La pintura mural en Los Realejos y el patrocinio artístico de José Leal y Leal. Tres frescos de Francisco Bonnín en la casona de La Gorvorana

Germán F. Rodríguez Cabrera
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Abstract

This article tries to approach the mural painting in Los Realejos. With a small group of preserved works, the three frescoes by Francisco Bonnín Guerín (1874-1963) in one of the corridors of the La Gorvorana mansion stand out. The hacienda is a good example of the large properties linked in entailment that in the 19th century became the property of bourgeois returned from the Spanish Caribbean. In these works, the painter shows the influence on Bonnín of other insular artists. In the same way, we delve into its promoter, José Leal y Leal, his life, artistic sensitivity and his portrait.
Los Realejos的壁画和jose Leal y Leal的艺术赞助。弗朗西斯科bonin的三幅壁画在戈沃拉纳的房子里
本文试图探讨洛斯雷埃霍斯的壁画。弗朗西斯科Bonnín Guerín(1874-1963)的三幅壁画在La Gorvorana府邸的一个走廊里,与一小群保存的作品一起脱颖而出。庄园是大型地产的一个很好的例子,在19世纪成为从西班牙加勒比海回来的资产阶级的财产。在这些作品中,画家展示了其他孤立艺术家对Bonnín的影响。以同样的方式,我们深入研究了它的发起人,josousy Leal,他的生活,艺术敏感性和他的肖像。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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