned historical perspective to a captatio benevolentiae exercise. As a consequence historians tried to explain that creative and material inferiority from a formalist paradigm, leaving unsolved many other historical problems. This essay attempts to unveil some of the theories underneath this historical perspective, analyzing some of the main New Grenade researchers.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130688279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Revisitando el orden zoomorfo: diseño decorativo en las riberas del Titicaca 重温兽形秩序:喀喀湖岸边的装饰设计
Sztuka Ameryki Łacińskiej Pub Date : 1900-01-01 DOI: 10.15804/sal201201
A. Isidoro
{"title":"Revisitando el orden zoomorfo: diseño decorativo en las riberas del Titicaca","authors":"A. Isidoro","doi":"10.15804/sal201201","DOIUrl":"https://doi.org/10.15804/sal201201","url":null,"abstract":"A special kind of wood architecture order for retables and pulpits is developed around the Lake Titicaca. It is possible, to consider it as a part of a regional itinerant aesthetic, i.e., zoomorphic order. Datable between the end of 17th century and 18th century, it is one of the stylems that define hybrid baroque, probably inspired in engraved sources. The above mentioned order already had been identified and documented 40 years ago by the architects José de Mesa and Teresa Gisbert. Nevertheless, to think again about this topic can throw new light to what was already said, extending certain aspects. I especially want to lead to the end one of their hypotheses: This column is also a mannerist survival since it is inspired by treatise writers, so Palladio in his book ‘Quarter of Architecture’ treats Nerva’s temple, on chapter VIII, showing a capital with horses, and Sagredo has a capital with heads of sheeps. This conjecture is founded on the traffic of architecture treatises, but especially on the idea of inspiration and not a faithful reproduction of the engraving sources, since there was only a few holders of those books. On the other hand, it was more possible to have copies in diverse degrees due to their transformations because of transposition process. With that idea, I allow myself to advance on the topic from a new perspective. It is to consider the contribution of a contemporary referrer, already well known and with a great influence in continental Europe in the beginning of the development of these hybrid works: Jean Bérain the Elder (1640–1711). In his repertoire, we find his proposals on variants of capitals of columns and pilasters. Here the arabesque subordinates the acanthus and there is a wide development of fantastic animals or semihuman beings of a classic mythological character – that shows us an evident mannerist influence. I will focus on the research of this order, in two cases: gospel altarpiece in Pomata’s transept and Yunguyo’s major altar and pulpit, two Dominican churches in the former colonial Chucuito in Peru.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124592596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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