Cahiers ERTA最新文献

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L’infini s’abouchant avec le fini : la poétique labyrinthique d’Henri Michaux 无限与有限的相遇:亨利-米肖的迷宫诗学
Cahiers ERTA Pub Date : 2024-03-22 DOI: 10.4467/23538953ce.24.002.19416
J. Prince
{"title":"L’infini s’abouchant avec le fini : la poétique labyrinthique d’Henri Michaux","authors":"J. Prince","doi":"10.4467/23538953ce.24.002.19416","DOIUrl":"https://doi.org/10.4467/23538953ce.24.002.19416","url":null,"abstract":"The infinite merging with the finite: the labyrinthine poetics of Henri Michaux\u0000\u0000This paper examines how the figure of the labyrinth helps us to grasp the particular writing of Henri Michaux. Based on a reading of Déplacements, dégagements, it will show how the aesthetic experience of wandering arises from compositional processes of the multiple. This double perspective, both poetic and aesthetic, allows us to grasp the specificity of labyrinthine wandering, which suggests the infinite within a structure that is however finite. It is not the absence of any signification, but the multiplication and proliferation of significant data, that produces wandering. Confronted with this multiplicity, the reader is not confined to a passive state of reception, but actively projects a trajectory in order to give meaning on all his perceptual details, even if this meaning remains unstable.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":" 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Littérature labyrinthique entre texte et sexe dans Journal sexuel d’un garçon d’aujourd’hui d’Arthur Dreyfus 阿瑟-德雷福斯的《Journal sexuel d'un garçon d'aujourd'hui 》中介于文字和性之间的迷宫文学
Cahiers ERTA Pub Date : 2024-03-22 DOI: 10.4467/23538953ce.24.003.19417
Marc Vandersmissen
{"title":"Littérature labyrinthique entre texte et sexe dans Journal sexuel d’un garçon d’aujourd’hui d’Arthur Dreyfus","authors":"Marc Vandersmissen","doi":"10.4467/23538953ce.24.003.19417","DOIUrl":"https://doi.org/10.4467/23538953ce.24.003.19417","url":null,"abstract":"Labyrinthine Literature between Text and Sex in Journal sexuel d'un garçon d'aujourd’hui by Arthur Dreyfus\u0000\u0000In Journal sexuel d’un garçon d’aujourd'hui, Arthur Dreyfus records his sexual experiences over several years. But he doesn’t limit himself to recounting his sexual intimacy; he also writes down some of his thoughts on other areas, such as relationships, writing and psychoanalysis. He generally proceeds in short narratives that can take different forms (anecdotes, poems, letters...) and are brought together to form a work of over 2000 pages. The reader is thus led into the author’s systems of thought. The aim of this article is to highlight the labyrinthine construction of this work: first, we’ll see how the Journal is the result of a search for identity. Next, we’ll look at how this work proposes a new form of intertextuality. Finally, we look at the form of the Journal and its impact on the reader. In this way, we offer the first keys to reading a complex but powerful work.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":" 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
L’enquête dans le récit contemporain, une représentation esthétique du labyrinthe 当代叙事中的调查:迷宫的美学表述
Cahiers ERTA Pub Date : 2024-03-22 DOI: 10.4467/23538953ce.24.005.19419
Emanuelle Laboureyras
{"title":"L’enquête dans le récit contemporain, une représentation esthétique du labyrinthe","authors":"Emanuelle Laboureyras","doi":"10.4467/23538953ce.24.005.19419","DOIUrl":"https://doi.org/10.4467/23538953ce.24.005.19419","url":null,"abstract":"Investigation in contemporary narrative : an aesthetic representation of the labyrinth\u0000\u0000Contemporary narrative features a number of investigative authors who are part of a dynamic of inquiry : investigations in archives, both genealogical and judicial, field research, testimony gathering, trial chronicles. The labyrinth motif not only blurs the lines of enquiry, demonstrating how difficult it is to grasp reality, but also renews the territories of fiction and non-fiction. In this article, we show how contemporary authors engaged in a quest for missing persons or the unveiling of a truth, use the labyrinth motif in their investigative narratives. The labyrinth motif expresses the complexity of the investigations carried out by the authors in their role as investigators. In this way, the labyrinth becomes a metaphor for the authors' creative work, in contact with past and present time.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":" 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
