LITERARY PROCESS: methodology, names, trends最新文献

{"title":"FEATURES OF AGE CATEGORY OF THE BEGINNING OF 20th CENTURY","authors":"S. Stezhko","doi":"10.28925/2412-2475.2019.138","DOIUrl":"https://doi.org/10.28925/2412-2475.2019.138","url":null,"abstract":"The article analyses propaganda plays which create a broad basis for further consolidation\u0000in the mass consciousness of ideological concepts , mythologues, and behavioral stereotypes, wholly\u0000corresponding to the so-called social order of power and society. One of the most powerful ideological\u0000plots and cliches in plays-agitation is the conceptial plot contrasting «past — future» («old world / order\u0000/ custom — a new world / order / custom»). The plot lines of the propaganda play, in fact, «appropriate»\u0000folklore subjects and fragments of the national historical narrative and rewrite them in accordance\u0000with the class-social ideology of the era. Theatricalization of history, as well as theatricalization of life,\u0000is carried out using ideological cliches, but based on historical stories. In the vast majority of cases, it is\u0000not about the use of plot conflicts from the biographies of historical figures, but on the contrary — about\u0000the rebirth of the plot schemes of folk historical songs, ballads, legends, and translations. The plot lines\u0000of the propaganda plays “take credit” for folk stories and fragments of the national historical narrative and transcribe it according to the class-social ideological settings of the era. This makes it possible\u0000to create a common historical memory. Due to this memory the national heroic pathos of the Ukrainian\u0000past is replaced by the images and metaphors of the class struggle of the proletariat and the peasantry.\u0000This image is wholly opposite to the national-patriotic, partly the existential-philosophical conception\u0000of the past, created in the late 19th and early 20th centuries in the dramatic works of Liudmyla Starytska-\u0000Cherniakhivska, Spyrydon Cherkasenko, Hnat Hotkevych, Mykhailo Hrushevskyi, Bohdan Lepky, Ivan\u0000Nechui-Levytskyi and other Ukrainian writers. National pride motive is replaced by the idea of “Soviet\u0000patriotism”, in order for “Ukrainians could celebrate their past, as long as it complemented, but did not\u0000combat with Russian imperial history” as S. Yekelchik notes.","PeriodicalId":120787,"journal":{"name":"LITERARY PROCESS: methodology, names, trends","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115169008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE IMPLICATION FORMATIVE POTENTIAL RECEPTIVE AND SEMANTIC POTENTIAL\u0000OF SILENCE IN MODERN LITERARY AND MEDICAL DISCOURSE","authors":"Y. Lysanets","doi":"10.28925/2412-2475.2019.136","DOIUrl":"https://doi.org/10.28925/2412-2475.2019.136","url":null,"abstract":"The article aims to analyse the receptive and semantic potential of silence based on the novel “Critical\u0000Condition” (2002) by the contemporary Canadian-American physician, writer Peter Clement. The research\u0000methodology is based on the application of modern literary studies in the fields of narratology,\u0000receptive aesthetics and literary hermeneutics. The theoretical significance of the research consists\u0000in the disclosure of the narrative category of silence in the modern American literary and medical\u0000discourse. The results of the study will improve the content of training courses in the world literature\u0000and form a methodological basis for the development of special courses, theme-based seminars\u0000and academic syllabi. In the course of the study, it was found that silence within the analysed literary\u0000work symbolizes the epistemological and communicative crisis of language. The author’s intentions\u0000and receptive resource of silence in the text have been analysed. The leading role of facial expressions\u0000as a means of exteriorizing the silence effect in the “doctor — patient” communicative situation has been\u0000observed. The patient’s silence in the novel is associated with the author’s rethinking of the phenomena\u0000of illness and disability, thus stimulating the reader to embrace the active position of co-creation and\u0000receptive cooperation by filling-in the narrative “gaps” of the text. Further research is needed to study\u0000the role of the reader’s reception in constructing the silence in the “doctor — patient”communicative\u0000situation, as exemplified by the literary and medical discourse of the US prose.","PeriodicalId":120787,"journal":{"name":"LITERARY PROCESS: methodology, names, trends","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121678652","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}