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Tannhäuser réhabilité (V) – « La quatrième » devant la presse parisienne – Ernest Van Dyck et les autres tannhauser康复(V) -巴黎媒体前的“第四”-欧内斯特·范·戴克和其他人
Cahiers ERTA Pub Date : 1900-01-01 DOI: 10.4467/23538953ce.21.033.14386
M. Mrozowicki
{"title":"Tannhäuser réhabilité (V) – « La quatrième » devant la presse parisienne – Ernest Van Dyck et les autres","authors":"M. Mrozowicki","doi":"10.4467/23538953ce.21.033.14386","DOIUrl":"https://doi.org/10.4467/23538953ce.21.033.14386","url":null,"abstract":"Tannhäuser rehabilitated (V) – « La quatrième »’s image in the parisian press –Ernst Van Dyck and the others\u0000\u0000The fifth part of the cycle is devoted to the presentation of the main Parisian musical critics’ opinions on the Tannhäuser’s performance at Palais Garnier on May 13th, 1895, conducted by Paul Taffanel and directed by Alexander Lapissida. If these journalists – such as Jacques Weber of Le Temps, Catulle Mendès of La Revue de Paris, Hippolyte Fierens-Gevaert of Journal des débats, Paul Dukas of La Revue hebdomadaire, Ferdinand Le Borne of Le Monde artiste, Henry Gauthier-Villars of L’Écho de Paris, Alfred Bruneau of Gil Blas, and some others that are recalled in the article, were not unanimous on various aspects of this production, all of them considered Ernest Van Dyck, interpreting the title role, as the principle triumphator of the evening.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132793395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Marta Sukiennicka, Éloquences romantiques. Les années de l’Arsenal (1824-1834), Poznań, Wydawnictwo Naukowe UAM, 2020, p. 269
Cahiers ERTA Pub Date : 1900-01-01 DOI: 10.4467/23538953ce.21.034.14387
E. M. Wierzbowska
{"title":"Marta Sukiennicka, Éloquences romantiques. Les années de l’Arsenal (1824-1834), Poznań, Wydawnictwo Naukowe UAM, 2020, p. 269","authors":"E. M. Wierzbowska","doi":"10.4467/23538953ce.21.034.14387","DOIUrl":"https://doi.org/10.4467/23538953ce.21.034.14387","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114559865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La fiction hantée par le passé/le passé hanté par la fiction : les spectres de la Grande Guerre dans Douze lettres d’amour au soldat inconnu d’Olivier Bar barant et Visites aux vivants de Cathie Barreau 被过去困扰的小说/被小说困扰的过去:第一次世界大战的幽灵在奥利维尔·巴尔·巴兰特的《给无名战士的十二封情书》和凯西·巴罗的《访问活人》中
Cahiers ERTA Pub Date : 1900-01-01 DOI: 10.4467/23538953CE.19.013.10698
Piotr Sadkowski
{"title":"La fiction hantée par le passé/le passé hanté par la fiction : les spectres de la Grande Guerre dans Douze lettres d’amour au soldat inconnu d’Olivier Bar barant et Visites aux vivants de Cathie Barreau","authors":"Piotr Sadkowski","doi":"10.4467/23538953CE.19.013.10698","DOIUrl":"https://doi.org/10.4467/23538953CE.19.013.10698","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123397436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nuit et voix dans Journal d’un curé de campagne de Georges Bernanos 乔治·伯纳诺斯的乡村牧师日记中的夜晚和声音
Cahiers ERTA Pub Date : 1900-01-01 DOI: 10.4467/23538953ce.21.031.14384
Éléonore Mermet
{"title":"Nuit et voix dans Journal d’un curé de campagne de Georges Bernanos","authors":"Éléonore Mermet","doi":"10.4467/23538953ce.21.031.14384","DOIUrl":"https://doi.org/10.4467/23538953ce.21.031.14384","url":null,"abstract":"Night and voices in Journal d’un curé de campagne\u0000\u0000How the Journal d’un curé de campagne is written is intimately linked to the night because of the narrator’s insomnia. We will demonstrate that this night is the expression of an inner night, through the carmelite mysticism of John of the Cross. The writing is purified by the silence and anguish of the priest's mystical night: we will see that his writing becomes a prayer, that is to say, the hosting of divine and human voices in silence, based on Jean-Louis Chrétien’s phenomenological approach of prayer. This idea of writing will allow us to understand the relationship of Bernanos himself to his own writing: this nightly writing listens and gives voice to those who have none.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134204034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Le poil, le réel et l’informe chez Georges Bataille 乔治·巴塔耶的头发，真实的和无形的
Cahiers ERTA Pub Date : 1900-01-01 DOI: 10.4467/23538953ce.20.012.12819
Sébastien Galland
{"title":"Le poil, le réel et l’informe chez Georges Bataille","authors":"Sébastien Galland","doi":"10.4467/23538953ce.20.012.12819","DOIUrl":"https://doi.org/10.4467/23538953ce.20.012.12819","url":null,"abstract":"taillienne, le poil a été symptoma quement occulté par la cri que avisée. Pourtant, à examiner la chose de plus près : « Ainsi les guenilles d’Edwarda me regardaient, velues et roses, pleines de vie comme une pieuvre répu ‐ gnante »1, le poil est omniprésent dans les récits comme dans les essais de Bataille. Provoquant l’horripila on et la fascina on, il par cipe de l’informe qui marque un rejet de la ra onalité et de la philosophie, de la méta pho risa on et de l’esthé que, au profit de la laideur, de l’abjec on et du bas matériel. Objet hétérogène et irréduc ble, le poil ne saurait se soume re au discours, à ses catégories ou ses normes. Il borde une zone unheimlich (étrangeté inquiétante) qui confine à l’irreprésentable, et suscite un processus de démétaphorisa on où se rencontre le réel sexuel sans nom et sans image. Par là, cet objet irré duc ‐ ble libère la puissance transgressive du sacré, celle de l’éro sme sans doute, mais plus encore celle du diony ‐ siaque qui est volonté de puissance et augmenta on du sen ment de vie. Parce que la pilosité a este de l’énergie vitale commune à l’humain, à l’animal et au végétal, elle est la « part maudite », l’expression de la grande santé qui, pour Bataille lecteur de Nietzsche, s’inscrit en faux contre les puritanismes anciens ou actuels qui caractérisent les idéaux ascé ques. Déchet de la civilisa on, le poil n’en est pas seulement le malaise mais aussi la limite subversive et joyeuse. Chasser, traquer ou raser la pilosité, laquelle SÉBASTIEN GALLAND Université Paul‐Valéry, Montpellier III","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132712441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
