LITERARY PROCESS: methodology, names, trends最新文献

{"title":"BODY IDENTITY IN BOHUMIL HRABAL’S NOVEL “I SERVED THE KING OF ENGLAND”","authors":"Bokshan Halyna","doi":"10.28925/2412-2475.2019.131","DOIUrl":"https://doi.org/10.28925/2412-2475.2019.131","url":null,"abstract":"The purpose of the paper is to examine the specificity of the modeling of the character-narrator’s\u0000body identity in B. Hrabal’s novel “I Served the King of England”. Firstly it stresses on the body-centered\u0000nature of the narration in this literary work, in which the evolution of personality is represented\u0000as “a history of the body”. The study focuses on the techniques of restructurizing “the body scheme”\u0000and the manifestation of psychophysiological transgression caused by the existing “archetypal\u0000canons”. It traces the correlation of the semantics of the body identity with the aesthetic categories\u0000of the beautiful and the ugly and with gender differentiation. The paper also considers gastronomy\u0000as one of the aspects of bodiliness in B. Hrabal’s novel. It details the poetics of grotesque which manifests\u0000itself in the descriptions of the body emphasizing its objectiveness. The study looks at the Rabelaisian\u0000traditions followed by the writer in the depiction of the scenes connected with eating both everyday\u0000food and exotic dishes. The research underlines that the body in B. Hrabal’s novel is displayed\u0000as a genetic data medium, visualized through physical characteristics, that highlights the social\u0000arrangement of the body identity problems. It pays attention to the social function of a human\u0000face in archaic societies originally interpreted in the novel. The research determines the peculiarities\u0000of the space marking of the body in the literary work and its correlation with the binary opposition\u0000“top–bottom”. It looks at the formation of the body identity by means of a mirror reflection and\u0000the image of the double. The conclusions of the research emphasize the specificity of the modeling\u0000of the body identity in the novel of the Czech writer. The results of this scientific paper can be used\u0000in further research on B. Hrabal literary prose and in comparative studie","PeriodicalId":120787,"journal":{"name":"LITERARY PROCESS: methodology, names, trends","volume":"177 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122176807","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"INTERTEXTUAL FIELD PARAMETERS IN THE NOVEL \"ANDRII LAHOVSKYI\" BY AHATANHEL KRYMSKYI","authors":"Lyudmyla Skoryna","doi":"10.28925/2412-2475.2022.20.9","DOIUrl":"https://doi.org/10.28925/2412-2475.2022.20.9","url":null,"abstract":"The article outlines the intertextual field parameters in the novel \"Andrii Lahovskyi\" by Ahatanhel Krymskyi. In the process of research the active use of quotations and allusions by the writer was found out. Quotations are organically embedded in the speech of all characters, it is especially true of the main character (71 example found). The novel is dominated by quotations with partial attribution - indicating the author of the prototext (37 quotations) or the whole work (4 quotations). There are 6 quotations with full attribution, 4 quotations with “allusive” attribution and 10 quotations with unspecified attribution. Unattributed quotes are most taken from the reading-books. Ukrainian, Old Slavic, Russian, Ancient Greek, Latin, German, French, English, Italian, and Turkish languages appear in these intertextual inclusions. Allusions to works of Ukrainian and foreign authors, the Bible, myths, numerous historical and philosophical reminiscences (Ptolemy, Strabo, Xenophon, Plato, Max Stirner) are actively used in the novel.\u0000\u0000Other types and forms of intertextual relations in the novel include: 1) paratextuality (the title of the third part of the novel \"Following St. Ephrem the Syrian\" emphasizes the prototext, which played an important role in the spiritual evolution of the main character); 2) hyperintertextuality — paraphrases used to establish a dialogue with other literary works in terms of saving text space; 3) metatextuality (Lahovskyi's reflections on Ivan Franko's \"Parable of Beauty\", Volodymyr Shmidt's discourse of Heine's poetry \"Der Asra\"); 4) autointertextuality (citing the other poetic works of Ahatanhel Krymskyi in the novel). The novel also reveals examples of apocryphal intertextuality (a fictional \"quote\" from the biblical book of Jesus Sirach) and intermediality (references to the opera \"Faust\", \"Siciliana\" from \"Cavalleria Rusticana\", Rubinstein's music to Heine's \"Der Asra\", Ophelia's song, a Japanese song about a goldfish, Wagner’s operas).