Tannhäuser réhabilité (V) – « La quatrième » devant la presse parisienne – Ernest Van Dyck et les autres

M. Mrozowicki
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Abstract

Tannhäuser rehabilitated (V) – « La quatrième »’s image in the parisian press –Ernst Van Dyck and the others The fifth part of the cycle is devoted to the presentation of the main Parisian musical critics’ opinions on the Tannhäuser’s performance at Palais Garnier on May 13th, 1895, conducted by Paul Taffanel and directed by Alexander Lapissida. If these journalists – such as Jacques Weber of Le Temps, Catulle Mendès of La Revue de Paris, Hippolyte Fierens-Gevaert of Journal des débats, Paul Dukas of La Revue hebdomadaire, Ferdinand Le Borne of Le Monde artiste, Henry Gauthier-Villars of L’Écho de Paris, Alfred Bruneau of Gil Blas, and some others that are recalled in the article, were not unanimous on various aspects of this production, all of them considered Ernest Van Dyck, interpreting the title role, as the principle triumphator of the evening.
tannhauser康复(V) -巴黎媒体前的“第四”-欧内斯特·范·戴克和其他人
Tannhäuser修复(V) -“La quatri”在巴黎新闻界的形象-恩斯特·范·戴克和其他人该周期的第五部分致力于介绍巴黎主要音乐评论家对1895年5月13日在卡尼尔宫(Palais Garnier)举行的Tannhäuser演出的意见,由保罗·塔法内尔(Paul Taffanel)指挥,亚历山大·拉皮西达(Alexander Lapissida)执导。如果这些记者——如雅克•韦伯的Le Temps Catulle门德斯的Revue巴黎,希波吕忒Fierens-Gevaert期刊des讨论,保罗Dukas拉Revue hebdomadaire,费迪南德Le承担《世界报》的艺人,亨利Gauthier-Villars L 'Echo巴黎,阿尔弗雷德的Bruneau吉尔布拉斯,和其他一些回忆的文章,不一致在这个生产的各个方面,他们都认为是欧内斯特·范·戴克,解读标题的作用,作为今晚的主要胜利者。
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