{"title":"Barrio Tradicional de La Isleta de Las Palmas de Gran Canaria: transformaciones sociales, arquitectónicas y urbanas en acto. Análisis y posibles vías a seguir","authors":"Cesare Dallatomasina","doi":"10.25145/j.histcan.2023.205.02","DOIUrl":"https://doi.org/10.25145/j.histcan.2023.205.02","url":null,"abstract":"With this work we want to highlight the problems that today mostly affect the property heritage and the social fabric of the Traditional Neighborhood of the Isleta de Las Palmas de Gran Canaria. In this sense, as soon as it describes a process that in this context results in a strong increase, one of the terms that supports this research is gentrification. For this purpose, the rise in rental costs and what are the factors that are causing this phenomenon will be examined. Particular attention will be reserved for Vacation Homes, the inconveniences it is causing and the illicit acts that many of them are committing. Work that will even deal with issues related to mobility and the high number of vehicles that are harming the habitability and image of the original grid. Analysis that will end with the formulation of possible paths to follow that, if carried out correctly, would entail certain requalifications.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"495 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77070872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tomás Emeterio del Sacramento Sosa y Wangüemert: un veguero isleño en Cuba, un pionero del tabaco y patriarca en la isla de Trinidad /","authors":"Jo-Anne S. Ferreira","doi":"10.25145/j.histcan.2023.205.03","DOIUrl":"https://doi.org/10.25145/j.histcan.2023.205.03","url":null,"abstract":"Born in the Canary Islands of Spanish and Portuguese (Sosa) and Flemish (van Ghemert/ Wangüemert) origin, Tomás Sosa Wangüemert (1859-1925) left his homeland of the island of La Palma at an early age and emigrated to Camagüey, Cuba where he spent two decades growing tobacco. In the late 19th century (ca. 1889), was contracted by the Government of Trinidad to grow tobacco and develop the industry on that island, where he settled and remained for more than three decades. This article traces the history of this tobacco pioneer and his contribution to the tobacco industry in Trinidad in the 19th century until the early 20th century.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"41 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80724227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La batalla de Santa Cruz de Tenerife, de 30 de abril de 1657","authors":"Alberto García Montes de Oca","doi":"10.25145/j.histcan.2023.205.05","DOIUrl":"https://doi.org/10.25145/j.histcan.2023.205.05","url":null,"abstract":"This is the greatest battle of the History of Tenerife, and happened during the Anglo-Spanish War of 1655-1660, although Historiography relieves it to a residual place among the Canarian historical events. This, put in Santa Cruz waters the only complete Indian Fleet lost entirely in a harbour, and in a single event. In this participated the New Spain Fleet, of Diego de Egues, joined to the defense of Santa Cruz, commanded by Alonso Dávila y Guzmán, against the English Army of Robert Blake and his second, Richard Stayner.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"79 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76864241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La fortuna indiana. El patrocinio artístico de Marcos de Torres. Nuevas aportaciones","authors":"Pablo Hernández Abreu","doi":"10.25145/j.histcan.2023.205.06","DOIUrl":"https://doi.org/10.25145/j.histcan.2023.205.06","url":null,"abstract":"\"The idea of emigration has always been present throughout history. from the 17th and 18th centuries, many tried to seek their fortune in the new world. one of the most outstanding was the icodense Marcos de Torres, known for the foundation of the hermitage of angustias, image he brought from america along with all the pieces of the trousseau and ornament of the temple. but he not only endowed this enclosure but he made other important works for the history of the region, benefiting its neighbors and enriching the temples of icod, remaining as the personality who met all the requirements to enlarge the myth of the emigrant who returns with fortune\"","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"43 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73305642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Historia de un cuadro que viajó a Tenerife. Eneas narrando a Dido las desgracias de Troya, de Pierre-Narcisse Guérin","authors":"Jesús Rodríguez Bravo","doi":"10.25145/j.histcan.2023.205.14","DOIUrl":"https://doi.org/10.25145/j.histcan.2023.205.14","url":null,"abstract":"In 2020 the Museo del Prado lifted the deposit it held on the painting Aeneas tells Dido the Misfortunes of Troy, by the French painter Pierre-Narcisse Guérin. The work had arrived in Tenerife in 1911 to decorate the recently inaugurated municipal building of La Orotava, where it remained for more than a hundred years with periods of neglect, and did not regain its splendour until now. Today it hangs in one of its rooms, within the International Neoclassicism. This article tells the story of its journey to Tenerife and its importance in the artist’s work.