\u0000\u0000The list of key prototexts of the analysed novel includes: 1) the Bible; 2) ancient literature and mythology; 3) Ukrainian literature; 4) Russian literature; 5) German literature. Episodic references to English, French, Italian literature, Eastern poetry and folklore appear in the novel. Taking into account the variety of types and forms of intertextuality in the novel and the significant fleshing out of the intertextual field with textual inclusions from the works of Ukrainian and foreign writers, we can consider the novel \"Andrii Lahovskyi\" to be one of the first examples of an intellectual novel in Ukrainian literature.","PeriodicalId":120787,"journal":{"name":"LITERARY PROCESS: methodology, names, trends","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128986459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The problem of identity in Olga Tokarczuk's novel \"Flights\"","authors":"Mariia Polovynkina","doi":"10.28925/2412-2475.2021.18.10","DOIUrl":"https://doi.org/10.28925/2412-2475.2021.18.10","url":null,"abstract":"The article is devoted to the problem of identity in the novel \"Flights\" by the Polish writer, Nobel Prize winner Olga Tokarczuk. The relevance of the topic can be explained by the active attention of society to the concept of identity and its search in the XXI century. The object of study is the novel \"Flights\" and the subject is the problem of identity, which is presented in this novel. Analysis, induction, deduction, descriptive and contextual methods were used during the work. The novelty of the article lies in considering aspects of the novel that have not been studied before and in proposing a new look at the features of such a concept as identity. The article analyzes different interpretations of this term in Ukrainian, English and Polish, draws attention to its semantic transformation; some fragments of the \"Flights\", identity features of several heroes of this novel and their understanding of the corresponding term have been investigated; the key role of awareness of one's own existence as a component of identity has been established; the role of language in the formation of self-consciousness has been analyzed, as well as the influence of self-identification on the existence of an individual; the possibility of the existence of identity not only for homo sapiens, but also for other living beings, as well as non-beings, has been shown; the role of objects in the categorization of individuals has been established. The research has shown that language (with any form of expression – both oral and written) is an important factor in the formation of both external and internal identity. At the same time, the presence of language is not a necessary condition for the emergence of identity, as this concept can be interpreted very broadly and attributed not only to subjects but also to objects. The identification process may be accompanied by the use of additional items that facilitate categorization. Changes in self-identification can cause radical changes in the existence and become the impetus for his transition into non-existence. The work has considerable prospects. In particular we plan to analyze other fragments of the novel \"Flights\" in terms of identity theory, as well as to build a scheme for the formation of self-awareness.","PeriodicalId":120787,"journal":{"name":"LITERARY PROCESS: methodology, names, trends","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127893617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PECULIARITIES OF THE CHRONOTOPE THROUGH THE PRISM OF IDENTITY PROBLEM\u0000OF THE URBAN NOVEL CHARACTER","authors":"Kaya Semih","doi":"10.28925/2412-2475.2019.1319","DOIUrl":"https://doi.org/10.28925/2412-2475.2019.1319","url":null,"abstract":"The article analyses the chronotope of the novel by Orhan Pamuk Silent House through the prism\u0000of identity problem. The purpose of the article is to establish a connection of this problem\u0000to the peculiarities of the interpretation of the chronotope (which is a result of analysis of the opposites\u0000capital-country and East-West. The urban issue of the Silent House grounds on the eschatological\u0000paradigm and the cyclic concept of the world, the concept of eternal return; this attests a postmodernist\u0000understanding of the categories of time and space. Hence, the composition of the novel is a peculiar\u0000spatial and temporal mosaic and narrative polyphony. In the temporal space of the Silent House\u0000the spatial (home and provincial town) and temporal (past and present) images, motive of travel\u0000(real and metaphysical in the form of memories), of the travelers acquire the semantics of existential\u0000metamorphosis that lead to moral and spiritual initiation. And the closed space of the novel —\u0000the house of Mrs. Fatma and the provincial Turkish town — appears as a special topos-gerontope,\u0000the main principle of which is a freezing of the time. In this way Pamuk realizes typical for his works\u0000problems of relations between the West and the East and self-identification.","PeriodicalId":120787,"journal":{"name":"LITERARY PROCESS: methodology, names, trends","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126247510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE POETICS OF THE DRAMATIC MINIATURE “THE WAY FROM KRUTY” BY MYKOLA CHYRSKYI (VISNYKIVETS’ EXPERIENCE)","authors":"I. Rusnak","doi":"10.28925/2412-2475.2022.20.8","DOIUrl":"https://doi.org/10.28925/2412-2475.2022.20.8","url":null,"abstract":"The dramatic legacy of Mykola Chyrskyi is scarce and consists of several texts, among which the most famous are the plays “Otaman Pisnya” (1936), “Andriy Karabut” (1936) and “Drunken Raid” (1938). The author neglected publication of his other dramatic texts, thus after his death those texts were lost, which created lacuna in academic perception of the Ukrainian playwright. The paper tackles theatre studies articles and accidentally found dramatic miniature “The Way from Kruty” both authored by Chyrskyi.