论鲍里斯·格林琴科诗歌首次出版的历史

R. Kozlov
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引用次数: 0

摘要

鲍里斯·格林琴科的诗歌第一次发表在加利西亚杂志《Svit》(1881-1882)和年鉴《Rada》(1883年、1884年)上。其中一些成为纲领性的,因此被认为是一个成熟的作者的作品。然而,诗人对他最初的诗歌尝试表示不满。此外,这些诗歌还在这些出版物中进行了编辑干预。由于没有详细的格林琴科传记,因此有必要重建这些诗歌的创作历史并进行考据观察。关于这一点,可以参考鲍里斯·格林琴科与伊万·列维茨基(Nechuy)、米哈伊洛·斯塔利茨基、伊万·佐祖里亚和当时乌克兰文化运动的其他参与者的私人信件。本文采用了乌克兰V. I.维尔纳德斯基国家图书馆手稿研究所收藏的材料和相应的印刷材料进行文本比较。在进行重建的基础上,我们发现鲍里斯·格林琴科在他的诗歌首次出版的准备工作中没有明显的作者控制权。实际上,他与加利西亚杂志《Svit》的出版商没有任何联系,与年鉴《Rada》的编辑也只有零星的联系。米哈伊洛·斯塔利茨基对作品文本的积极介入导致了他与作者之间的误解。此外,“Rada”年鉴的发起者的这种行为导致了鲍里斯·格林琴科个人诗歌的几个版本的存在,这些版本差异很大。同时,鲍里斯·格林琴科笔名的历史与诗歌的第一次出版有关。本文对其来源和意义提出了假设。重建鲍里斯·格林琴科与乌克兰文化领袖之间的关系,对于理解他的作品随后出版的历史,以及19世纪90年代文学和批评论战的个人来源,是很重要的。文章中提出的材料和观察结果将列入由格林琴科大学乌克兰文学系、比较研究系和格林琴科研究系的专家编写的鲍里斯·格林琴科的科学传记。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ON THE HISTORY OF THE FIRST PUBLICATIONS OF BORYS GRINCHENKO’S POEMS
For the first time, Borys Grinchenko’s poems were published in the Galician journal “Svit” (1881–1882) and the almanac “Rada” (1883, 1884). Some of them became programmatic and were therefore perceived as the works of a mature author. However, the poet expressed dissatisfaction with his first attempts at poetry. Besides, the poems underwent editorial interventions in these publications. Since there is no detailed biography of Borys Grinchenko, there is a need to reconstruct the creative history of these poems and conduct textological observations. For this, one should refer to the personal correspondence of Borys Grinchenko with Ivan Levytskyi (Nechuy), Mykhailo Starytskyi, Ivan Zozulya and other participants of the Ukrainian cultural movement of that time. Materials from the collections of the Institute of Manuscripts of V. I. Vernadskyi National Library of Ukraine and corresponding printed materials were used for the textological comparison. On the basis of the conducted reconstruction, it is found that Borys Grinchenko did not have significant authorial control over the preparation of the first publications of his poems. He actually had no contact with the publishers of the Galician journal “Svit”, and had only fragmentary communication with the editors of the almanac “Rada”. Mykhailo Starytskyi’s active intervention in the texts of the works gave rise to a misunderstanding between him and the author. In addition, such actions of the initiator of the “Rada” almanac led to the existence of several editions of Borys Grinchenko’s individual poems, which differ significantly. At the same time, the history of Borys Grinchenko’s pseudonyms is connected with the first publications of poems. The article proposes an assumption about their sources and significance. The reconstructed relationship between Borys Grinchenko and leading figures of Ukrainian culture is important for understanding the history of subsequent publications of his works and individual sources of literary and critical polemics of the 1890s. The materials and observations proposed in the article will be included in the scientific biography of Borys Grinchenko, which is being prepared by specialists of the Department of Ukrainian Literature, Comparative Studies and Grinchenko Studies of Grinchenko University.
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