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"41 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78069537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"De Madeira a Canarias: influencias del artesonado mudéjar de la catedral de Funchal en las iglesias de Santa Cruz de La Palma (siglos xvi y xvii","authors":"Antonio Marrero Alberto","doi":"10.25145/j.histcan.2023.205.08","DOIUrl":"https://doi.org/10.25145/j.histcan.2023.205.08","url":null,"abstract":"During the 16th century and the first half of the 17th century, Portuguese carpenters and polychromers such as Gaspar Núñez and Juan de Sosa settled down and worked on the realization of the Mudejar coffered ceilings that covered the churches of El Salvador, San Francisco and Santo Domingo in Santa Cruz. from La Palma. Through the reading of archival documentary sources, the biographical data obtained, the structural and decorative analysis of the mentioned roofs, and the comparison of the mentioned armor and those that close the Cathedral of Funchal, we intend to establish an incessant artistic relationship between the island of La Palma and Madeira for the mentioned chronological segment.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83891039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Arte de Retorno. La retroalimentación artística entre América Latina y las Islas Canarias, y su papel en la conformación del patrimonio colonial chileno (siglos xvii-xviii)","authors":"Antonio Marrero Alberto","doi":"10.25145/j.histcan.2022.204.03","DOIUrl":"https://doi.org/10.25145/j.histcan.2022.204.03","url":null,"abstract":"The objective of this article is to propose a new concept, the Art of Return, which gives a name to the process of artistic feedback between Latin America and the Canary Islands in the colonial period. The transfer of influences in an Atlantic and commercial context between Europe and America allows the formulation of the aforementioned concept, which adapts to this round trip, and whose protagonists are the viceroyalties and the Canary Islands. In the same way, we intend to observe the extent to which this intellectual trade influenced the conformation of the colonial heritage in Chile.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"243 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73287894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El ornato en Canarias 1907-1930. Los arquitectos y el uso de las molduras en las fachadas de Tenerife","authors":"José Antonio Sabina González","doi":"10.25145/j.histcan.2022.204.09","DOIUrl":"https://doi.org/10.25145/j.histcan.2022.204.09","url":null,"abstract":"The moldings, which complement the decoration of a building, were represented with an important quality of geometric and organic details, at a time when ornamentation on the facade prevailed. This article will show some, and especially the architects who have included them in their facades will be studied in Tenerife, consulting their plans in the municipal archives between the years 1907 and 1930 in order to obtain results on the particular characteristics of these technicians with respect to these ornaments.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85987003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Acerca de una posible estatua de Hércules hallada en las Islas Canarias en 1341","authors":"Alberto Quartapelle","doi":"10.25145/j.histcan.2022.204.06","DOIUrl":"https://doi.org/10.25145/j.histcan.2022.204.06","url":null,"abstract":"Some manuscripts from the 14th and 16th centuries pointed out the presence of several stone statues of a naked man in some of the Canary Islands. Thus far, it has not been possible to confirm the origin of these statues, nor whether they represented a man or a god. Several hypotheses are analysed in this article, but it is considered that the most probable is that these statues were those of Hercules, carrying in his hand the golden apples stolen from the Garden of the Hesperides. Their establishment in the Canary Islands would go back to the time of the first Roman emperors, in particular the Emperor Hadrian","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"53 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85046985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La pintura mural en Los Realejos y el patrocinio artístico de José Leal y Leal. Tres frescos de Francisco Bonnín en la casona de La Gorvorana","authors":"Germán F. Rodríguez Cabrera","doi":"10.25145/j.histcan.2022.204.08","DOIUrl":"https://doi.org/10.25145/j.histcan.2022.204.08","url":null,"abstract":"This article tries to approach the mural painting in Los Realejos. With a small group of preserved works, the three frescoes by Francisco Bonnín Guerín (1874-1963) in one of the corridors of the La Gorvorana mansion stand out. The hacienda is a good example of the large properties linked in entailment that in the 19th century became the property of bourgeois returned from the Spanish Caribbean. In these works, the painter shows the influence on Bonnín of other insular artists. In the same way, we delve into its promoter, José Leal y Leal, his life, artistic sensitivity and his portrait.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76736433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}