{"title":"Los Realejos的壁画和jose Leal y Leal的艺术赞助。弗朗西斯科bonin的三幅壁画在戈沃拉纳的房子里","authors":"Germán F. Rodríguez Cabrera","doi":"10.25145/j.histcan.2022.204.08","DOIUrl":null,"url":null,"abstract":"This article tries to approach the mural painting in Los Realejos. With a small group of preserved works, the three frescoes by Francisco Bonnín Guerín (1874-1963) in one of the corridors of the La Gorvorana mansion stand out. The hacienda is a good example of the large properties linked in entailment that in the 19th century became the property of bourgeois returned from the Spanish Caribbean. In these works, the painter shows the influence on Bonnín of other insular artists. In the same way, we delve into its promoter, José Leal y Leal, his life, artistic sensitivity and his portrait.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"20 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La pintura mural en Los Realejos y el patrocinio artístico de José Leal y Leal. Tres frescos de Francisco Bonnín en la casona de La Gorvorana\",\"authors\":\"Germán F. Rodríguez Cabrera\",\"doi\":\"10.25145/j.histcan.2022.204.08\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article tries to approach the mural painting in Los Realejos. With a small group of preserved works, the three frescoes by Francisco Bonnín Guerín (1874-1963) in one of the corridors of the La Gorvorana mansion stand out. The hacienda is a good example of the large properties linked in entailment that in the 19th century became the property of bourgeois returned from the Spanish Caribbean. In these works, the painter shows the influence on Bonnín of other insular artists. In the same way, we delve into its promoter, José Leal y Leal, his life, artistic sensitivity and his portrait.\",\"PeriodicalId\":82491,\"journal\":{\"name\":\"Revista de historia canaria\",\"volume\":\"20 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista de historia canaria\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25145/j.histcan.2022.204.08\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista de historia canaria","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25145/j.histcan.2022.204.08","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
La pintura mural en Los Realejos y el patrocinio artístico de José Leal y Leal. Tres frescos de Francisco Bonnín en la casona de La Gorvorana
This article tries to approach the mural painting in Los Realejos. With a small group of preserved works, the three frescoes by Francisco Bonnín Guerín (1874-1963) in one of the corridors of the La Gorvorana mansion stand out. The hacienda is a good example of the large properties linked in entailment that in the 19th century became the property of bourgeois returned from the Spanish Caribbean. In these works, the painter shows the influence on Bonnín of other insular artists. In the same way, we delve into its promoter, José Leal y Leal, his life, artistic sensitivity and his portrait.