« Errance est mon héritage ». Le labyrinthe en tant qu’une figure de l’expérience postcoloniale d’après les Enfants du lichen de Maya Cousineau Mollen "错误是我的遗产"。玛雅-库西诺-莫伦的《地衣之子》之后,迷宫作为一种后殖民经验的形象
Cahiers ERTA Pub Date : 2024-03-22 DOI: 10.4467/23538953ce.24.004.19418
Małgorzata Sokołowicz
{"title":"« Errance est mon héritage ». Le labyrinthe en tant qu’une figure de l’expérience postcoloniale d’après les Enfants du lichen de Maya Cousineau Mollen","authors":"Małgorzata Sokołowicz","doi":"10.4467/23538953ce.24.004.19418","DOIUrl":"https://doi.org/10.4467/23538953ce.24.004.19418","url":null,"abstract":"« Wandering is my heritage » The Labyrinth as a Figure of the Postcolonial Experience According to Enfants du lichen by Maya Cousineau Mollen\u0000\u0000The aim of the paper is to analyze Enfants du lichen, a book of poems by Maya Cousineau Mollen, an Innu poet born in 1975, in order to see if the labyrinth can be considered as a figure of the postcolonial Native American experience. Although the word « labyrinth » does not make its explicit emergence in the poems, their lexical field evokes a whole imagination which makes it emerge implicitly and allows us to believe that the figure of the labyrinth corresponds to the situation of the former colonized. Our contribution is divided into three parts. The first characterizes the postcolonial Native American experience, as described in the poems, and explains why it may be seen as a labyrinth. The second shows the exploration of the paths of possible escape and the last focuses on the exit, the « passage from darkness to light », which can be read as a new era in the life of Canadian Native Americans.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":" 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La figure du labyrinthe entre philosophie, art et littérature 哲学、艺术和文学中的迷宫形象
Cahiers ERTA Pub Date : 2024-03-22 DOI: 10.4467/23538953ce.24.001.19415
Diego Scalco
{"title":"La figure du labyrinthe entre philosophie, art et littérature","authors":"Diego Scalco","doi":"10.4467/23538953ce.24.001.19415","DOIUrl":"https://doi.org/10.4467/23538953ce.24.001.19415","url":null,"abstract":"The Figure of the Labyrinth between Philosophy, Art and Literature\u0000\u0000The aim of this article is to draw analogies between the Prisons by Piranesi and The Castle by Franz Kafka in the light of the figure of the labyrinth. In these specific cases, the architectonics (as a pseudo- arrangement of perspective planes) and the plot (as a factitious connection between action sequences) enclose the illusion of depth and the impression of duration in the vicious circles of the lines of rupture and of the missed events, respectively. The Piranesian atopic topic (from atopos, « out of place ») and the Kafkaesque apraxic practice (from apraktos, « inconclusive ») are both based on unsurpassable antinomies and, in this particular respect, seem to revive Zeno of Elea’s paradoxes of motion and Diodorus Cronus’ aporia of becoming, which Gottfried W. Leibniz considers to be two labyrinths.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":" 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Annelies Schulte Nordholt, Georges Perec et ses lieux de mémoire. Le projet de Lieux, Leyde, Brill, coll. « Faux Titre », 2022, 268 p. Annelies Schulte Nordholt, Georges Perec et ses lieux de mémoire.Le projet de Lieux, Leiden, Brill, coll. "Faux Titre", 2022, 268 p.