\u0000\u0000The purpose of the study is to consider the playwright's views on the theatre in the context of “Visnyk” literary movement (1920–1930), to analyse the poetics of Chyrskyi’s work, to identify the peculiarities of his dramatic style and individual poetics, in particular, expressionist elements and details in the text of the found dramatic miniature.\u0000\u0000Chirsky’s ideological and aesthetic priorities were formed in the cultural environment of the participants of “Visnyk” movement that had a tremendous impact on his dramas and his understanding of the tasks of modern theatre. The playwright insisted on the organic connection of modern theatre art with the creative achievements of the 19th century, encouraging theatres to actively implement the national ideal. To achieve this goal, Chyrskyi proposed a form of modern theatre that has been tested in practice. “Teatr Nastupu” (The Onslaught Theater) was designed to have an appropriate repertoire — a kind of genre mosaic of dramatic scenes with heroic themes, declamations, grotesque dramatisations, “film etudes”, dances, songs. The Onslaught Theater was supposed to meet the demands of the times with a “stage language”, to synthesise the achievements of various arts, to raise vital issues that worried the Ukrainian public. The writer advocated the polishing of stage skills, its constant improvement through a network of theater schools, courses, studying literature on the theory and practice of the theatrical piece. Not the last place was given to the study of achievements of foreign theatres, training of highly qualified personnel of the theatrical stage.\u0000\u0000Drama “The Way from Kruty” was published in 1944 in the newspaper “Ukrainskyi Visnyk” (Berlin). By genre, it is a dramatic miniature, the topic and content of which fully corresponded to the author's understanding of the purpose of theatrical art. Thematically, “The Way from Kruty” referred to one of the most tragic battles of the defense of the Ukrainian State against the Bolshevik horde — the battle near Kruty in January 1918. The idea of the play is the spiritual awakening of ordinary Ukrainians, replenishment of the ranks of fighters for a liberated Ukraine with people of various social strata.\u0000\u0000The search for techniques that would effectively appeal to the viewer's consciousness prompted Chyrskyi to use dramatic means indicative of early German expressionist plays. It is less about the philosophical basis of German expressionism but rather about the ex","PeriodicalId":120787,"journal":{"name":"LITERARY PROCESS: methodology, names, trends","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122321932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"GENRE NATURE OF VALERII HERASYMCHUK’S DRAMA CYCLE“PLAYS ABOUT THE GREATS”","authors":"Galina Kaspich","doi":"10.28925/2412-2475.2019.1410","DOIUrl":"https://doi.org/10.28925/2412-2475.2019.1410","url":null,"abstract":"","PeriodicalId":120787,"journal":{"name":"LITERARY PROCESS: methodology, names, trends","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115216197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ЯК НАМ ДОСЛІДЖУВАТИ ІДЕНТИЧНІСТЬ?","authors":"O. Bondareva","doi":"10.28925/2412-2475.2021.17.11","DOIUrl":"https://doi.org/10.28925/2412-2475.2021.17.11","url":null,"abstract":"Review: Fukuyama Francis. Identity. The need for dignity and the politics of resentment: a monograph. Per. from English Т.Сахно. Kyiv: Our Format, 2020. 192 p.","PeriodicalId":120787,"journal":{"name":"LITERARY PROCESS: methodology, names, trends","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121044619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ON THE HISTORY OF THE FIRST PUBLICATIONS OF BORYS GRINCHENKO’S POEMS","authors":"R. Kozlov","doi":"10.28925/2412-2475.2022.20.4","DOIUrl":"https://doi.org/10.28925/2412-2475.2022.20.4","url":null,"abstract":"For the first time, Borys Grinchenko’s poems were published in the Galician journal “Svit” (1881–1882) and the almanac “Rada” (1883, 1884). Some of them became programmatic and were therefore perceived as the works of a mature author. However, the poet expressed dissatisfaction with his first attempts at poetry. Besides, the poems underwent editorial interventions in these publications. Since there is no detailed biography of Borys Grinchenko, there is a need to reconstruct the creative history of these poems and conduct textological observations. For this, one should refer to the personal correspondence of Borys Grinchenko with Ivan Levytskyi (Nechuy), Mykhailo Starytskyi, Ivan Zozulya and other participants of the Ukrainian cultural movement of that time. Materials from the collections of the Institute of Manuscripts of V. I. Vernadskyi National Library of Ukraine and corresponding printed materials were used for the textological comparison. On the basis of the conducted reconstruction, it is found that Borys Grinchenko did not have significant authorial control over the preparation of the first publications of his poems. He actually had no contact with the publishers of the Galician journal “Svit”, and had only fragmentary communication with the editors of the almanac “Rada”. Mykhailo Starytskyi’s active intervention in the texts of the works gave rise to a