« La chimère d’un âge perdu ». Présence du passé dans la poésie de René Char “失落时代的幻想”。rene Char诗歌中过去的存在
Cahiers ERTA Pub Date : 1900-01-01 DOI: 10.4467/23538953CE.19.014.10699
Gökçe Ergenekon
{"title":"« La chimère d’un âge perdu ». Présence du passé dans la poésie de René Char","authors":"Gökçe Ergenekon","doi":"10.4467/23538953CE.19.014.10699","DOIUrl":"https://doi.org/10.4467/23538953CE.19.014.10699","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123229431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Le geste signifiant. La rhétorique du corps paroxystique dans La Conquête de Plassans d’Émile Zola 有意义的手势。在emile左拉征服普拉桑的过程中，身体的修辞
Cahiers ERTA Pub Date : 1900-01-01 DOI: 10.4467/23538953CE.19.017.10702
Jolanta Rachwalska von Rejchwald
{"title":"Le geste signifiant. La rhétorique du corps paroxystique dans La Conquête de Plassans d’Émile Zola","authors":"Jolanta Rachwalska von Rejchwald","doi":"10.4467/23538953CE.19.017.10702","DOIUrl":"https://doi.org/10.4467/23538953CE.19.017.10702","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115101427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un homme de passage de Serge Doubrovsky : la tentation de l’Odyssée 杜布罗夫斯基的《路人:奥德赛的诱惑》
Cahiers ERTA Pub Date : 1900-01-01 DOI: 10.4467/23538953CE.19.004.10299
Cécile Hanania
{"title":"Un homme de passage de Serge Doubrovsky : la tentation de l’Odyssée","authors":"Cécile Hanania","doi":"10.4467/23538953CE.19.004.10299","DOIUrl":"https://doi.org/10.4467/23538953CE.19.004.10299","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128850485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Plus sombre la nuit, plus claire la journée: « la beauté des nuits du monde » de Marguerite Duras 黑夜越黑，白昼越亮:玛格丽特·杜拉斯的《世界之夜之美》
Cahiers ERTA Pub Date : 1900-01-01 DOI: 10.4467/23538953ce.21.032.14385
Sabrina Lusuriello
{"title":"Plus sombre la nuit, plus claire la journée: « la beauté des nuits du monde » de Marguerite Duras","authors":"Sabrina Lusuriello","doi":"10.4467/23538953ce.21.032.14385","DOIUrl":"https://doi.org/10.4467/23538953ce.21.032.14385","url":null,"abstract":"The darker the night, the brighter the day: “the beauty of the world’s nights” by Marguerite Duras\u0000\u0000Night-time, the favorite time of awakening for Marguerite Duras, has an ambivalent status. In a colorful game, the sleepless night changes from white to black, from bright to dark. Rather than a standstill or loss of time, the night without sleep offers a spectacular acceleration and intensification. Since the night acts as a catalyst, insomnia confronts the characters to their inescapable fate. Staying awake becomes an act of resistance, for both, characters and author. Therefore, insomnia emphasizes emptiness and inaction, and transforms loss into creation and fulfillment. Which means that insomnia is more than a physical phenomenon: it acquires a metaphysical dimension in Marguerite Duras’s work.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125321476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Le récit à la deuxième personne dans l’écriture du malaise. Analyse comparative d’Un homme qui dort de Georges Perec et de L’Inconsolable d’Anne Godard (II partie) 第二人称叙述在写作的不安。乔治·佩雷克的《沉睡的人》与安妮·戈达尔的《不可安慰》的比较分析(下)
Cahiers ERTA Pub Date : 1900-01-01 DOI: 10.4467/23538953ce.20.007.12425
Martyna Zapolnik
{"title":"Le récit à la deuxième personne dans l’écriture du malaise. Analyse comparative d’Un homme qui dort de Georges Perec et de L’Inconsolable d’Anne Godard (II partie)","authors":"Martyna Zapolnik","doi":"10.4467/23538953ce.20.007.12425","DOIUrl":"https://doi.org/10.4467/23538953ce.20.007.12425","url":null,"abstract":"The secondperson narration in the writing of malaise. The comparative analysis of A Man Asleep by Georges Perec and L’Inconsolable by Anne Godard (Part Two)\u0000\u0000Suspension between life and death is not the only one that heroes of Gerorges Perec and Anne Godard, accompanied by a reader, have to undergo. The grammatical second person applied in order to represent the characters implies actually a particular plurality of voices which creates in a paradoxical way these two silent heroes. Moreover, devoid of anchor point unlike other grammatical persons, it makes them constantly suspended in time and space. Therethrough, A Man Asleep and L’Inconsolable cannot be treated just like rewritings of common myths: they represent a new quality in the history of literature, very dynamic and rich in interpretations.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116311337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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