{"title":"从马德拉到加那利群岛:圣克鲁斯德拉帕尔马教堂丰沙尔大教堂mudejar方格的影响(16和17世纪)","authors":"Antonio Marrero Alberto","doi":"10.25145/j.histcan.2023.205.08","DOIUrl":null,"url":null,"abstract":"During the 16th century and the first half of the 17th century, Portuguese carpenters and polychromers such as Gaspar Núñez and Juan de Sosa settled down and worked on the realization of the Mudejar coffered ceilings that covered the churches of El Salvador, San Francisco and Santo Domingo in Santa Cruz. from La Palma. Through the reading of archival documentary sources, the biographical data obtained, the structural and decorative analysis of the mentioned roofs, and the comparison of the mentioned armor and those that close the Cathedral of Funchal, we intend to establish an incessant artistic relationship between the island of La Palma and Madeira for the mentioned chronological segment.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"21 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"De Madeira a Canarias: influencias del artesonado mudéjar de la catedral de Funchal en las iglesias de Santa Cruz de La Palma (siglos xvi y xvii\",\"authors\":\"Antonio Marrero Alberto\",\"doi\":\"10.25145/j.histcan.2023.205.08\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"During the 16th century and the first half of the 17th century, Portuguese carpenters and polychromers such as Gaspar Núñez and Juan de Sosa settled down and worked on the realization of the Mudejar coffered ceilings that covered the churches of El Salvador, San Francisco and Santo Domingo in Santa Cruz. from La Palma. Through the reading of archival documentary sources, the biographical data obtained, the structural and decorative analysis of the mentioned roofs, and the comparison of the mentioned armor and those that close the Cathedral of Funchal, we intend to establish an incessant artistic relationship between the island of La Palma and Madeira for the mentioned chronological segment.\",\"PeriodicalId\":82491,\"journal\":{\"name\":\"Revista de historia canaria\",\"volume\":\"21 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista de historia canaria\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25145/j.histcan.2023.205.08\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista de historia canaria","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25145/j.histcan.2023.205.08","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在16世纪和17世纪上半叶，葡萄牙木匠和多色画家(如Gaspar Núñez和Juan de Sosa)在这里定居下来，致力于实现覆盖萨尔瓦多、旧金山和圣克鲁斯圣多明各教堂的穆德哈尔格子天花板。来自拉帕尔马。通过阅读档案文献资料，获得的传记资料，对提到的屋顶进行结构和装饰分析，并将提到的装甲与丰沙尔大教堂的装甲进行比较，我们打算在拉帕尔马岛和马德拉岛之间建立一种持续不断的艺术关系。
De Madeira a Canarias: influencias del artesonado mudéjar de la catedral de Funchal en las iglesias de Santa Cruz de La Palma (siglos xvi y xvii
During the 16th century and the first half of the 17th century, Portuguese carpenters and polychromers such as Gaspar Núñez and Juan de Sosa settled down and worked on the realization of the Mudejar coffered ceilings that covered the churches of El Salvador, San Francisco and Santo Domingo in Santa Cruz. from La Palma. Through the reading of archival documentary sources, the biographical data obtained, the structural and decorative analysis of the mentioned roofs, and the comparison of the mentioned armor and those that close the Cathedral of Funchal, we intend to establish an incessant artistic relationship between the island of La Palma and Madeira for the mentioned chronological segment.
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