misunderstanding between him and the author. In addition, such actions of the initiator of the “Rada” almanac led to the existence of several editions of Borys Grinchenko’s individual poems, which differ significantly. At the same time, the history of Borys Grinchenko’s pseudonyms is connected with the first publications of poems. The article proposes an assumption about their sources and significance. The reconstructed relationship between Borys Grinchenko and leading figures of Ukrainian culture is important for understanding the history of subsequent publications of his works and individual sources of literary and critical polemics of the 1890s. The materials and observations proposed in the article will be included in the scientific biography of Borys Grinchenko, which is being prepared by specialists of the Department of Ukrainian Literature, Comparative Studies and Grinchenko Studies of Grinchenko University.","PeriodicalId":120787,"journal":{"name":"LITERARY PROCESS: methodology, names, trends","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122472389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"CONCEPT OF SIMPLE LIFE BY H. D.THOREAU","authors":"Ihoshev Kyrylo","doi":"10.28925/2412-2475.2019.1318","DOIUrl":"https://doi.org/10.28925/2412-2475.2019.1318","url":null,"abstract":"In this study, the author examines the concept of “simple life” in the work “Walden; or Life in the Woods”\u0000by H. D. Thoreau in the context of transcendental philosophy. The article gives a brief overview\u0000of R. Emerson’s works on transcendentalism (which were the foundations of Thoreau’s own philosophical\u0000and aesthetic views) and the work of S. Alexander on the philosophy of “simple life” by H. Thoreau. It is\u0000determined that one of the main concepts of transcendentalism is “self-reliance”. As a result of the study,\u0000it was determined that H. Thoreau’s “simple life” is a practical realization of the “self-reliance” concept\u0000and is based on the principles of the “economics of sufficiency”. These are the following principles: selfsufficiency,\u0000self-discipline (limiting our own material needs) and the abstinence from excessive (surplus)\u0000labor. According to H. Thoreau, people work overmuch because they do not recognize the true value\u0000of things. Their toil is unending as they strive for ever greater luxuries which they do not need. Thoreau\u0000thought that his fellow-citizen accept the consumerist style of life not because they like it, but because\u0000they think that they don’t have a choice. In his book “Walden; Or Life in the Woods” he tried to show\u0000them that the other way (in fact, as many ways as they would like) exists and it is possible for anyone\u0000to pursue it with success.","PeriodicalId":120787,"journal":{"name":"LITERARY PROCESS: methodology, names, trends","volume":"130 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122640420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Trauma Therapy: Literary Concept of Overcoming Collective Pain (considering the works of modern Ukrainian prose)","authors":"Lyudmyla Danylenko","doi":"10.28925/2412-2475.2023.21.5","DOIUrl":"https://doi.org/10.28925/2412-2475.2023.21.5","url":null,"abstract":"The article studies the literary concept of tragedy in contemporary Ukrainian prose about Soviet past. The problem is relevant, because the trauma is important in the consolidation of Ukrainian society, affected by new trials. The subject of literary analysis is the comprehension of the Kurenivka man-made disaster of 1961, the history of which was declassified only in the era of independence. The novels “Life in Pink” by Halyna Horytska and “The Thaw Book. 1954–1964” by Tymur and Olena Lytovchenko. The author of the studio is guided by the theories of “collective trauma”, “culture of wound”, “trauma therapy”, “place of memory”. Accordingly, the literary model of collective tragedy is analysed. It is determined that the depiction of trauma in the context of memory of the Soviet past in both novels has many common features, namely: showing a characteristic of victims and perpetrators (a specific perpetrator — a representative of the authorities; a generalised perpetrator — the Soviet system; a perpetrator — relative); giving the places of remembrance the signs of grief by tracing the immediate destruction of objects in space; describing the death as understanding the transition of the soul to the afterlife; demonstrating memory erasure (forced silence of trauma, deliberate refusal of memory); identifying categories of remorse and punishment (suicide).The similarity of the author’s means of artistic speech is revealed: the combination of fiction and nonfiction, the introduction of journalistic comments and emotional judgment, giving semantic weight to details-symbols. The novelty of the study is the expansion of theoretical views on the problem of trauma in literary work, modeling the image of tragedy in the context of memory of the Soviet past. Further study of the problem is promising in the analysis of the aesthetic concept of the traumatic past, which is comprehended in modern prose.","PeriodicalId":120787,"journal":{"name":"LITERARY PROCESS: methodology, names, trends","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122653466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}