现代文学和医学话语中沉默的暗示、形成、接受和语义潜力

Y. Lysanets
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摘要

本文以当代美籍加拿大医生、作家彼得·克莱门特的小说《危急状态》(CriticalCondition, 2002)为背景,分析沉默的接受和语义潜能。研究方法以现代文学研究在叙事学、接受美学和文学解释学等领域的应用为基础。本研究的理论意义在于揭示了美国现代文学和医学话语中沉默的叙事范畴。这项研究的结果将改进世界文献培训课程的内容,并为制定特别课程、主题研讨会和学术教学大纲提供方法论基础。在研究过程中发现,所分析的文学作品中的沉默象征着语言的认识论危机和交际危机。分析了作者在语篇中沉默的意图和接受源。在“医患”交际情境中,面部表情作为一种外化沉默效应的手段所起的主导作用已被观察到。小说中病人的沉默与作者对疾病和残疾现象的反思联系在一起,从而通过填补文本的叙事“空白”,刺激读者进入共同创造和接受合作的主动位置。以美国散文的文学和医学话语为例,读者接受在医患交际情境中构建沉默的作用有待进一步研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE IMPLICATION FORMATIVE POTENTIAL RECEPTIVE AND SEMANTIC POTENTIAL OF SILENCE IN MODERN LITERARY AND MEDICAL DISCOURSE
The article aims to analyse the receptive and semantic potential of silence based on the novel “Critical Condition” (2002) by the contemporary Canadian-American physician, writer Peter Clement. The research methodology is based on the application of modern literary studies in the fields of narratology, receptive aesthetics and literary hermeneutics. The theoretical significance of the research consists in the disclosure of the narrative category of silence in the modern American literary and medical discourse. The results of the study will improve the content of training courses in the world literature and form a methodological basis for the development of special courses, theme-based seminars and academic syllabi. In the course of the study, it was found that silence within the analysed literary work symbolizes the epistemological and communicative crisis of language. The author’s intentions and receptive resource of silence in the text have been analysed. The leading role of facial expressions as a means of exteriorizing the silence effect in the “doctor — patient” communicative situation has been observed. The patient’s silence in the novel is associated with the author’s rethinking of the phenomena of illness and disability, thus stimulating the reader to embrace the active position of co-creation and receptive cooperation by filling-in the narrative “gaps” of the text. Further research is needed to study the role of the reader’s reception in constructing the silence in the “doctor — patient”communicative situation, as exemplified by the literary and medical discourse of the US prose.
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