{"title":"San Juan Bautista en Vallehermoso: de ermita a templo parroquial (1577- 1635)","authors":"Pablo Jerez Sabater","doi":"10.25145/j.histcan.2022.204.01","DOIUrl":"https://doi.org/10.25145/j.histcan.2022.204.01","url":null,"abstract":"With this paper we research the genesis of the parish of San Juan Bautista in Vallehermoso, La Gomera. Taking into account that its origin dates back to 1635 by episcopal mandate, we intend to shed light on the primitive hermitage and its evolution until it acquired its own entity as a parish church, based on the first texts that place it in 1577.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74467234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La intensificación de la búsqueda de momias guanches en Tenerife durante la segunda mitad del siglo xix. La Camellita, Hoya Brunco, Araya, Agua de Dios, Escobonal, Ajabo, Martiánez, Teno, Anaga, San Andrés y barranco de Santos (1850-1899)","authors":"A. Mederos Martín, Gabriel Escribano Cobo","doi":"10.25145/j.histcan.2022.204.05","DOIUrl":"https://doi.org/10.25145/j.histcan.2022.204.05","url":null,"abstract":"The second half of the 19th century was the time with the highest number of mummy finds on the island of Tenerife, with a minimum of 25 individuals. Part of the findings were due to chance finds, some of them sent to the Royal Academy of History and the National Archaeological Museum in Madrid or deposited in the Casilda collection on Tacoronte, but in three cases they were commissions for foreign museums, as happened in Araya (1862), San Andrés (1890) and ravine of Santos (1892). A novelty was the demand from Canarian collectors who had emigrated to America, which ended up propitiate the departure of 3 mummies from the Casilda collection for Argentina and another for Cuba.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"77 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84962047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La circunnavegación de África por parte de los hermanos Vivaldi en 1291: precursores de Vasco da Gama","authors":"Alberto Quartapelle","doi":"10.25145/j.histcan.2022.204.11","DOIUrl":"https://doi.org/10.25145/j.histcan.2022.204.11","url":null,"abstract":"In 1291, the brothers Vadino and Ugolino Vivaldi set off from Genoa in two galleys with the aim of reaching ad parte Indiae. A document lost for 700 years, Galvano Fiamma’s Ystoria Ethyopie, offers new elements that allow us to conclude the Vivaldi managed to circumnavigate Africa on their expedition and, therefore, they can be considered the forerunners of Vasco da Gama. Documents are presented in the appendix that show that the Allegrancia galley did not participate in such undertaking, and, for that reason, it could not give its name to the northernmost of the Canary Islands, the Island of Alegranza.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"97 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73633457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Antonio Marrero Alberto, Lucía Irma Pérez González
{"title":"La hacienda de Los Príncipes y su ermita (Tacoronte). La imagen de san Juan Bautista: historia y restauración","authors":"Antonio Marrero Alberto, Lucía Irma Pérez González","doi":"10.25145/j.histcan.2022.204.04","DOIUrl":"https://doi.org/10.25145/j.histcan.2022.204.04","url":null,"abstract":"The image of San Juan Bautista from the hermitage of the same name in Tacoronte was restored in 2019, revealing the original polychromy that allowed its dating. With this article we address its study while addressing the multiple possibilities that the work of restorers and the analyzes carried out on the piece have for art historians.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"51 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74143167","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Aportaciones a la fundación y la evolución arquitectónica del convento de San José de La Orotava (1597-1869)","authors":"Jesús Rodríguez Bravo","doi":"10.25145/j.histcan.2022.204.07","DOIUrl":"https://doi.org/10.25145/j.histcan.2022.204.07","url":null,"abstract":"The convent of San José in La Orotava opened its doors in January 1601, but the project to found it was conceived much earlier. Over the centuries it grew architecturally until it occupied the entirety of the most coveted block in the urban center of the town. It survived until 1869, when it was closed and demolished. This article covers the moments prior to the foundation and the subsequent development of the building until its disappearance, from the point of view of its architecture and incorporating historical data and information to complete the outline of its history.