Cahiers ERTA Pub Date : 2024-03-22 DOI: 10.4467/23538953ce.24.007.19421
Jagoda Kryg
{"title":"Annelies Schulte Nordholt, Georges Perec et ses lieux de mémoire. Le projet de Lieux, Leyde, Brill, coll. « Faux Titre », 2022, 268 p.","authors":"Jagoda Kryg","doi":"10.4467/23538953ce.24.007.19421","DOIUrl":"https://doi.org/10.4467/23538953ce.24.007.19421","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":" 22","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387313","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ut pictura poesis. From One plus One to the « Godardesques » in contemporary aesthetics Ut pictura poesis.从 "一加一 "到当代美学中的 "戈达尔式
Cahiers ERTA Pub Date : 2024-03-22 DOI: 10.4467/23538953ce.24.006.19420
Kamil Lipiński
{"title":"Ut pictura poesis. From One plus One to the « Godardesques » in contemporary aesthetics","authors":"Kamil Lipiński","doi":"10.4467/23538953ce.24.006.19420","DOIUrl":"https://doi.org/10.4467/23538953ce.24.006.19420","url":null,"abstract":"The article deals with Jean-Luc Godard's interventions in the multimedia arts, known as « fraternal arts », and ut pictura poesis to reconsider the audiovisual juxtaposition of fiction and documentary in the late sixties and « cinema effects » in contemporary art installations. It retraces some of the main elements of the film One plus One directed by Jean-Luc Godard and addresses its role and importance in the clandestine nature of artistic creation by revealing the interconnections between « musical history in the making » and the aesthetics of graffiti, Brechtian quote, and distancing (Verfremdungseffekt). In the second part, the essay draws on Burgin and Dubois to examine how so-called « Godardesques » emerges in the context of contemporary museum installations. By approaching artistic works, our wish is to reveal the forms of reconstitution of the Godardian One plus One. These works loosely linked to classical cinema can be considered, following Burgin, as cinematic heterotopias.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":" 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Satisfaire sa faim : destin, dessein et vocation dans À vau l’eau de Joris-Karl Huysmans 满足你的饥饿:乔里斯-卡尔·休斯曼的命运、设计和职业
Cahiers ERTA Pub Date : 2023-06-30 DOI: 10.4467/23538953ce.23.017.17934
Agata Sadkowska-Fidala
{"title":"Satisfaire sa faim : destin, dessein et vocation dans À vau l’eau de Joris-Karl Huysmans","authors":"Agata Sadkowska-Fidala","doi":"10.4467/23538953ce.23.017.17934","DOIUrl":"https://doi.org/10.4467/23538953ce.23.017.17934","url":null,"abstract":"In his short novel published before À Rebours, entitled À vau-l’eau, Huysmans tells a story of a protagonist unable to find good food. His quest for a passable restaurant remains unfulfilled, and joins other unfulfilled needs linked to his social life. It becomes clear that behind this quest, told with numerous details and a significant emphasis, there are other, more profound needs that Huysmans will name, more and more directly, in his post-naturalist novels. At the deepest level, the quest comes down to the impossibility to accept life’s difficulties, its duality, and to the wound of an unhappy childhood and a lost mother, so little named and therefore so present in Huysmans’ works.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"79 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114459745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rachilde et la vocation de l’écrivain 拉奇尔德和作家的职业
Cahiers ERTA Pub Date : 2023-06-30 DOI: 10.4467/23538953ce.23.018.17935
Anita Staroń
{"title":"Rachilde et la vocation de l’écrivain","authors":"Anita Staroń","doi":"10.4467/23538953ce.23.018.17935","DOIUrl":"https://doi.org/10.4467/23538953ce.23.018.17935","url":null,"abstract":"What is Rachilde’s vocation? Could her life have taken another course rather than the literary way? According to what she declares in her autobiographical or semi-autobiographical texts, it turns out that this profession, chosen consciously in her early years, had saved her from madness. Drawing inspiration from the psychoanalytical observations contained in Catherine Millot’s book La Vocation de l’écrivain, the present study attempts to establish the sources of the literary career chosen by Rachilde, her own ways of exercising it and the point of achievement that she could reach by accomplishing certain choices. For Rachilde, there is no enjoyment outside of writing.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127845674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Métamorphoses du poète dans « Le Poète assassiné » d’Apollinaire : Apollon et Orphée, oursin et laurier 阿波利奈尔的《被谋杀的诗人》中诗人的变形:阿波罗和俄耳甫斯,海胆和劳里埃
Cahiers ERTA Pub Date : 2023-06-30 DOI: 10.4467/23538953ce.23.012.17929
G. Rousseau
{"title":"Métamorphoses du poète dans « Le Poète assassiné » d’Apollinaire : Apollon et Orphée, oursin et laurier","authors":"G. Rousseau","doi":"10.4467/23538953ce.23.012.17929","DOIUrl":"https://doi.org/10.4467/23538953ce.23.012.17929","url":null,"abstract":"This article focuses on the figure of the poet in Apollinaire’s « Le Poète assassiné ». We try to show the connections that are established between loss and poetic glory. In the tale, the hero, Croniamantal, becomes successively Apollo and Orpheus. As in Ovid’s Metamorphoses, he is going to lost his beloved (story of Apollo and Daphne) before being slaughtered (the death of Orpheus). To reach glory, the poet has to sacrifice everything including himself.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"73 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126263662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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