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"71 3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89163096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"De Madeira a Canarias. Fray Gerardo de Abreu (1748-1787...) y los frontales pintados de altar","authors":"Juan Alejandro Lorenzo Lima","doi":"10.25145/j.histcan.2022.204.02","DOIUrl":"https://doi.org/10.25145/j.histcan.2022.204.02","url":null,"abstract":"In this paper we study the biography of the painter Gerardo Francisco de Abreu (1748-1787...), born in Funchal and resident in Santa Cruz de Tenerife during the 1770s. With these circumstances and his hypothetical profession as a Franciscan friar in 1779, the context that made possible a previous learning is analyzed, as well as the conservative sense of the work that he attended at the end of the 18th century and, specially, the value that he acquires to establish artistic interrelationships between the Atlantic islands, an extensible phenomenon to several painters of the Villavicencio family. From an altarpiece frontal signed and dated in 1787, two more can be attributed to him, preserved in La Orotava and Los Realejos.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"32 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74988101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El pintor Juan de Miranda (1723-1805): redescubrimientos y nuevas atribuciones","authors":"Juan Alejandro Lorenzo Lima","doi":"10.25145/j.histcan.2020.202.14","DOIUrl":"https://doi.org/10.25145/j.histcan.2020.202.14","url":null,"abstract":"espanolEn este articulo se dan a conocer varias obras que pudo realizar el pintor Juan de Miranda (1723-1805), conservadas en templos y domicilios de la isla de Tenerife. Refiere tambien lo conocido sobre dos lienzos que otros investigadores vincularon anos atras con su produccion, cuyo redescubrimiento casual en Burgos y Santa Clara (Cuba) permite establecer lecturas o analisis interpretativos mas completos porque insisten en la notoriedad de ciertas iconografias, los modelos artisticos, la dependencia creativa respecto al grabado y el vinculo con la religiosidad del siglo xviii. EnglishIn this essay we present several works that artist Juan de Miranda (1723-1805) could paint, preserved in churches and homes on the island of Tenerife. It also refers to the analysis carried out about two more paintings that other researchers had related to his pictorial production, whose casual rediscovery in Burgos and Santa Clara (Cuba) allows for more comprehensive interpretative readings or analyzes because they affect iconographic themes, artistic models, creative dependence on engraving and its relationship with the religious forms of the Enlightenment.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88722845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Arquitectura asistencial e iconografía hospitalaria. Uso y función de una casa-hospital del siglo XVI (II)","authors":"Jesús Pérez Morera","doi":"10.25145/j.histcan.2020.202.11","DOIUrl":"https://doi.org/10.25145/j.histcan.2020.202.11","url":null,"abstract":"","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"190 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73186852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Surcando mares de papel y tinta. La presencia de Canarias en el cartelismo naval comercial (1883-1960). (I)","authors":"José Manuel Padrino Barrera","doi":"10.25145/j.histcan.2020.202.13","DOIUrl":"https://doi.org/10.25145/j.histcan.2020.202.13","url":null,"abstract":"This article is the second part and conclusion of the approach to the commercial naval poster linked to the Canary Islands. We will take a brief look at the most representative examples of the period in question, providing a list of works in which the different printing techniques used in their production, the socio-cultural and aesthetic context in which they were made, and their corresponding authorship can be seen, as long as this has been corroborated. It also highlights the contribution of the avant-garde movements of the early 20th century to commercial naval poster design and, particularly, it claims a well-known advertisement by the Tenerife painter Pedro de Guezala in this aesthetic context.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83460916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La configuración de una hacienda de carácter fiscal. El caso de Santa Cruz de Tenerife, 1850-1880","authors":"María del Pino Ojeda Cabrera","doi":"10.25145/j.histcan.2019.201.09","DOIUrl":"https://doi.org/10.25145/j.histcan.2019.201.09","url":null,"abstract":"","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85761706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}